WEBVTT 00:00:00.000 --> 00:00:07.930 align:middle line:90% 00:00:07.930 --> 00:00:08.870 align:middle line:90% Hi, everyone. 00:00:08.870 --> 00:00:11.410 align:middle line:84% I'm Diana Marie Delgado, the literary director 00:00:11.410 --> 00:00:14.140 align:middle line:84% of the University of Arizona Poetry Center. 00:00:14.140 --> 00:00:16.930 align:middle line:84% And I want to welcome everyone to another episode 00:00:16.930 --> 00:00:19.720 align:middle line:84% of the Institute for Inquiry and Poetics, 00:00:19.720 --> 00:00:23.650 align:middle line:84% featuring ambassadors from our Art for Justice Initiative. 00:00:23.650 --> 00:00:25.630 align:middle line:84% The Institute for Inquiry and Poetics, 00:00:25.630 --> 00:00:27.880 align:middle line:84% founded at the University of Arizona Poetry Center, 00:00:27.880 --> 00:00:31.780 align:middle line:84% is a thought center designed to create space and time for poets 00:00:31.780 --> 00:00:33.670 align:middle line:84% to respond to pressing questions that 00:00:33.670 --> 00:00:37.390 align:middle line:84% reside at the intersection of social concern and poetry. 00:00:37.390 --> 00:00:39.700 align:middle line:84% Encouraging interdisciplinary modalities 00:00:39.700 --> 00:00:41.650 align:middle line:84% and investigative research, the institute 00:00:41.650 --> 00:00:44.680 align:middle line:84% will ask poets a series of questions and digitally 00:00:44.680 --> 00:00:48.210 align:middle line:84% archive their responses on poetry.arizona.edu, 00:00:48.210 --> 00:00:52.500 align:middle line:84% in addition to YouTube and the Center's archive, Voca. 00:00:52.500 --> 00:00:57.030 align:middle line:84% Tonight, I'm excited and honored to host Nicole Sealey, Hanif 00:00:57.030 --> 00:01:00.150 align:middle line:84% Abdurraqib, and John Murillo, as part of Art 00:01:00.150 --> 00:01:03.390 align:middle line:84% for Justice, a three-year project that commissions 00:01:03.390 --> 00:01:05.670 align:middle line:84% new work from leading writers, in conversation 00:01:05.670 --> 00:01:08.970 align:middle line:84% with the crisis of mass incarceration in the US, 00:01:08.970 --> 00:01:11.130 align:middle line:84% with the goal of creating new awareness 00:01:11.130 --> 00:01:14.760 align:middle line:84% and empathy through presentation and publication. 00:01:14.760 --> 00:01:18.960 align:middle line:84% I want to give a special thanks to TJ Hill at the UA, 00:01:18.960 --> 00:01:23.880 align:middle line:84% who is our producer, the Ford Foundation, and the entire team 00:01:23.880 --> 00:01:27.450 align:middle line:84% at the University of Arizona Poetry Center, who 00:01:27.450 --> 00:01:29.710 align:middle line:90% make this reading possible. 00:01:29.710 --> 00:01:31.330 align:middle line:84% In our program tonight, we are hoping 00:01:31.330 --> 00:01:33.850 align:middle line:84% to encourage an organic conversation 00:01:33.850 --> 00:01:36.460 align:middle line:84% about the process, craft of poetry, 00:01:36.460 --> 00:01:38.500 align:middle line:84% the ethics of mass incarceration, 00:01:38.500 --> 00:01:39.880 align:middle line:90% writing about it. 00:01:39.880 --> 00:01:41.870 align:middle line:84% In order to encourage that dialogue, 00:01:41.870 --> 00:01:43.750 align:middle line:84% we will have each poet read a poem, 00:01:43.750 --> 00:01:45.287 align:middle line:84% and then have another poet respond 00:01:45.287 --> 00:01:46.870 align:middle line:84% to the work with the poem that they've 00:01:46.870 --> 00:01:48.760 align:middle line:90% created for the project. 00:01:48.760 --> 00:01:51.040 align:middle line:84% We're encouraging conversation between the poets 00:01:51.040 --> 00:01:54.790 align:middle line:84% as a means of deeper understanding in the many forms 00:01:54.790 --> 00:01:56.770 align:middle line:84% of impact that mass incarceration 00:01:56.770 --> 00:01:59.510 align:middle line:90% has on so many lives. 