WEBVTT 00:00:00.000 --> 00:00:01.120 align:middle line:90% We welcome you. 00:00:01.120 --> 00:00:02.250 align:middle line:90% Thank you. 00:00:02.250 --> 00:00:02.940 align:middle line:90% Thank you. 00:00:02.940 --> 00:00:08.220 align:middle line:84% And I want to say happy 60th anniversary to the University 00:00:08.220 --> 00:00:10.230 align:middle line:90% of Arizona Poetry Center. 00:00:10.230 --> 00:00:13.710 align:middle line:84% I appreciate this opportunity to participate 00:00:13.710 --> 00:00:16.950 align:middle line:84% in this convening by the Institute for Inquiry 00:00:16.950 --> 00:00:20.100 align:middle line:84% and Poetics on the theme of "Beyond the Obvious." 00:00:20.100 --> 00:00:23.850 align:middle line:84% And I hope that the dialogue that we engage in today 00:00:23.850 --> 00:00:26.310 align:middle line:90% finds a way to continue. 00:00:26.310 --> 00:00:30.600 align:middle line:84% I'm going to share the three poems that I referenced 00:00:30.600 --> 00:00:34.020 align:middle line:84% in my essay "Searching for Language," 00:00:34.020 --> 00:00:37.110 align:middle line:84% which is to be published on the University of Arizona Poetry 00:00:37.110 --> 00:00:38.460 align:middle line:90% Center blog. 00:00:38.460 --> 00:00:42.540 align:middle line:84% Most of my poems that have a public presence overtly 00:00:42.540 --> 00:00:46.200 align:middle line:84% political, and although I believe that everything 00:00:46.200 --> 00:00:50.010 align:middle line:84% is political, not all my poems are overtly or specifically 00:00:50.010 --> 00:00:51.490 align:middle line:90% political in nature. 00:00:51.490 --> 00:00:54.930 align:middle line:84% One of the points of my essay "Searching for Language" 00:00:54.930 --> 00:00:59.010 align:middle line:84% is to illustrate that language, at least the language 00:00:59.010 --> 00:01:03.900 align:middle line:84% of my poems, ultimately flow from the form, 00:01:03.900 --> 00:01:06.390 align:middle line:90% from the purpose of the poem. 00:01:06.390 --> 00:01:09.750 align:middle line:84% And "Not Even the San Joaquin" is a love poem 00:01:09.750 --> 00:01:12.630 align:middle line:84% that I wrote to my wife, Patricia Zamora, in which I 00:01:12.630 --> 00:01:15.510 align:middle line:84% try to capture the emotion of loss 00:01:15.510 --> 00:01:18.810 align:middle line:84% and the sense of being lost caused 00:01:18.810 --> 00:01:22.950 align:middle line:84% by six months of separation before reuniting with her as we 00:01:22.950 --> 00:01:25.950 align:middle line:84% return to live in California from Chicago after years 00:01:25.950 --> 00:01:26.910 align:middle line:90% in Chicago. 00:01:26.910 --> 00:01:30.000 align:middle line:84% And it is published in my second book of poetry 00:01:30.000 --> 00:01:33.210 align:middle line:84% from Tia Chucha Press, The Armageddon of Funk. 00:01:33.210 --> 00:01:36.120 align:middle line:84% I'm going to share that with you now. 00:01:36.120 --> 00:01:39.970 align:middle line:84% Not Even the San Joaquin, to Patricia Zamora. 00:01:39.970 --> 00:01:44.350 align:middle line:84% "At nature's intervals of light and darkness you are missing, 00:01:44.350 --> 00:01:48.670 align:middle line:84% I may seem unaware as other voices words, obsessions, 00:01:48.670 --> 00:01:53.020 align:middle line:84% and untamed terms for the next completion 00:01:53.020 --> 00:01:55.240 align:middle line:90% clutter what I breathe. 00:01:55.240 --> 00:01:58.270 align:middle line:84% These are simply everyday secessions. 00:01:58.270 --> 00:02:01.750 align:middle line:84% You are ever flowing, where you normally fly, 00:02:01.750 --> 00:02:04.180 align:middle line:84% circle, land, and create inside me 00:02:04.180 --> 00:02:08.560 align:middle line:84% seems empty until at least I hear your song. 00:02:08.560 --> 00:02:11.440 align:middle line:90% Missed is too mundane a word. 00:02:11.440 --> 00:02:14.050 align:middle line:90% In truth, you are never gone. 00:02:14.050 --> 00:02:19.240 align:middle line:84% You are spun into what I am made of, and so you are with me. 00:02:19.240 --> 00:02:23.950 align:middle line:84% Missed but not missing, your absence measured in change, 00:02:23.950 --> 00:02:26.290 align:middle line:90% a part of Chicago stolen. 00:02:26.290 --> 00:02:30.490 align:middle line:84% My emotion reduced to one room, my wanderings alone, 00:02:30.490 --> 00:02:33.970 align:middle line:90% my days adrift, my balance bent. 00:02:33.970 --> 00:02:37.900 align:middle line:84% You bring the invincible joy that escapes me. 00:02:37.900 --> 00:02:40.840 align:middle line:90% Love is too mundane a word. 00:02:40.840 --> 00:02:44.160 align:middle line:90% Still, I speak it to you. 00:02:44.160 --> 00:02:48.270 align:middle line:84% Within the stuttering unromantic uttering is my devotion. 00:02:48.270 --> 00:02:50.860 align:middle line:84% The reach of your radiance is endless. 00:02:50.860 --> 00:02:52.650 align:middle line:90% It spans continents. 00:02:52.650 --> 00:02:56.760 align:middle line:84% So we are near in this dictatorship of distance. 00:02:56.760 --> 00:03:01.560 align:middle line:84% Still, I want to be not merely near you, but with you 00:03:01.560 --> 00:03:05.810 align:middle line:84% with no values between our worlds."