WEBVTT 00:00:00.000 --> 00:00:00.770 align:middle line:90% 00:00:00.770 --> 00:00:01.880 align:middle line:90% Your turn. 00:00:01.880 --> 00:00:02.678 align:middle line:90% Ah, sure. 00:00:02.678 --> 00:00:22.620 align:middle line:90% 00:00:22.620 --> 00:00:27.465 align:middle line:84% It puts me in mind of all the different kinds of music. 00:00:27.465 --> 00:00:35.090 align:middle line:90% 00:00:35.090 --> 00:00:36.365 align:middle line:90% This is called "Rubato." 00:00:36.365 --> 00:00:39.140 align:middle line:90% 00:00:39.140 --> 00:00:43.790 align:middle line:84% It's dedicated to a professional pianist, who's recorded a lot. 00:00:43.790 --> 00:00:44.620 align:middle line:90% Marta Argerich. 00:00:44.620 --> 00:00:47.870 align:middle line:90% 00:00:47.870 --> 00:00:51.380 align:middle line:90% I'm imagining a recital. 00:00:51.380 --> 00:00:58.010 align:middle line:84% "Rubato means time stolen from one note and given to another. 00:00:58.010 --> 00:01:00.890 align:middle line:90% 00:01:00.890 --> 00:01:03.970 align:middle line:84% So with strong beats often displaced, 00:01:03.970 --> 00:01:07.390 align:middle line:84% since this dance is not at all a Waltz, but surges 00:01:07.390 --> 00:01:10.570 align:middle line:90% then holds back like feeling. 00:01:10.570 --> 00:01:15.700 align:middle line:84% Chopin's "Mazurkas" for piano make the two hands sometimes 00:01:15.700 --> 00:01:19.150 align:middle line:84% play a rhythm not exactly with but somewhat 00:01:19.150 --> 00:01:21.250 align:middle line:90% against each other. 00:01:21.250 --> 00:01:25.570 align:middle line:84% The right lagging, dragging a beat or two out, but hastening 00:01:25.570 --> 00:01:27.730 align:middle line:90% to catch up an instant later. 00:01:27.730 --> 00:01:32.110 align:middle line:84% While the left, so it is said of Chopin's own left hand, 00:01:32.110 --> 00:01:37.894 align:middle line:84% plays on at a steady measure of 3, 3, 3. 00:01:37.894 --> 00:01:40.410 align:middle line:90% 00:01:40.410 --> 00:01:44.910 align:middle line:84% And you and I who hear or don't hear the beat, listen. 00:01:44.910 --> 00:01:46.080 align:middle line:90% Don't listen. 00:01:46.080 --> 00:01:49.620 align:middle line:84% Lose our sense of time in the forms of songs 00:01:49.620 --> 00:01:52.200 align:middle line:90% that say nothing or something. 00:01:52.200 --> 00:01:57.450 align:middle line:84% Someone coughs loudly to say with his own un-singing voice 00:01:57.450 --> 00:01:59.790 align:middle line:90% that he refuses song. 00:01:59.790 --> 00:02:03.150 align:middle line:84% And what is it we should have done today 00:02:03.150 --> 00:02:04.950 align:middle line:90% that we have to do tomorrow? 00:02:04.950 --> 00:02:07.950 align:middle line:90% 00:02:07.950 --> 00:02:12.270 align:middle line:84% All of this is wide, wandering thought while she plays. 00:02:12.270 --> 00:02:17.280 align:middle line:84% The pianist, stealing time for us from work and duty 00:02:17.280 --> 00:02:21.390 align:middle line:84% from the tangles we are caught in from the clock ticking 00:02:21.390 --> 00:02:24.570 align:middle line:84% and ticking and our alarmed heads. 00:02:24.570 --> 00:02:29.400 align:middle line:84% The time that she has no intention of ever, ever giving 00:02:29.400 --> 00:02:30.950 align:middle line:90% back." 00:02:30.950 --> 00:02:33.000 align:middle line:90%