00:01:59.510 --> 00:02:02.470 align:middle line:84% Let me begin with introducing all of our three 00:02:02.470 --> 00:02:05.970 align:middle line:90% readers and their bios. 00:02:05.970 --> 00:02:07.650 align:middle line:90% Nicole Sealey. 00:02:07.650 --> 00:02:10.139 align:middle line:84% Nicole Sealey is the author of "Ordinary Beast," 00:02:10.139 --> 00:02:13.080 align:middle line:84% finalist for the PEN Open Book and Hurston/Wright Legacy 00:02:13.080 --> 00:02:17.280 align:middle line:84% Awards, and "The Animal After Whom Other Animals are Named," 00:02:17.280 --> 00:02:20.280 align:middle line:84% winner of the Drinking Gourd Chapbook Poetry Prize. 00:02:20.280 --> 00:02:23.190 align:middle line:84% Her honors include a Rome Prize from the American Academy 00:02:23.190 --> 00:02:26.400 align:middle line:84% in Rome, a Hodder fellowship from Princeton University, 00:02:26.400 --> 00:02:29.490 align:middle line:84% the Stanley Kunitz Memorial Prize from the American Poetry 00:02:29.490 --> 00:02:33.300 align:middle line:84% Review, a Daniel Varoujan Award from the New England Poetry 00:02:33.300 --> 00:02:35.760 align:middle line:84% Club, and a Poetry International Prize, 00:02:35.760 --> 00:02:38.800 align:middle line:84% grants from the Elizabeth George and Jerome foundations, 00:02:38.800 --> 00:02:42.000 align:middle line:84% as well as fellowships from the Bread Loaf Writers Conference, 00:02:42.000 --> 00:02:44.640 align:middle line:84% Canto Mundo, Cave Canem, MacDowell, 00:02:44.640 --> 00:02:48.510 align:middle line:84% the New York Foundation for the Arts, and the Poetry Project. 00:02:48.510 --> 00:02:50.580 align:middle line:90% Nicole, you've been busy. 00:02:50.580 --> 00:02:54.090 align:middle line:84% Formerly the executive director at Cave Canem Foundation, 00:02:54.090 --> 00:02:57.240 align:middle line:84% she is a visiting professor at Boston University, City College 00:02:57.240 --> 00:02:59.880 align:middle line:84% of New York, and Syracuse University, 00:02:59.880 --> 00:03:03.450 align:middle line:84% and also teaches in New York University's Low-Residency MFA 00:03:03.450 --> 00:03:05.310 align:middle line:90% Writers Workshop in Paris. 00:03:05.310 --> 00:03:08.100 align:middle line:90% Welcome, Nicole. 00:03:08.100 --> 00:03:10.560 align:middle line:84% Continuing with our program, we will also 00:03:10.560 --> 00:03:14.280 align:middle line:84% be hosting Hanif Abdurraqib, who is a poet, essayist 00:03:14.280 --> 00:03:16.960 align:middle line:84% and cultural critic from Columbus, Ohio. 00:03:16.960 --> 00:03:20.220 align:middle line:84% His poetry has been published in Muzzle, Vinyl, PEN America, 00:03:20.220 --> 00:03:21.840 align:middle line:90% and various other journals. 00:03:21.840 --> 00:03:23.610 align:middle line:84% His essays and music criticism have 00:03:23.610 --> 00:03:26.280 align:middle line:84% been published in the FADER, Pitchfork, the New Yorker, 00:03:26.280 --> 00:03:27.660 align:middle line:90% and the New York Times. 00:03:27.660 --> 00:03:29.580 align:middle line:84% His first full length poetry collection, 00:03:29.580 --> 00:03:32.640 align:middle line:84% "The Crown Ain't Worth Much," was released in June 2016 00:03:32.640 --> 00:03:33.990 align:middle line:90% from Button Poetry. 00:03:33.990 --> 00:03:36.720 align:middle line:84% It was named a finalist for the Eric Hoffer Book Prize 00:03:36.720 --> 00:03:39.780 align:middle line:84% and was nominated for Hurston/Wright Legacy Award. 00:03:39.780 --> 00:03:42.870 align:middle line:84% With Big Lucks, he released the limited edition chapbook, 00:03:42.870 --> 00:03:45.750 align:middle line:84% "Vintage Sadness," in summer 2017. 00:03:45.750 --> 00:03:46.980 align:middle line:90% You can't get it anymore. 00:03:46.980 --> 00:03:49.145 align:middle line:90% And he's very sorry. 