WEBVTT 00:00:00.000 --> 00:00:02.730 align:middle line:90% 00:00:02.730 --> 00:00:07.560 align:middle line:84% In her introduction to the Best American Poetry of 2000 00:00:07.560 --> 00:00:12.090 align:middle line:84% Rita Dove writes, "when I'm called upon 00:00:12.090 --> 00:00:16.350 align:middle line:84% to introduce a poetry reading I quake." 00:00:16.350 --> 00:00:23.820 align:middle line:84% "I quake", she says, "for it is the introducer's role 00:00:23.820 --> 00:00:27.180 align:middle line:84% to strike an artful balance between the obligatory signing 00:00:27.180 --> 00:00:29.850 align:middle line:84% of credentials and awards"-- which of course, 00:00:29.850 --> 00:00:33.000 align:middle line:84% in Rita Dove's case, are considerable-- 00:00:33.000 --> 00:00:36.180 align:middle line:84% "and evoking an anticipatory mood, 00:00:36.180 --> 00:00:38.490 align:middle line:84% clearing a space in our quotidian world 00:00:38.490 --> 00:00:44.680 align:middle line:84% for what might lead to the rapture of discovery." 00:00:44.680 --> 00:00:47.490 align:middle line:84% So with that in mind, and with the understanding 00:00:47.490 --> 00:00:51.840 align:middle line:84% that this is a communal endeavor, what stage shall 00:00:51.840 --> 00:00:54.360 align:middle line:84% we set for Rita Dove to step onto? 00:00:54.360 --> 00:00:57.310 align:middle line:90% 00:00:57.310 --> 00:01:00.370 align:middle line:90% Rita Dove is a dancer. 00:01:00.370 --> 00:01:03.610 align:middle line:84% This is a fact widely circulated in interviews and articles, 00:01:03.610 --> 00:01:06.460 align:middle line:84% but I have it, the first-hand account of this from our very 00:01:06.460 --> 00:01:09.160 align:middle line:84% own Lois and Dick Shelton, who recall a turn 00:01:09.160 --> 00:01:13.510 align:middle line:84% or two she made on their living room floor. 00:01:13.510 --> 00:01:17.860 align:middle line:84% "American Smooth", her most recent collection of poetry 00:01:17.860 --> 00:01:21.050 align:middle line:84% is an important tribute to ballroom dancing, 00:01:21.050 --> 00:01:23.320 align:middle line:84% but it's also about caring oneself 00:01:23.320 --> 00:01:26.890 align:middle line:84% with grace and even a little glee 00:01:26.890 --> 00:01:29.830 align:middle line:84% through times of turmoil and unrest. 00:01:29.830 --> 00:01:32.770 align:middle line:84% As with much of her poetry, "American Smooth" 00:01:32.770 --> 00:01:36.670 align:middle line:84% is a patient by history and mythology. 00:01:36.670 --> 00:01:39.460 align:middle line:84% But in this book, there is something new, 00:01:39.460 --> 00:01:44.230 align:middle line:84% an openness of movement coupled with the poetry of the moment 00:01:44.230 --> 00:01:46.540 align:middle line:84% from which it Dove elicits the momentos. 00:01:46.540 --> 00:01:49.510 align:middle line:90% 00:01:49.510 --> 00:01:52.400 align:middle line:90% Rita Dove is a musician. 00:01:52.400 --> 00:01:55.780 align:middle line:84% She draws music from the cello, the old gamba, 00:01:55.780 --> 00:01:59.290 align:middle line:84% and from her own chords, and that's her soprano voice. 00:01:59.290 --> 00:02:02.650 align:middle line:90% And of course, from language. 00:02:02.650 --> 00:02:05.680 align:middle line:84% Dove, aesthetically rooted in the lyric, 00:02:05.680 --> 00:02:09.820 align:middle line:84% is also a lyricist, providing words for such composers 00:02:09.820 --> 00:02:14.140 align:middle line:84% as John Williams, Tanya Young and Bruce Adolphe. 00:02:14.140 --> 00:02:16.690 align:middle line:84% And she's also a novelist and a dramatist. 00:02:16.690 --> 00:02:19.090 align:middle line:84% In fact, her play, The Darker Face of the Earth, 00:02:19.090 --> 00:02:21.880 align:middle line:84% has been performed on such prestigious stages 00:02:21.880 --> 00:02:23.830 align:middle line:84% as at Kennedy Center in Washington 00:02:23.830 --> 00:02:27.130 align:middle line:84% and the Royal National Theater in London. 00:02:27.130 --> 00:02:31.180 align:middle line:84% And she's currently at work on some new theater pieces. 00:02:31.180 --> 00:02:34.730 align:middle line:84% The recipient of a glittering array of prizes, 00:02:34.730 --> 00:02:36.940 align:middle line:84% including the Pulitzer for Thomas and Beulah, 00:02:36.940 --> 00:02:40.720 align:middle line:84% and 21 honorary doctorates, I'm wondering if, in this case, 00:02:40.720 --> 00:02:43.540 align:middle line:84% this is the literary equivalent to the 21-gun salute. 00:02:43.540 --> 00:02:45.700 align:middle line:90% [LAUGHTER] 00:02:45.700 --> 00:02:50.560 align:middle line:84% She was United States poet laureate from 1993 to 1995. 00:02:50.560 --> 00:02:53.620 align:middle line:84% She's now poet laureate of the State of Virginia 00:02:53.620 --> 00:02:55.810 align:middle line:84% where she is Commonwealth professor of English 00:02:55.810 --> 00:02:58.400 align:middle line:90% at the University of Virginia. 00:02:58.400 --> 00:03:01.810 align:middle line:84% And in this moment, she is the esteemed guest 00:03:01.810 --> 00:03:03.400 align:middle line:84% of the Poetry Center who has come 00:03:03.400 --> 00:03:06.340 align:middle line:84% to Tucson with her gracious gift of words. 00:03:06.340 --> 00:03:07.930 align:middle line:90% Please welcome Rita Dove. 00:03:07.930 --> 00:03:10.380 align:middle line:90% [APPLAUSE] 00:03:10.380 --> 00:03:11.000 align:middle line:90%