WEBVTT 00:00:00.000 --> 00:00:02.280 align:middle line:90% 00:00:02.280 --> 00:00:04.950 align:middle line:90% Thank you, young man. 00:00:04.950 --> 00:00:07.110 align:middle line:84% I spent most of my lovely afternoon 00:00:07.110 --> 00:00:10.140 align:middle line:84% in Tucson in Laynie Browne's house writing 00:00:10.140 --> 00:00:12.120 align:middle line:90% about membranes, so-- 00:00:12.120 --> 00:00:14.610 align:middle line:90% totally psychic. 00:00:14.610 --> 00:00:17.490 align:middle line:84% Thank you to the Poetry Center and to Laynie 00:00:17.490 --> 00:00:19.680 align:middle line:90% for hosting me in her home. 00:00:19.680 --> 00:00:20.970 align:middle line:90% It's lovely to be here. 00:00:20.970 --> 00:00:24.780 align:middle line:90% 00:00:24.780 --> 00:00:26.820 align:middle line:84% I shall read tonight from "Humanimal," 00:00:26.820 --> 00:00:33.000 align:middle line:84% which is a non-fiction project based 00:00:33.000 --> 00:00:36.840 align:middle line:84% upon the true story of two girls, Kamala and Amala, 00:00:36.840 --> 00:00:41.880 align:middle line:84% who were found living with wolves in 1921 in India. 00:00:41.880 --> 00:00:45.600 align:middle line:84% And I went there to India and found the places 00:00:45.600 --> 00:00:48.120 align:middle line:84% where they had been kept, where they 00:00:48.120 --> 00:00:51.360 align:middle line:84% were rescued when they were found by a missionary called 00:00:51.360 --> 00:00:53.070 align:middle line:90% Joseph Singh. 00:00:53.070 --> 00:00:54.540 align:middle line:90% I found his house. 00:00:54.540 --> 00:00:58.320 align:middle line:84% I found his grandson and his great grandson, 00:00:58.320 --> 00:01:03.720 align:middle line:84% and they gave me photographs of the wolf girls. 00:01:03.720 --> 00:01:05.860 align:middle line:84% And I went into the jungle a little ways. 00:01:05.860 --> 00:01:11.400 align:middle line:84% So some of this is more related to filmmaking, and part of it, 00:01:11.400 --> 00:01:15.810 align:middle line:84% I suppose, through scar tissue, through the liquefied 00:01:15.810 --> 00:01:17.820 align:middle line:90% form a body can take. 00:01:17.820 --> 00:01:20.730 align:middle line:84% In certain parts the wolf girls' bodies 00:01:20.730 --> 00:01:25.200 align:middle line:84% connect to the bodies of my father as a child in India. 00:01:25.200 --> 00:01:27.340 align:middle line:84% So I'm going to read it from various places. 00:01:27.340 --> 00:01:30.480 align:middle line:84% So I don't know if it will be clear where I am. 00:01:30.480 --> 00:01:33.132 align:middle line:90% 00:01:33.132 --> 00:01:33.780 align:middle line:90% Oh, dear. 00:01:33.780 --> 00:01:35.970 align:middle line:90% Can I borrow a clock, a watch? 00:01:35.970 --> 00:01:39.558 align:middle line:90% 00:01:39.558 --> 00:01:40.506 align:middle line:90% Thank you. 00:01:40.506 --> 00:01:43.350 align:middle line:90% 00:01:43.350 --> 00:01:46.380 align:middle line:90% It's 8:40 PM. 00:01:46.380 --> 00:01:48.720 align:middle line:84% This will be all over by 8:58 PM. 00:01:48.720 --> 00:01:51.390 align:middle line:90% 00:01:51.390 --> 00:01:52.280 align:middle line:90% [INAUDIBLE] 00:01:52.280 --> 00:01:57.000 align:middle line:90% 00:01:57.000 --> 00:01:59.250 align:middle line:90% Right. 00:01:59.250 --> 00:02:01.800 align:middle line:84% There are two spaces in which I took notes 00:02:01.800 --> 00:02:04.710 align:middle line:84% for this project, an investigation 00:02:04.710 --> 00:02:06.480 align:middle line:90% of feral childhood. 00:02:06.480 --> 00:02:10.199 align:middle line:84% I'm not sure if childhood is the correct word. 00:02:10.199 --> 00:02:12.810 align:middle line:84% The first space was a blue sky fiction, 00:02:12.810 --> 00:02:16.140 align:middle line:84% imagining a future for a child who died. 00:02:16.140 --> 00:02:18.810 align:middle line:84% The second space was real in different ways, 00:02:18.810 --> 00:02:22.860 align:middle line:84% a double envelope, fluid digits, scary. 00:02:22.860 --> 00:02:25.410 align:middle line:84% I was frightened, and so I stopped. 