WEBVTT 00:00:00.000 --> 00:00:04.900 align:middle line:90% 00:00:04.900 --> 00:00:07.510 align:middle line:84% Well, I think the one untouchable subject 00:00:07.510 --> 00:00:09.700 align:middle line:84% that must be touched is a subject 00:00:09.700 --> 00:00:13.990 align:middle line:90% of death and various forms of-- 00:00:13.990 --> 00:00:15.733 align:middle line:84% because that's what we're all about. 00:00:15.733 --> 00:00:17.650 align:middle line:84% That's what makes the game interesting, right? 00:00:17.650 --> 00:00:21.310 align:middle line:84% And I think that the great poets Rilke, Celan, who 00:00:21.310 --> 00:00:22.690 align:middle line:90% I've been reading a lot of. 00:00:22.690 --> 00:00:29.560 align:middle line:84% And Neruda, Dickinson deal directly without fear 00:00:29.560 --> 00:00:31.940 align:middle line:84% with those subjects-- with that particular subject. 00:00:31.940 --> 00:00:36.190 align:middle line:84% And not just a kind of death that one can prepare for, 00:00:36.190 --> 00:00:38.340 align:middle line:84% but the kind of death that comes unexpectedly. 00:00:38.340 --> 00:00:40.600 align:middle line:84% That seems to me the big subject. 00:00:40.600 --> 00:00:44.830 align:middle line:90% 00:00:44.830 --> 00:00:46.830 align:middle line:90% Yeah. 00:00:46.830 --> 00:00:50.360 align:middle line:84% At the end of CK Williams's poem the other-- 00:00:50.360 --> 00:00:51.350 align:middle line:90% yesterday. 00:00:51.350 --> 00:00:54.808 align:middle line:84% That was the last poem, the title poem, is he says, 00:00:54.808 --> 00:00:55.350 align:middle line:90% I don't know. 00:00:55.350 --> 00:00:56.720 align:middle line:84% This doesn't really answer your question, 00:00:56.720 --> 00:00:58.610 align:middle line:84% but it made me think a lot is that, you 00:00:58.610 --> 00:01:02.690 align:middle line:84% don't want to say at the last moment of your life. 00:01:02.690 --> 00:01:06.590 align:middle line:84% It takes a long time to get there, but: Wait! 00:01:06.590 --> 00:01:10.430 align:middle line:84% In other words, I haven't done it all yet. 00:01:10.430 --> 00:01:12.200 align:middle line:90% I haven't done anything. 00:01:12.200 --> 00:01:15.260 align:middle line:90% But poems, we-- 00:01:15.260 --> 00:01:18.440 align:middle line:84% I think Jane's probably the same, most poets. 00:01:18.440 --> 00:01:21.440 align:middle line:84% You've got to be open to talk about any subject, 00:01:21.440 --> 00:01:24.890 align:middle line:84% but you don't want the particulars to hurt anybody, 00:01:24.890 --> 00:01:27.362 align:middle line:84% like your mother or your girlfriend 00:01:27.362 --> 00:01:28.320 align:middle line:90% or something like that. 00:01:28.320 --> 00:01:31.790 align:middle line:84% So when you talk about something that's painful 00:01:31.790 --> 00:01:35.810 align:middle line:84% or makes other people vulnerable, 00:01:35.810 --> 00:01:39.080 align:middle line:84% like your friend or something, that disguising 00:01:39.080 --> 00:01:40.940 align:middle line:90% is very important. 00:01:40.940 --> 00:01:44.630 align:middle line:84% And make sure nobody knows that this poem is about-- 00:01:44.630 --> 00:01:47.660 align:middle line:84% all my poems are for Jane Miller, but I didn't say that. 00:01:47.660 --> 00:01:52.280 align:middle line:84% My wife doesn't know it, but you've got to be careful. 00:01:52.280 --> 00:01:53.780 align:middle line:84% Is that the answer to your question? 00:01:53.780 --> 00:01:55.610 align:middle line:90% Why did you say that-- 00:01:55.610 --> 00:01:57.860 align:middle line:84% Steve for years taught me to write the absolute truth, 00:01:57.860 --> 00:02:00.050 align:middle line:84% and I finally put it in all the real names and all 00:02:00.050 --> 00:02:00.770 align:middle line:90% the real street address. 00:02:00.770 --> 00:02:02.190 align:middle line:84% And now, he's coming out and saying 00:02:02.190 --> 00:02:03.315 align:middle line:90% he made the whole thing up. 00:02:03.315 --> 00:02:06.930 align:middle line:90% [LAUGHTER] 00:02:06.930 --> 00:02:08.600 align:middle line:90% Thanks a lot. 00:02:08.600 --> 00:02:09.840 align:middle line:90% We'll see you upstairs 00:02:09.840 --> 00:02:10.340 align:middle line:90% All right. 00:02:10.340 --> 00:02:11.298 align:middle line:90% We'll see you upstairs. 00:02:11.298 --> 00:02:12.860 align:middle line:90% [APPLAUSE] 00:02:12.860 --> 00:02:17.000 align:middle line:90%