WEBVTT 00:00:00.000 --> 00:00:00.540 align:middle line:90% 00:00:00.540 --> 00:00:02.970 align:middle line:90% Last poem is the title poem. 00:00:02.970 --> 00:00:08.470 align:middle line:84% This poem is not based on a photograph, 00:00:08.470 --> 00:00:13.930 align:middle line:84% but it uses a photograph to talk about what, to be honest, 00:00:13.930 --> 00:00:16.880 align:middle line:84% it didn't know how to talk about when it started. 00:00:16.880 --> 00:00:19.970 align:middle line:84% And so the photo is helpful for it to come back to it. 00:00:19.970 --> 00:00:22.255 align:middle line:84% But I think the photo self-identifies in the poem. 00:00:22.255 --> 00:00:25.890 align:middle line:90% 00:00:25.890 --> 00:00:29.800 align:middle line:90% American Children. 00:00:29.800 --> 00:00:33.640 align:middle line:84% This time when it comes, it comes all the way 00:00:33.640 --> 00:00:38.200 align:middle line:84% like a fist to the throat, only harder. 00:00:38.200 --> 00:00:41.890 align:middle line:84% Only this time, it comes from inside, 00:00:41.890 --> 00:00:44.680 align:middle line:90% the way a plane explodes. 00:00:44.680 --> 00:00:47.410 align:middle line:84% And what it takes to step from puzzle piece 00:00:47.410 --> 00:00:51.610 align:middle line:84% to piece of wreckage still smoldering on the lake's calm 00:00:51.610 --> 00:00:53.200 align:middle line:90% face. 00:00:53.200 --> 00:00:55.720 align:middle line:90% I wouldn't know. 00:00:55.720 --> 00:00:58.600 align:middle line:84% I wouldn't know because I'm not in the picture 00:00:58.600 --> 00:01:01.870 align:middle line:84% of the cab and the cop and the rubbernecks 00:01:01.870 --> 00:01:05.590 align:middle line:84% with their hands pressed together like cheap sandwiches 00:01:05.590 --> 00:01:09.280 align:middle line:84% are slung from their pockets like birds. 00:01:09.280 --> 00:01:12.790 align:middle line:84% Sometimes, they tsk and look away. 00:01:12.790 --> 00:01:16.010 align:middle line:84% But the problem is they have to look at something, 00:01:16.010 --> 00:01:18.790 align:middle line:90% and so they look at me. 00:01:18.790 --> 00:01:21.560 align:middle line:84% They think they are looking through a window, 00:01:21.560 --> 00:01:25.270 align:middle line:84% but because it has rained, the window is streaked, 00:01:25.270 --> 00:01:29.530 align:middle line:84% and all they see, probably, and a little blurry, 00:01:29.530 --> 00:01:33.610 align:middle line:84% is themselves, which is all they are really, 00:01:33.610 --> 00:01:38.380 align:middle line:84% even in a photograph stalled at the intersection of America 00:01:38.380 --> 00:01:43.300 align:middle line:84% in time where these things happen as we say when there's 00:01:43.300 --> 00:01:44.440 align:middle line:90% nothing to be done. 00:01:44.440 --> 00:01:47.410 align:middle line:84% And what I failed to notice is the chalk 00:01:47.410 --> 00:01:52.780 align:middle line:84% outline on the pavement so faint already it looks like a wind. 00:01:52.780 --> 00:01:57.760 align:middle line:84% If a wind can live in a photograph, might erase it. 00:01:57.760 --> 00:02:01.150 align:middle line:84% Even to mention it is a violation to which 00:02:01.150 --> 00:02:03.220 align:middle line:90% I am prepared to plead guilty. 00:02:03.220 --> 00:02:06.700 align:middle line:84% On the day of judgment assigned me. 00:02:06.700 --> 00:02:09.729 align:middle line:84% Until then, I am sentenced to witness 00:02:09.729 --> 00:02:13.210 align:middle line:84% what Louis Faurer sentenced to the foreground 00:02:13.210 --> 00:02:18.460 align:middle line:84% in black and white, untitled, in 1949: 00:02:18.460 --> 00:02:22.080 align:middle line:90% a boy in a striped t-shirt. 00:02:22.080 --> 00:02:27.090 align:middle line:84% He's so skinny he wears his arms like a straitjacket. 00:02:27.090 --> 00:02:29.310 align:middle line:90% How cold he must be. 00:02:29.310 --> 00:02:33.930 align:middle line:84% Each tooth, drilled into a lip like an Ice Age. 00:02:33.930 --> 00:02:36.480 align:middle line:90% His eyes are BBs. 00:02:36.480 --> 00:02:38.940 align:middle line:90% I don't know what to say. 00:02:38.940 --> 00:02:41.100 align:middle line:84% I don't know what to say and that 00:02:41.100 --> 00:02:43.230 align:middle line:84% is the problem of this poem, which 00:02:43.230 --> 00:02:45.870 align:middle line:84% is not in fact about a photograph, 00:02:45.870 --> 00:02:51.000 align:middle line:84% but about a woman outside my office weeping in the hall. 00:02:51.000 --> 00:02:54.780 align:middle line:84% She is not engaged by photography or art 00:02:54.780 --> 00:02:58.440 align:middle line:84% or the leisure class of language at the moment. 00:02:58.440 --> 00:03:02.460 align:middle line:84% She has lost a child, that's all. 00:03:02.460 --> 00:03:04.980 align:middle line:84% And although it has been almost a year, 00:03:04.980 --> 00:03:08.220 align:middle line:90% there is no consoling her now. 00:03:08.220 --> 00:03:10.600 align:middle line:90% Time has broken. 00:03:10.600 --> 00:03:13.140 align:middle line:90% This is not mine to claim. 00:03:13.140 --> 00:03:17.730 align:middle line:84% What can be written has been written already on a Kleenex 00:03:17.730 --> 00:03:19.410 align:middle line:90% I gave her. 00:03:19.410 --> 00:03:21.860 align:middle line:90% Let the wind blow it away. 00:03:21.860 --> 00:03:25.000 align:middle line:90%