WEBVTT 00:00:00.000 --> 00:00:01.410 align:middle line:90% 00:00:01.410 --> 00:00:06.090 align:middle line:84% Tonight, Mr. Saunders will be introduced by Cybele Knowles. 00:00:06.090 --> 00:00:08.536 align:middle line:90% Cybele, can you come on up? 00:00:08.536 --> 00:00:11.847 align:middle line:90% [APPLAUSE] 00:00:11.847 --> 00:00:15.170 align:middle line:90% 00:00:15.170 --> 00:00:16.172 align:middle line:90% Can you hear me OK? 00:00:16.172 --> 00:00:16.672 align:middle line:90% Yes. 00:00:16.672 --> 00:00:17.980 align:middle line:90% Yeah. 00:00:17.980 --> 00:00:18.887 align:middle line:90% OK. 00:00:18.887 --> 00:00:21.220 align:middle line:84% How does one even begin to talk about the work of George 00:00:21.220 --> 00:00:22.490 align:middle line:90% Saunders? 00:00:22.490 --> 00:00:23.792 align:middle line:90% I know it's a little daunting. 00:00:23.792 --> 00:00:25.750 align:middle line:84% Eventually, though, I figured out a kind of way 00:00:25.750 --> 00:00:28.300 align:middle line:84% to do it, which is to just start from a place of gratitude, 00:00:28.300 --> 00:00:30.670 align:middle line:84% because George Saunders is a gift. 00:00:30.670 --> 00:00:32.020 align:middle line:90% His work is so many things-- 00:00:32.020 --> 00:00:34.330 align:middle line:84% political, spiritual, fabulistic, downright 00:00:34.330 --> 00:00:35.350 align:middle line:90% hilarious. 00:00:35.350 --> 00:00:36.950 align:middle line:90% George Saunders does it all. 00:00:36.950 --> 00:00:39.520 align:middle line:84% He exaggerates our culture, even to the point of fantasy, 00:00:39.520 --> 00:00:41.140 align:middle line:84% but through exaggeration and fantasy, 00:00:41.140 --> 00:00:44.200 align:middle line:84% leads the reader back to the real struggles of real people 00:00:44.200 --> 00:00:45.730 align:middle line:90% in our ureal society. 00:00:45.730 --> 00:00:48.618 align:middle line:84% He is satire and funny, which I make special mention of, 00:00:48.618 --> 00:00:51.160 align:middle line:84% because personally, I remember reading lots of unfunny satire 00:00:51.160 --> 00:00:52.420 align:middle line:90% in undergrad classes. 00:00:52.420 --> 00:00:53.350 align:middle line:90% [CHUCKLING] 00:00:53.350 --> 00:00:55.360 align:middle line:84% But the singular aspect of Saunders' work 00:00:55.360 --> 00:00:57.340 align:middle line:84% is his capacity to be simultaneously 00:00:57.340 --> 00:00:58.750 align:middle line:90% lacerating and loving. 00:00:58.750 --> 00:01:01.480 align:middle line:84% His is the most humanistic satire I've ever read. 00:01:01.480 --> 00:01:03.820 align:middle line:84% He writes ruthlessly about corporate America 00:01:03.820 --> 00:01:06.430 align:middle line:84% and industries that sell the promise of emotional fullness 00:01:06.430 --> 00:01:08.560 align:middle line:90% to emotionally-hungry people. 00:01:08.560 --> 00:01:11.170 align:middle line:84% He brilliantly lampoons the tumbling double speak, 00:01:11.170 --> 00:01:14.290 align:middle line:84% not just of corporations and governments, but of individuals 00:01:14.290 --> 00:01:16.930 align:middle line:84% desperately trying to locate a sense of self-worth 00:01:16.930 --> 00:01:19.450 align:middle line:84% and a moral compass in the fog of our times. 00:01:19.450 --> 00:01:22.150 align:middle line:84% So much of the sheer pleasure of George Saunders' story 00:01:22.150 --> 00:01:24.545 align:middle line:84% comes from this continual verbal veiling and unveiling 00:01:24.545 --> 00:01:25.360 align:middle line:90% of the truth. 