00:03:49.145 --> 00:03:51.270 align:middle line:84% His first collection of essays, "They Can't Kill Us 00:03:51.270 --> 00:03:54.060 align:middle line:84% Until They Kill Us," was released in winter 2017 00:03:54.060 --> 00:03:56.490 align:middle line:84% by Two Dollar Radio and was named a book of the year 00:03:56.490 --> 00:04:01.680 align:middle line:84% by BuzzFeed, Esquire, NPR, Oprah Magazine, Paste, CBC, the Los 00:04:01.680 --> 00:04:05.280 align:middle line:84% Angeles Review, Pitchfork, and the Chicago Tribune, 00:04:05.280 --> 00:04:06.570 align:middle line:90% among others. 00:04:06.570 --> 00:04:07.560 align:middle line:90% Amazing. 00:04:07.560 --> 00:04:09.030 align:middle line:84% He released "Go Ahead in the Rain: 00:04:09.030 --> 00:04:11.940 align:middle line:84% Notes to a Tribe Called Quest" with University of Texas Press 00:04:11.940 --> 00:04:13.680 align:middle line:90% in February 2019. 00:04:13.680 --> 00:04:15.690 align:middle line:84% The book became a New York Times best seller, 00:04:15.690 --> 00:04:17.339 align:middle line:84% was a finalist for the Kirkus Prize, 00:04:17.339 --> 00:04:19.860 align:middle line:84% and was longlisted for the National Book Award. 00:04:19.860 --> 00:04:22.710 align:middle line:84% His second collection of poems, "A Fortune For Your Disaster," 00:04:22.710 --> 00:04:26.220 align:middle line:84% was released in 2019 by Tin House, 00:04:26.220 --> 00:04:28.890 align:middle line:84% and won the 2020 Lenore Marshall Prize. 00:04:28.890 --> 00:04:31.830 align:middle line:84% In 2021, he will release the book "A Little Devil 00:04:31.830 --> 00:04:33.600 align:middle line:90% in America" with Random House. 00:04:33.600 --> 00:04:37.020 align:middle line:84% He is a graduate of Beechcroft High School. 00:04:37.020 --> 00:04:37.865 align:middle line:90% Welcome, Hanif. 00:04:37.865 --> 00:04:41.090 align:middle line:90% 00:04:41.090 --> 00:04:44.120 align:middle line:90% John Murillo is up also. 00:04:44.120 --> 00:04:46.880 align:middle line:84% John Murillo is the author of the poetry collections, 00:04:46.880 --> 00:04:50.660 align:middle line:84% "Up Jump the Boogie," Cypher, 2010, Four Way, 2020, 00:04:50.660 --> 00:04:53.780 align:middle line:84% finalist for both the Kate Tufts Discovery Award and the PEN 00:04:53.780 --> 00:04:54.680 align:middle line:90% Open Book Award. 00:04:54.680 --> 00:04:57.320 align:middle line:84% And "Contemporary American Poetry," 00:04:57.320 --> 00:05:00.410 align:middle line:84% forthcoming from Four Way Books, 2020. 00:05:00.410 --> 00:05:03.080 align:middle line:84% But that's out, you can get that now. 00:05:03.080 --> 00:05:04.910 align:middle line:84% His honors include a Pushcart Prize, 00:05:04.910 --> 00:05:07.670 align:middle line:84% the J. Howard and Barbara M.J. Wood Prize from the Poetry 00:05:07.670 --> 00:05:10.160 align:middle line:84% Foundation, and fellowships from the National Endowment 00:05:10.160 --> 00:05:12.702 align:middle line:84% for the Arts, the Bread Loaf Writers Conference, 00:05:12.702 --> 00:05:14.285 align:middle line:84% Fine Arts Work Center in Provincetown, 00:05:14.285 --> 00:05:17.300 align:middle line:84% Cave Canem Foundation, and the Wisconsin Institute 00:05:17.300 --> 00:05:18.740 align:middle line:90% for Creative Writing. 00:05:18.740 --> 00:05:21.800 align:middle line:84% His work has appeared or is forthcoming in American Poetry 00:05:21.800 --> 00:05:24.980 align:middle line:84% Review, Ploughshares, Poetry, Prairie Schooner, 00:05:24.980 --> 00:05:29.870 align:middle line:84% and Best American Poetry 2017, 2019, and 2020. 00:05:29.870 --> 00:05:33.050 align:middle line:84% He's an assistant professor of English at Wesleyan University 00:05:33.050 --> 00:05:35.750 align:middle line:84% and also teaches in the Low-Residency MFA program 00:05:35.750 --> 00:05:37.580 align:middle line:90% at Sierra Nevada College. 00:05:37.580 --> 00:05:39.200 align:middle line:90% Welcome, John. 00:05:39.200 --> 00:05:40.500 align:middle line:90% Hey. 00:05:40.500 --> 00:05:41.000 align:middle line:90%