WEBVTT 00:00:00.000 --> 00:00:01.930 align:middle line:90% 00:00:01.930 --> 00:00:04.610 align:middle line:90% Good evening. 00:00:04.610 --> 00:00:07.370 align:middle line:84% Beth Alvarado's fiction and creative nonfiction 00:00:07.370 --> 00:00:09.740 align:middle line:84% have appeared in many literary journals, 00:00:09.740 --> 00:00:14.270 align:middle line:84% including CUE, Ploughshares, and Northwest Review. 00:00:14.270 --> 00:00:19.580 align:middle line:84% She is a graduate both of Stanford and the University 00:00:19.580 --> 00:00:21.890 align:middle line:84% of Arizona creative writing programs 00:00:21.890 --> 00:00:24.650 align:middle line:84% and has taught here in the Department of English 00:00:24.650 --> 00:00:26.570 align:middle line:90% since 1990. 00:00:26.570 --> 00:00:29.390 align:middle line:84% Tonight, Beth will be reading from her collection of stories 00:00:29.390 --> 00:00:33.320 align:middle line:84% called Not A Matter of Love just out from New Rivers 00:00:33.320 --> 00:00:39.920 align:middle line:84% Press and winner of their 2005 Many Voices Award. 00:00:39.920 --> 00:00:42.020 align:middle line:84% The suspense of Alvarado's stories 00:00:42.020 --> 00:00:48.200 align:middle line:84% is located in familiar domestic and suburban settings 00:00:48.200 --> 00:00:50.600 align:middle line:84% in which the natural world, often 00:00:50.600 --> 00:00:55.280 align:middle line:84% this desert of the Southwest, serves as grist and foil 00:00:55.280 --> 00:01:01.400 align:middle line:84% for events driven by plots as lyrical as they are dramatic. 00:01:01.400 --> 00:01:04.250 align:middle line:84% This book delivers us a voice that 00:01:04.250 --> 00:01:08.930 align:middle line:84% is equidistant from our weakness and our strength. 00:01:08.930 --> 00:01:14.570 align:middle line:84% In stasis or in action, in hands and faces, 00:01:14.570 --> 00:01:18.440 align:middle line:84% in exhaustion and in mercy, Alvarado 00:01:18.440 --> 00:01:24.170 align:middle line:84% allows us to see and to suffer the consequences of what we are 00:01:24.170 --> 00:01:26.840 align:middle line:90% and what we lack. 00:01:26.840 --> 00:01:29.660 align:middle line:84% As readers, our experience ranges, 00:01:29.660 --> 00:01:35.670 align:middle line:84% both associative and discursive, as her characters, mothers, 00:01:35.670 --> 00:01:42.050 align:middle line:84% daughters, uncles, cousins, sons unmoored by circumstance 00:01:42.050 --> 00:01:47.030 align:middle line:84% adapt, regroup, dress wounds, bury the dead, 00:01:47.030 --> 00:01:51.080 align:middle line:84% confront the inevitable authorities, and go on 00:01:51.080 --> 00:01:53.630 align:middle line:90% or pass on. 00:01:53.630 --> 00:01:56.870 align:middle line:84% Given the stark and secular circumstances 00:01:56.870 --> 00:02:00.800 align:middle line:84% of her plots and characters, we might be caught off guard 00:02:00.800 --> 00:02:03.380 align:middle line:84% when we find, in many of the stories, 00:02:03.380 --> 00:02:07.430 align:middle line:84% that the final authority is the soul. 00:02:07.430 --> 00:02:10.759 align:middle line:84% Not the soul as delivered from on high, 00:02:10.759 --> 00:02:16.280 align:middle line:84% but the soul as a made thing, wrought and crafted. 00:02:16.280 --> 00:02:22.190 align:middle line:84% The soul as hewn cello, broken and repaired, and ultimately, 00:02:22.190 --> 00:02:29.430 align:middle line:84% played as a somber and abundant gift to others. 00:02:29.430 --> 00:02:31.190 align:middle line:84% I have read each of these stories 00:02:31.190 --> 00:02:35.360 align:middle line:84% as Beth has written them, always in awe 00:02:35.360 --> 00:02:40.700 align:middle line:84% and always waiting for you, the audience she 00:02:40.700 --> 00:02:44.240 align:middle line:90% welcomes and deserves. 00:02:44.240 --> 00:02:47.900 align:middle line:84% I give you an accomplished artist. 00:02:47.900 --> 00:02:50.170 align:middle line:90% I give you my friend. 00:02:50.170 --> 00:02:51.000 align:middle line:90%