WEBVTT 00:00:00.000 --> 00:00:02.650 align:middle line:90% 00:00:02.650 --> 00:00:05.000 align:middle line:84% Now, this takes it in a different direction. 00:00:05.000 --> 00:00:07.420 align:middle line:84% I'm going back to the poem for Tom McGrath, who 00:00:07.420 --> 00:00:10.900 align:middle line:84% was a great radical American poet 00:00:10.900 --> 00:00:15.100 align:middle line:84% with an enormous vocabulary, a fantastic command of forms, 00:00:15.100 --> 00:00:17.800 align:middle line:90% and a great heart. 00:00:17.800 --> 00:00:19.810 align:middle line:84% So the first thing I'm going to read 00:00:19.810 --> 00:00:23.230 align:middle line:84% is some little lyric that he told me once, 00:00:23.230 --> 00:00:25.160 align:middle line:84% and then I go into the next section. 00:00:25.160 --> 00:00:27.850 align:middle line:84% The next section begins nevertheless. 00:00:27.850 --> 00:00:32.800 align:middle line:84% So first his little ditty I think there's a tune for this 00:00:32.800 --> 00:00:36.010 align:middle line:90% but I don't know what it is. 00:00:36.010 --> 00:00:40.810 align:middle line:84% It's going to be cold, colder than a witch's tit, 00:00:40.810 --> 00:00:43.990 align:middle line:84% colder than a barrel of penguin shit, 00:00:43.990 --> 00:00:47.410 align:middle line:84% colder than the hair on a polar bear's ass, 00:00:47.410 --> 00:00:51.130 align:middle line:84% colder than the heart of the ruling class. 00:00:51.130 --> 00:00:55.420 align:middle line:90% And he laughs shaking his head. 00:00:55.420 --> 00:00:58.960 align:middle line:84% Nevertheless, on the green swords 00:00:58.960 --> 00:01:01.510 align:middle line:84% of the park and the democratic summer air, 00:01:01.510 --> 00:01:04.900 align:middle line:84% we gather for an internal combustion picnic 00:01:04.900 --> 00:01:08.080 align:middle line:84% before the fireworks begin on the fourth. 00:01:08.080 --> 00:01:11.690 align:middle line:84% We call up our rattling, groaning histories, 00:01:11.690 --> 00:01:13.360 align:middle line:90% our fled time. 00:01:13.360 --> 00:01:16.810 align:middle line:84% We mark the anniversaries of our families 00:01:16.810 --> 00:01:21.340 align:middle line:84% in the several great realms of the new world. 00:01:21.340 --> 00:01:26.230 align:middle line:84% We say again the phrases and tales we have best remembered. 00:01:26.230 --> 00:01:29.650 align:middle line:84% The young mother so close that they nursed each other's babies 00:01:29.650 --> 00:01:32.010 align:middle line:90% in the old neighborhood. 00:01:32.010 --> 00:01:37.480 align:middle line:84% Sunday dinners in the old kitchen, the lawsuit, 00:01:37.480 --> 00:01:42.550 align:middle line:84% those bills for dad's illness, sister's great performance, 00:01:42.550 --> 00:01:45.730 align:middle line:90% but then she gave it up. 00:01:45.730 --> 00:01:51.010 align:middle line:84% Our causes, our coffee clashes, the good works on this street 00:01:51.010 --> 00:01:56.140 align:middle line:84% are that, good persons, old world always becoming 00:01:56.140 --> 00:01:59.710 align:middle line:90% new, new world also. 00:01:59.710 --> 00:02:03.160 align:middle line:84% Our five act dramas are Chevrolet births and Ford 00:02:03.160 --> 00:02:04.270 align:middle line:90% divorces. 00:02:04.270 --> 00:02:07.270 align:middle line:84% We hear a kind of poem in the noise of the highway, 00:02:07.270 --> 00:02:11.290 align:middle line:84% in the ocean waves, in the sound of the shouts in the backfire 00:02:11.290 --> 00:02:15.190 align:middle line:84% or a gun within the whispering of the wind in the leaves. 00:02:15.190 --> 00:02:18.070 align:middle line:84% A poem about the same rain falling 00:02:18.070 --> 00:02:20.860 align:middle line:84% on tin roofs and penthouse terraces, 00:02:20.860 --> 00:02:25.420 align:middle line:84% on small farm crops and country clubs, about our flying 00:02:25.420 --> 00:02:29.440 align:middle line:84% first jobs and our Tylenol retirements, the pennons 00:02:29.440 --> 00:02:32.050 align:middle line:84% and etymons of gladness and despair, 00:02:32.050 --> 00:02:35.140 align:middle line:84% the little pieces of the story of it all 00:02:35.140 --> 00:02:40.930 align:middle line:84% that are our own stories, even saddening ones that remind us 00:02:40.930 --> 00:02:45.460 align:middle line:84% of the paths down which we've come hurrying or hesitating, 00:02:45.460 --> 00:02:52.240 align:middle line:84% hustling, advancing, fleeing, wandering. 00:02:52.240 --> 00:02:57.220 align:middle line:84% Our chosen mothers and fathers if we can find them helping us 00:02:57.220 --> 00:03:01.000 align:middle line:90% along or not. 00:03:01.000 --> 00:03:05.965 align:middle line:84% Some people knocked down by life, others knocked open. 00:03:05.965 --> 00:03:09.147 align:middle line:90% 00:03:09.147 --> 00:03:16.340 align:middle line:90% APPLAUSE 00:03:16.340 --> 00:03:17.268 align:middle line:90% You ready? 00:03:17.268 --> 00:03:17.768 align:middle line:90% Yeah. 00:03:17.768 --> 00:03:21.980 align:middle line:90% 00:03:21.980 --> 00:03:23.600 align:middle line:90% I was going along real good. 00:03:23.600 --> 00:03:26.420 align:middle line:84% Then you did something and just took me off, man. 00:03:26.420 --> 00:03:27.350 align:middle line:90% That's the whole idea. 00:03:27.350 --> 00:03:27.890 align:middle line:90% Yeah I know. 00:03:27.890 --> 00:03:28.390 align:middle line:90% I know. 00:03:28.390 --> 00:03:29.900 align:middle line:90% I can understand that. 00:03:29.900 --> 00:03:36.170 align:middle line:84% So maybe I'll just switch it up and do something. 00:03:36.170 --> 00:03:38.000 align:middle line:90%