WEBVTT 00:00:00.000 --> 00:00:01.020 align:middle line:90% 00:00:01.020 --> 00:00:01.740 align:middle line:90% OK. 00:00:01.740 --> 00:00:04.890 align:middle line:84% Some of the poems in this new book are in forms 00:00:04.890 --> 00:00:07.500 align:middle line:84% but I also teach a forms of poetry class. 00:00:07.500 --> 00:00:12.960 align:middle line:84% And as soon as I teach my student friends the form 00:00:12.960 --> 00:00:17.670 align:middle line:84% I immediately try and suggest ways to start bending the form. 00:00:17.670 --> 00:00:22.740 align:middle line:84% And I happen to rather enjoy the pantoum which 00:00:22.740 --> 00:00:25.200 align:middle line:84% is-- how many of you guys know what a pantoum is? 00:00:25.200 --> 00:00:28.520 align:middle line:90% Oh, please help us. 00:00:28.520 --> 00:00:30.500 align:middle line:90% Come on. 00:00:30.500 --> 00:00:32.774 align:middle line:90% Who can say it? 00:00:32.774 --> 00:00:39.746 align:middle line:84% So the first and the second letter come from-- 00:00:39.746 --> 00:00:45.224 align:middle line:84% the second and third stanza have the question for-- 00:00:45.224 --> 00:00:48.230 align:middle line:90% 00:00:48.230 --> 00:00:50.400 align:middle line:90% Close. 00:00:50.400 --> 00:00:51.410 align:middle line:90% Yeah. 00:00:51.410 --> 00:00:55.040 align:middle line:84% The pantoum is, actually it's a Malayan repeating form; 00:00:55.040 --> 00:00:57.950 align:middle line:84% it's written in quatrains, four line stanzas. 00:00:57.950 --> 00:01:02.180 align:middle line:84% And the second and fourth line of each stanza 00:01:02.180 --> 00:01:06.560 align:middle line:84% becomes the first and third line of the subsequent stanza right 00:01:06.560 --> 00:01:09.620 align:middle line:84% through the end stanza and in the end stanza, 00:01:09.620 --> 00:01:12.140 align:middle line:84% additionally, the second and fourth line 00:01:12.140 --> 00:01:15.200 align:middle line:84% turn out to be the first and third line of the first stanza, 00:01:15.200 --> 00:01:17.450 align:middle line:90% usually in reverse order. 00:01:17.450 --> 00:01:18.980 align:middle line:90% OK. 00:01:18.980 --> 00:01:19.940 align:middle line:90% There will be a quiz. 00:01:19.940 --> 00:01:22.580 align:middle line:90% 00:01:22.580 --> 00:01:26.660 align:middle line:84% But it seemed to me because repetition is not 00:01:26.660 --> 00:01:28.400 align:middle line:84% so interesting unless it's varied, 00:01:28.400 --> 00:01:30.470 align:middle line:84% it seemed to me not so interesting to repeat 00:01:30.470 --> 00:01:31.620 align:middle line:90% entire lines. 00:01:31.620 --> 00:01:35.990 align:middle line:84% So in this poem, I repeat only parts of lines or indeed 00:01:35.990 --> 00:01:38.450 align:middle line:90% sometimes only parts of words. 00:01:38.450 --> 00:01:39.215 align:middle line:90% Yeah who cares? 00:01:39.215 --> 00:01:41.980 align:middle line:90% 00:01:41.980 --> 00:01:44.930 align:middle line:84% But it seems to me to be a very kind of jittery form, 00:01:44.930 --> 00:01:47.720 align:middle line:90% so this poem is called Jittery. 00:01:47.720 --> 00:01:50.210 align:middle line:84% Nancy takes me to a coffee shop called 00:01:50.210 --> 00:01:56.390 align:middle line:84% Jitters, which is I'm thinking like naming a bar drunk. 00:01:56.390 --> 00:01:58.430 align:middle line:84% What you get when you get too much of what it 00:01:58.430 --> 00:02:00.290 align:middle line:84% is they've got to give you though, 00:02:00.290 --> 00:02:03.290 align:middle line:84% that's just me of course going off. 00:02:03.290 --> 00:02:06.290 align:middle line:84% I'm feeling kind of drunk on talk and too much 00:02:06.290 --> 00:02:12.020 align:middle line:84% coffee and Nancy's laughing easy like she maybe thinks, OK. 00:02:12.020 --> 00:02:16.580 align:middle line:84% Me, I mean, though I'm reading into things of course, talk, 00:02:16.580 --> 00:02:19.220 align:middle line:84% laughter, speed reading into things, 00:02:19.220 --> 00:02:21.260 align:middle line:84% what with all the coffee and little sleep 00:02:21.260 --> 00:02:23.450 align:middle line:90% I'm running on of late. 00:02:23.450 --> 00:02:25.820 align:middle line:84% Things, their course, have not been great 00:02:25.820 --> 00:02:29.510 align:middle line:84% though I'm feeling not unhappy to be alive and not asleep 00:02:29.510 --> 00:02:32.240 align:middle line:84% and here with Nancy blabbing out my life 00:02:32.240 --> 00:02:34.430 align:middle line:84% like some black and white Karl Malden 00:02:34.430 --> 00:02:37.280 align:middle line:84% movie tough guy grateful to finally confess. 00:02:37.280 --> 00:02:40.730 align:middle line:84% And yes, I'll obsess on splitting that infinitive since 00:02:40.730 --> 00:02:45.950 align:middle line:84% Nancy knows syntax (syn-, together, plus tassein, 00:02:45.950 --> 00:02:47.150 align:middle line:90% to arrange). 00:02:47.150 --> 00:02:50.840 align:middle line:84% Nancy knows yoga, Neruda, dogs, and yes, 00:02:50.840 --> 00:02:53.450 align:middle line:84% to the body's thoughtless crush on the world 00:02:53.450 --> 00:02:56.720 align:middle line:84% and her smile flies open like a sun flushed dove. 00:02:56.720 --> 00:03:00.800 align:middle line:84% And right, I know I talk too much and think too much about 00:03:00.800 --> 00:03:03.800 align:middle line:84% what I'm thinking and not enough about what I say, 00:03:03.800 --> 00:03:07.020 align:middle line:84% and simmer too long in the crock of myself, 00:03:07.020 --> 00:03:10.610 align:middle line:84% which is right where I get when I get this way and want to say 00:03:10.610 --> 00:03:15.710 align:middle line:84% shut up Simmerman, just shut up... 00:03:15.710 --> 00:03:19.030 align:middle line:90% Nancy takes me to a coffee shop. 00:03:19.030 --> 00:03:20.000 align:middle line:90%