WEBVTT 00:00:00.000 --> 00:00:03.250 align:middle line:90% 00:00:03.250 --> 00:00:07.990 align:middle line:84% And this is two sections from a long poem 00:00:07.990 --> 00:00:11.170 align:middle line:84% called "Homage to Longshot O'Leary," 00:00:11.170 --> 00:00:13.090 align:middle line:84% which was written in memory of the poet 00:00:13.090 --> 00:00:16.165 align:middle line:84% Thomas McGrath, the great poet Thomas McGrath. 00:00:16.165 --> 00:00:21.530 align:middle line:90% 00:00:21.530 --> 00:00:23.990 align:middle line:84% "Complications and responsibilities 00:00:23.990 --> 00:00:28.130 align:middle line:84% of the appropriate response in these days, when 00:00:28.130 --> 00:00:33.440 align:middle line:84% cold gazes measure the range of projectiles, the grievance, 00:00:33.440 --> 00:00:36.500 align:middle line:84% the building site of another fenced camp 00:00:36.500 --> 00:00:41.120 align:middle line:84% when no single store or catalog offers better value. 00:00:41.120 --> 00:00:44.180 align:middle line:84% When spectacles of thrilling outrage 00:00:44.180 --> 00:00:48.590 align:middle line:84% swing back and forth before all eyes and injury 00:00:48.590 --> 00:00:51.635 align:middle line:84% comes in solids stripes and checks. 00:00:51.635 --> 00:00:55.240 align:middle line:90% 00:00:55.240 --> 00:01:00.070 align:middle line:84% A car is always on fire to one side of the highway. 00:01:00.070 --> 00:01:03.040 align:middle line:84% A woman walks up her steep unpaved hill. 00:01:03.040 --> 00:01:06.190 align:middle line:84% The weight of the morning marketing in her string 00:01:06.190 --> 00:01:09.880 align:middle line:84% bag and passes a man coming down through the mud, 00:01:09.880 --> 00:01:12.640 align:middle line:84% talking on his cellular phone as he 00:01:12.640 --> 00:01:15.670 align:middle line:84% carries an empty plastic bucket to the one well. 00:01:15.670 --> 00:01:19.620 align:middle line:90% 00:01:19.620 --> 00:01:22.530 align:middle line:84% At the steps of a closed church on a street 00:01:22.530 --> 00:01:25.920 align:middle line:84% I think might be Avenida Salsipuede, 00:01:25.920 --> 00:01:28.560 align:middle line:84% a blear-eyed, starving dog stands 00:01:28.560 --> 00:01:31.290 align:middle line:84% motionless very slowly turning its head 00:01:31.290 --> 00:01:35.190 align:middle line:84% to watch us in the hot sunlight as we walk past. 00:01:35.190 --> 00:01:38.980 align:middle line:84% Offering us its own thought in its own language, 00:01:38.980 --> 00:01:42.460 align:middle line:84% which for this once we can easily comprehend. 00:01:42.460 --> 00:01:45.300 align:middle line:90% 00:01:45.300 --> 00:01:49.260 align:middle line:84% I would like to be as simple as a starling in the rain. 00:01:49.260 --> 00:01:54.030 align:middle line:84% Sometimes I would like to eat only seeds like a sparrow." 00:01:54.030 --> 00:01:56.970 align:middle line:90% 00:01:56.970 --> 00:01:59.553 align:middle line:90% I think I'll stop there. 00:01:59.553 --> 00:02:04.560 align:middle line:90% [APPLAUSE] 00:02:04.560 --> 00:02:07.092 align:middle line:84% You could hold it all for the end, it would be OK. 00:02:07.092 --> 00:02:07.800 align:middle line:90% Yeah, don't clap. 00:02:07.800 --> 00:02:08.717 align:middle line:90% You just encourage us. 00:02:08.717 --> 00:02:11.755 align:middle line:90% 00:02:11.755 --> 00:02:13.380 align:middle line:84% Unless you feel so overcome to do that. 00:02:13.380 --> 00:02:16.990 align:middle line:84% Now I am from a tradition that if you guys want to say, 00:02:16.990 --> 00:02:17.790 align:middle line:90% hey, go ahead-- 00:02:17.790 --> 00:02:18.330 align:middle line:90% That's true. 00:02:18.330 --> 00:02:20.700 align:middle line:90% --do that shit brother, right? 00:02:20.700 --> 00:02:21.470 align:middle line:90% That's, all right. 00:02:21.470 --> 00:02:22.693 align:middle line:90% It's OK to do that, right? 00:02:22.693 --> 00:02:24.360 align:middle line:84% This is not your daddy's poetry reading, 00:02:24.360 --> 00:02:26.850 align:middle line:84% unless you brought your daddy with you, OK? 00:02:26.850 --> 00:02:28.650 align:middle line:84% And I come from a long line of people 00:02:28.650 --> 00:02:33.860 align:middle line:84% that talk back to the movie screen, so you can't scare me. 00:02:33.860 --> 00:02:35.000 align:middle line:90%