WEBVTT 00:00:00.000 --> 00:00:01.320 align:middle line:90% 00:00:01.320 --> 00:00:07.500 align:middle line:84% What happened after that was, again, the poems came in spurts 00:00:07.500 --> 00:00:11.730 align:middle line:84% and fits and I began writing poetry 00:00:11.730 --> 00:00:14.400 align:middle line:84% I began to refer to as the Paradise Poems 00:00:14.400 --> 00:00:16.020 align:middle line:90% because they were all-- 00:00:16.020 --> 00:00:19.950 align:middle line:84% the setting of all these poems wasn't paradise, either 00:00:19.950 --> 00:00:23.910 align:middle line:84% lost or bound to be lost, and of course, I 00:00:23.910 --> 00:00:26.010 align:middle line:84% can look at it now and say yes, these 00:00:26.010 --> 00:00:28.830 align:middle line:84% were the poems about losing a house 00:00:28.830 --> 00:00:30.370 align:middle line:84% and trying to rebuild one's life. 00:00:30.370 --> 00:00:33.360 align:middle line:84% But at that time, I was working through the metaphors of them. 00:00:33.360 --> 00:00:35.130 align:middle line:84% I'd like to read you one-- actually we're 00:00:35.130 --> 00:00:38.400 align:middle line:84% very close to this day now, called "All Souls." 00:00:38.400 --> 00:00:41.280 align:middle line:90% 00:00:41.280 --> 00:00:43.350 align:middle line:90% "All Souls." 00:00:43.350 --> 00:00:45.270 align:middle line:84% "Starting up behind them, all the 00:00:45.270 --> 00:00:50.450 align:middle line:84% voices of those they had named; mink, gander, and marmoset, 00:00:50.450 --> 00:00:52.490 align:middle line:90% crow and cockatiel. 00:00:52.490 --> 00:00:56.870 align:middle line:84% Even the duck-billed platypus, of late so quiet in its bed, 00:00:56.870 --> 00:01:03.560 align:middle line:84% sent out a feeble cry signifying grief and confusion, et cetera. 00:01:03.560 --> 00:01:07.460 align:middle line:84% Of course the world had changed for good, 00:01:07.460 --> 00:01:09.800 align:middle line:84% as it would from now on every day, 00:01:09.800 --> 00:01:12.810 align:middle line:90% with every twitch and blink. 00:01:12.810 --> 00:01:15.410 align:middle line:84% Now that change was de rigeur, man 00:01:15.410 --> 00:01:18.110 align:middle line:84% would discover desire, then yearn 00:01:18.110 --> 00:01:22.070 align:middle line:84% for what he would learn to call distraction. 00:01:22.070 --> 00:01:24.200 align:middle line:90% This was the true loss. 00:01:24.200 --> 00:01:28.520 align:middle line:84% And yet, in that first unchanging instant, 00:01:28.520 --> 00:01:32.690 align:middle line:84% the two souls standing outside the gates, no more than a 00:01:32.690 --> 00:01:35.930 align:middle line:84% break in the hedge; how had they missed it?-- 00:01:35.930 --> 00:01:38.050 align:middle line:90% were not thinking. 00:01:38.050 --> 00:01:40.430 align:middle line:90% Already the din was fading. 00:01:40.430 --> 00:01:44.930 align:middle line:84% Before them, a silence larger than all their ignorance 00:01:44.930 --> 00:01:48.680 align:middle line:84% yawned, and this, they walked into until it 00:01:48.680 --> 00:01:50.570 align:middle line:90% was all they knew. 00:01:50.570 --> 00:01:53.570 align:middle line:84% In time they hunkered down to business, 00:01:53.570 --> 00:01:56.030 align:middle line:90% filling the world with sighs-- 00:01:56.030 --> 00:01:59.330 align:middle line:84% these anonymous, pompous creatures, 00:01:59.330 --> 00:02:01.940 align:middle line:84% heads tilted as if straining to make up 00:02:01.940 --> 00:02:08.350 align:middle line:84% the words to a song played long ago, in a foreign land." 00:02:08.350 --> 00:02:10.000 align:middle line:90%