00:01:25.360 --> 00:01:28.105 align:middle line:90% 00:01:28.105 --> 00:01:29.480 align:middle line:84% It's easy enough to identify some 00:01:29.480 --> 00:01:31.340 align:middle line:84% of the subjects of Saunders' satire, 00:01:31.340 --> 00:01:33.200 align:middle line:84% less easy to place the stethoscope 00:01:33.200 --> 00:01:36.020 align:middle line:84% over the precise location of the empathic heart that so 00:01:36.020 --> 00:01:38.090 align:middle line:90% evidently beats in his stories. 00:01:38.090 --> 00:01:40.040 align:middle line:84% I suppose it's because that heart manifests 00:01:40.040 --> 00:01:42.140 align:middle line:90% in so many places and ways. 00:01:42.140 --> 00:01:45.110 align:middle line:84% Saunders creates characters who are confused by their own lives 00:01:45.110 --> 00:01:48.470 align:middle line:84% and perpetually dazed by the merciless world they inhabit. 00:01:48.470 --> 00:01:52.820 align:middle line:84% Still, they simply wish to be seen, worthy, moral, happy. 00:01:52.820 --> 00:01:54.680 align:middle line:84% Saunders never loses sight of the desired 00:01:54.680 --> 00:01:55.700 align:middle line:90% ache of the individual. 00:01:55.700 --> 00:01:57.200 align:middle line:84% And to render this kind of attention 00:01:57.200 --> 00:01:59.720 align:middle line:84% to the human predicament is one of the highest achievements 00:01:59.720 --> 00:02:01.633 align:middle line:90% of art. 00:02:01.633 --> 00:02:03.800 align:middle line:84% Most of you already know, but for those who don't, I 00:02:03.800 --> 00:02:05.240 align:middle line:84% want to tell you about his books. 00:02:05.240 --> 00:02:07.448 align:middle line:84% He has two collections of short stories, CivilWarLand 00:02:07.448 --> 00:02:08.960 align:middle line:90% in Bad Decline and Pastoralia. 00:02:08.960 --> 00:02:10.759 align:middle line:84% He has a fantastic children's story 00:02:10.759 --> 00:02:13.000 align:middle line:84% titled The Very Persistent Gappers of Frip, which 00:02:13.000 --> 00:02:15.500 align:middle line:84% is being reissued by McSweeney's and will be available again 00:02:15.500 --> 00:02:16.975 align:middle line:90% this May. 00:02:16.975 --> 00:02:18.350 align:middle line:84% His most recent book is a novella 00:02:18.350 --> 00:02:20.570 align:middle line:84% titled The Brief and Frightening Reign of Phil. 00:02:20.570 --> 00:02:23.915 align:middle line:84% And if you haven't read them all, go out and do so now. 00:02:23.915 --> 00:02:26.540 align:middle line:84% Saunders' stories are published in The New Yorker and Harper's. 00:02:26.540 --> 00:02:28.970 align:middle line:84% He has won four O. Henry awards, four National Magazine 00:02:28.970 --> 00:02:32.082 align:middle line:84% Awards for Fiction and a Lannan Foundation fellowship. 00:02:32.082 --> 00:02:34.040 align:middle line:84% He's just finished writing two screenplays, one 00:02:34.040 --> 00:02:37.610 align:middle line:84% for CivilWarLand and one for his amazing story Sea Oak. 00:02:37.610 --> 00:02:39.763 align:middle line:84% But here's the very, very, very best news of all. 00:02:39.763 --> 00:02:41.180 align:middle line:84% He has a new book of short stories 00:02:41.180 --> 00:02:44.908 align:middle line:84% titled In Persuasion Nation coming out in just a few weeks. 00:02:44.908 --> 00:02:46.700 align:middle line:84% George, thank you so much for your stories, 00:02:46.700 --> 00:02:49.158 align:middle line:84% and thank you for coming to the U of A and making our year. 00:02:49.158 --> 00:02:51.380 align:middle line:84% We are lucky and honored to have you with us. 00:02:51.380 --> 00:02:53.090 align:middle line:84% Everyone, please welcome George Saunders. 00:02:53.090 --> 00:02:56.440 align:middle line:90% [APPLAUSE]