WEBVTT 00:00:00.000 --> 00:00:00.750 align:middle line:90% 00:00:00.750 --> 00:00:03.690 align:middle line:84% Our first reader tonight is Jim Simmerman, 00:00:03.690 --> 00:00:07.200 align:middle line:84% author of several collections of poetry, including Home, 00:00:07.200 --> 00:00:11.610 align:middle line:84% Once Out of Nature, Moon, Go Away, I Don't Love You No More, 00:00:11.610 --> 00:00:15.300 align:middle line:84% Kingdom Come, and the forthcoming American Children. 00:00:15.300 --> 00:00:18.450 align:middle line:84% Recipient of fellowships from the Arizona Commission 00:00:18.450 --> 00:00:22.650 align:middle line:84% on the Arts, Bread Loaf and Port Townsend Writers Conferences, 00:00:22.650 --> 00:00:25.920 align:middle line:84% Fine Arts Work Center, Hawthornden Castle 00:00:25.920 --> 00:00:27.810 align:middle line:84% International Retreat for Writers, 00:00:27.810 --> 00:00:29.910 align:middle line:84% and the National Endowment for the Arts, 00:00:29.910 --> 00:00:32.790 align:middle line:84% Simmerman is currently Regents Professor of English 00:00:32.790 --> 00:00:36.390 align:middle line:90% at Northern Arizona University. 00:00:36.390 --> 00:00:40.740 align:middle line:84% Simmerman's poems launch from every conceivable foundation 00:00:40.740 --> 00:00:43.980 align:middle line:84% of poetic technique, fly through a variety 00:00:43.980 --> 00:00:48.030 align:middle line:84% of atmospheric voices, poet, persona, lyric, 00:00:48.030 --> 00:00:50.430 align:middle line:84% and hold in an orbit of tone that 00:00:50.430 --> 00:00:52.740 align:middle line:90% is both humorous and tender. 00:00:52.740 --> 00:00:56.160 align:middle line:84% Simmerman's poetic drive seems to come from an obsession 00:00:56.160 --> 00:00:59.190 align:middle line:84% to get at what needs to be said through whatever mode 00:00:59.190 --> 00:01:02.340 align:middle line:84% necessary to better understand the self. 00:01:02.340 --> 00:01:05.099 align:middle line:84% In his forthcoming book, American Children, 00:01:05.099 --> 00:01:08.310 align:middle line:84% the poet comes to the fore and, as in other 00:01:08.310 --> 00:01:10.590 align:middle line:84% of Simmerman's books, renames the world 00:01:10.590 --> 00:01:13.860 align:middle line:84% to get a better grip on its elusiveness. 00:01:13.860 --> 00:01:17.160 align:middle line:84% As is shown from an excerpt taken from the poem "Road 00:01:17.160 --> 00:01:20.340 align:middle line:84% Music," there could be a car and there 00:01:20.340 --> 00:01:22.980 align:middle line:84% could be an elephant's graveyard of cars. 00:01:22.980 --> 00:01:27.030 align:middle line:84% And you could go there any night with a hammer and a crowbar 00:01:27.030 --> 00:01:29.040 align:middle line:90% and try to make them sing. 00:01:29.040 --> 00:01:32.040 align:middle line:84% Or try to make a poem about a car, 00:01:32.040 --> 00:01:34.920 align:middle line:90% and you could revise the poem. 00:01:34.920 --> 00:01:38.880 align:middle line:84% Here the rhythms and turns of thought make our mind sing. 00:01:38.880 --> 00:01:40.950 align:middle line:84% And what better way to re-understand 00:01:40.950 --> 00:01:43.860 align:middle line:84% our world, our graveyard of cars, 00:01:43.860 --> 00:01:46.200 align:middle line:90% than through the poet's song. 00:01:46.200 --> 00:01:49.730 align:middle line:84% Please help me welcome Jim Simmerman.