WEBVTT 00:00:00.000 --> 00:00:01.230 align:middle line:90% 00:00:01.230 --> 00:00:04.590 align:middle line:84% Alison Hawthorne Deming's most recent book of poetry 00:00:04.590 --> 00:00:08.310 align:middle line:84% is Genius Loci, which follows The Monarchs: 00:00:08.310 --> 00:00:11.160 align:middle line:84% A Poem Sequence, and Science and Other Poems, 00:00:11.160 --> 00:00:13.650 align:middle line:84% winner of the Walt Whitman Award from the Academy 00:00:13.650 --> 00:00:15.690 align:middle line:90% of American Poets. 00:00:15.690 --> 00:00:18.420 align:middle line:84% She's also a teacher of nonfiction and writer 00:00:18.420 --> 00:00:19.380 align:middle line:90% of nonfiction. 00:00:19.380 --> 00:00:22.140 align:middle line:84% Her prose works include Writing the Sacred 00:00:22.140 --> 00:00:25.110 align:middle line:84% into the Real, The Edges of the Civilized World, 00:00:25.110 --> 00:00:26.760 align:middle line:90% and Temporary Homelands. 00:00:26.760 --> 00:00:29.970 align:middle line:84% And Kore Press, I believe, has a few of her works 00:00:29.970 --> 00:00:33.150 align:middle line:84% that she published with them in the lobby tonight. 00:00:33.150 --> 00:00:36.060 align:middle line:84% Alison is also former director of the Poetry Center, 00:00:36.060 --> 00:00:38.400 align:middle line:84% and an exemplary steward of the art. 00:00:38.400 --> 00:00:41.760 align:middle line:90% 00:00:41.760 --> 00:00:44.460 align:middle line:84% Throughout her work, Alison Deming 00:00:44.460 --> 00:00:47.560 align:middle line:84% is a celebrant of the natural world-- 00:00:47.560 --> 00:00:53.490 align:middle line:84% its mystery, its splendor, its fierceness, its frailty, 00:00:53.490 --> 00:00:56.320 align:middle line:90% and its violent power. 00:00:56.320 --> 00:00:59.350 align:middle line:84% As an advocate for its protection and conservation, 00:00:59.350 --> 00:01:02.470 align:middle line:84% she is ultimately concerned with the place of humankind 00:01:02.470 --> 00:01:07.860 align:middle line:84% within the world, natural and constructed. 00:01:07.860 --> 00:01:09.750 align:middle line:84% In Writing the Sacred Into the Real, 00:01:09.750 --> 00:01:14.010 align:middle line:84% she says, "I believe we owe nature 00:01:14.010 --> 00:01:16.590 align:middle line:84% the deep sense of gratitude that people once 00:01:16.590 --> 00:01:19.110 align:middle line:90% expressed to their gods. 00:01:19.110 --> 00:01:22.750 align:middle line:84% The Earth's life is finite as is my own. 00:01:22.750 --> 00:01:25.710 align:middle line:84% And these are realities I accept with sorrow. 00:01:25.710 --> 00:01:30.720 align:middle line:84% The place and the passage made sacred by their limits." 00:01:30.720 --> 00:01:33.150 align:middle line:84% In her most recent book of poems-- 00:01:33.150 --> 00:01:37.230 align:middle line:84% the spirit of place is rendered in its essence 00:01:37.230 --> 00:01:41.730 align:middle line:84% as guardian spirit, and moments reverent and irreverent 00:01:41.730 --> 00:01:44.520 align:middle line:84% in Deming's characteristic juxtaposition 00:01:44.520 --> 00:01:48.060 align:middle line:84% of the body with the holy, moments of watching 00:01:48.060 --> 00:01:52.740 align:middle line:84% and witness, transform into full bodied meditations that make 00:01:52.740 --> 00:01:56.250 align:middle line:90% the seen and the unseen real. 00:01:56.250 --> 00:01:59.190 align:middle line:84% The title sequence-- a remembrance of an homage 00:01:59.190 --> 00:02:02.760 align:middle line:84% to the city of Prague calls us back to the lives 00:02:02.760 --> 00:02:07.260 align:middle line:84% you never knew the beings of thoughts real as the realm 00:02:07.260 --> 00:02:10.300 align:middle line:90% they inhabit. 00:02:10.300 --> 00:02:12.580 align:middle line:84% "Regeneration of our inhabited realm 00:02:12.580 --> 00:02:16.990 align:middle line:84% is possible within limits," Deming suggests, 00:02:16.990 --> 00:02:21.480 align:middle line:90% "if humans guard its care." 00:02:21.480 --> 00:02:23.820 align:middle line:84% Please welcome Alison Hawthorne Deming. 00:02:23.820 --> 00:02:26.500 align:middle line:90% [APPLAUSE] 00:02:26.500 --> 00:02:27.000 align:middle line:90%