WEBVTT 00:00:00.000 --> 00:00:04.300 align:middle line:90% 00:00:04.300 --> 00:00:06.815 align:middle line:84% It all comes down to scholarship. 00:00:06.815 --> 00:00:08.715 align:middle line:90% [LAUGHTER] 00:00:08.715 --> 00:00:13.000 align:middle line:90% 00:00:13.000 --> 00:00:14.350 align:middle line:90% "Etymological Dirge." 00:00:14.350 --> 00:00:17.320 align:middle line:90% 00:00:17.320 --> 00:00:21.550 align:middle line:84% There's a part of "Amazing Grace," that ever beloved hymn, 00:00:21.550 --> 00:00:30.010 align:middle line:84% that nobody ever sings on NPR or NBC. 00:00:30.010 --> 00:00:34.210 align:middle line:84% And it's the stanza that has the line "Twas grace that 00:00:34.210 --> 00:00:40.760 align:middle line:84% taught my heart to fear," which is what made it beloved of me. 00:00:40.760 --> 00:00:43.085 align:middle line:84% "Twas grace that taught my heart to fear." 00:00:43.085 --> 00:00:46.670 align:middle line:90% 00:00:46.670 --> 00:00:48.860 align:middle line:84% All of these etymologies come from 00:00:48.860 --> 00:00:52.520 align:middle line:84% an etymological dictionary, which I've been told later 00:00:52.520 --> 00:00:56.360 align:middle line:84% by scholars is a suspect source, that particular dictionary. 00:00:56.360 --> 00:01:00.500 align:middle line:84% So no matter how hard you try to peddle to catch up 00:01:00.500 --> 00:01:03.980 align:middle line:84% with the guys who really know the discipline you're in, 00:01:03.980 --> 00:01:06.710 align:middle line:90% it's a hopeless enterprise. 00:01:06.710 --> 00:01:08.930 align:middle line:84% So this is from the heart, forget 00:01:08.930 --> 00:01:13.220 align:middle line:90% the book, the other book. 00:01:13.220 --> 00:01:16.430 align:middle line:84% This is the book of a certain peculiar heart, 00:01:16.430 --> 00:01:19.450 align:middle line:90% but I read it there. 00:01:19.450 --> 00:01:21.490 align:middle line:84% "Calm--" many of these are true, I 00:01:21.490 --> 00:01:24.340 align:middle line:84% don't mean to disparage the source entirely. 00:01:24.340 --> 00:01:26.920 align:middle line:90% "Calm comes from burning." 00:01:26.920 --> 00:01:31.780 align:middle line:84% I mean, we were talking about googling at dinner. 00:01:31.780 --> 00:01:34.300 align:middle line:84% Don't ask me why-- because we were gurgling 00:01:34.300 --> 00:01:38.560 align:middle line:90% and we couldn't help ourselves. 00:01:38.560 --> 00:01:41.710 align:middle line:84% And really, search is very interesting 00:01:41.710 --> 00:01:45.040 align:middle line:84% and also just the derivations that you 00:01:45.040 --> 00:01:47.230 align:middle line:84% discover by following trails of things 00:01:47.230 --> 00:01:49.060 align:middle line:90% are quite astonishing sometimes. 00:01:49.060 --> 00:01:52.670 align:middle line:84% And for me, the unexpected in the scan is the thing. 00:01:52.670 --> 00:01:56.290 align:middle line:84% So if you're scanning across a dictionary or an encyclopedia, 00:01:56.290 --> 00:01:59.230 align:middle line:84% what I'm alerted by are the spikes 00:01:59.230 --> 00:02:02.410 align:middle line:84% in the EKG, the exceptions in the pattern. 00:02:02.410 --> 00:02:04.510 align:middle line:90% And these, in a way, are-- 00:02:04.510 --> 00:02:07.120 align:middle line:84% the editorial function at work in this dictionary 00:02:07.120 --> 00:02:09.699 align:middle line:84% was to look for the things, the peculiarities, 00:02:09.699 --> 00:02:11.695 align:middle line:84% the ones you would never think were possible. 00:02:11.695 --> 00:02:13.570 align:middle line:84% Because the other stuff, if you could already 00:02:13.570 --> 00:02:15.700 align:middle line:84% think it was possible, it doesn't need to be said. 00:02:15.700 --> 00:02:20.380 align:middle line:84% That's why cliche is not useful in art. 00:02:20.380 --> 00:02:23.470 align:middle line:90% "Calm comes from burning. 00:02:23.470 --> 00:02:27.260 align:middle line:90% Tall comes from fast. 00:02:27.260 --> 00:02:30.860 align:middle line:90% Comely doesn't come from come." 00:02:30.860 --> 00:02:34.100 align:middle line:90% You see the trail here. 00:02:34.100 --> 00:02:37.470 align:middle line:90% "Person comes from mask. 00:02:37.470 --> 00:02:41.400 align:middle line:90% The kin of charity is whore. 00:02:41.400 --> 00:02:45.820 align:middle line:90% The root of charity is dear. 00:02:45.820 --> 00:02:49.840 align:middle line:84% Incentive has its source in song. 00:02:49.840 --> 00:02:54.330 align:middle line:90% And winning, in the sufferer. 00:02:54.330 --> 00:02:58.470 align:middle line:84% Afford yourself what you can carry out. 00:02:58.470 --> 00:03:03.300 align:middle line:84% A coward and a coda share a word. 00:03:03.300 --> 00:03:06.840 align:middle line:90% We get our ugliness from fear. 00:03:06.840 --> 00:03:09.210 align:middle line:84% We get our danger from the Lord." 00:03:09.210 --> 00:03:12.810 align:middle line:90% 00:03:12.810 --> 00:03:19.610 align:middle line:84% You can almost feel the tracking back from Lord to domain 00:03:19.610 --> 00:03:21.110 align:middle line:90% to danger somehow. 00:03:21.110 --> 00:03:24.410 align:middle line:84% But it doesn't quite feel yet etymologically apparent, 00:03:24.410 --> 00:03:28.090 align:middle line:84% but there's a little of it there. 00:03:28.090 --> 00:03:29.000 align:middle line:90%