00:02:25.410 --> 00:02:28.590 align:middle line:84% There were two kiosks like hard bubbles selling tickets 00:02:28.590 --> 00:02:29.850 align:middle line:90% to the show. 00:02:29.850 --> 00:02:32.160 align:middle line:90% A feral child is freakish. 00:02:32.160 --> 00:02:34.830 align:middle line:84% With all my strength, I pushed the glass doors 00:02:34.830 --> 00:02:37.680 align:middle line:84% shut, ignoring the screams of the vendors 00:02:37.680 --> 00:02:39.540 align:middle line:90% inside, with a click. 00:02:39.540 --> 00:02:42.450 align:middle line:84% I clicked the spaces closed, and then, 00:02:42.450 --> 00:02:48.600 align:middle line:84% because I had to, because the glass broke, I wrote this. 00:02:48.600 --> 00:02:50.070 align:middle line:90% "Humanimal 1. 00:02:50.070 --> 00:02:53.970 align:middle line:84% Blue Sky Fiction for a Future Child." 00:02:53.970 --> 00:02:57.330 align:middle line:84% Balled up with her shaven head and spine visible 00:02:57.330 --> 00:03:01.770 align:middle line:84% through her skin, the wolf girl was a singular presence, almost 00:03:01.770 --> 00:03:05.430 align:middle line:84% butter yellow against the granular fabric of the Kodak 00:03:05.430 --> 00:03:06.690 align:middle line:90% paper. 00:03:06.690 --> 00:03:09.810 align:middle line:84% When she died, it was Easter, the hot, dry month 00:03:09.810 --> 00:03:12.090 align:middle line:90% before monsoon. 00:03:12.090 --> 00:03:14.970 align:middle line:84% Bowing to custom, the priest covered her face 00:03:14.970 --> 00:03:18.220 align:middle line:84% with marigolds, soaked the stems with olive oil, 00:03:18.220 --> 00:03:20.460 align:middle line:90% then lit a match. 00:03:20.460 --> 00:03:24.210 align:middle line:84% Behind the graveyard was a church, intensely white 00:03:24.210 --> 00:03:26.520 align:middle line:90% in the pale pink day. 00:03:26.520 --> 00:03:29.310 align:middle line:84% Behind the church was the jungle. 00:03:29.310 --> 00:03:32.970 align:middle line:84% At the edge of the jungle was a seam, a dense shedding 00:03:32.970 --> 00:03:35.640 align:middle line:90% of light green ribbons of bark. 00:03:35.640 --> 00:03:38.640 align:middle line:84% A place where things previously separate 00:03:38.640 --> 00:03:41.580 align:middle line:90% moved together in a wet pivot. 00:03:41.580 --> 00:03:45.990 align:middle line:84% I stood and walked towards it in a dream. 00:03:45.990 --> 00:03:50.340 align:middle line:84% Her eyes were grim, intensely clarified against her charred 00:03:50.340 --> 00:03:52.950 align:middle line:90% skin as she looked up. 00:03:52.950 --> 00:03:56.550 align:middle line:84% Above her the trees were dense with a dark green fruit 00:03:56.550 --> 00:03:58.770 align:middle line:90% I could not identify. 00:03:58.770 --> 00:04:02.190 align:middle line:84% In the minutes before capture, the girl reached up, 00:04:02.190 --> 00:04:05.100 align:middle line:84% her arms criss-crossing rapidly beneath 00:04:05.100 --> 00:04:09.030 align:middle line:84% the bleached low hanging vines of the perimeter. 00:04:09.030 --> 00:04:12.030 align:middle line:84% She was wearing a white cotton dress shredded 00:04:12.030 --> 00:04:14.370 align:middle line:90% at the sleeve and hem. 00:04:14.370 --> 00:04:16.529 align:middle line:84% When I developed the film in New Delhi, 00:04:16.529 --> 00:04:18.959 align:middle line:84% the x-ray of a marine skeleton was 00:04:18.959 --> 00:04:23.820 align:middle line:84% superimposed on her left arm, her elbow as thick as a knot. 00:04:23.820 --> 00:04:27.240 align:middle line:84% I said it was cartilage-- the body incubating 00:04:27.240 --> 00:04:30.510 align:middle line:90% a curved space, an animal self. 00:04:30.510 --> 00:04:33.900 align:middle line:84% Instead of hands she had four streaks of light. 00:04:33.900 --> 00:04:39.450 align:middle line:84% An imprimatur, she saw me and flinched. 00:04:39.450 --> 00:04:41.380 align:middle line:90% Humanimal 2. 00:04:41.380 --> 00:04:44.280 align:middle line:90% A matrix of fluid digits images. 00:04:44.280 --> 00:04:47.440 align:middle line:84% Of children in the underworld, An alphabet to 00:04:47.440 --> 00:04:49.080 align:middle line:90% O a kind of mouth. 00:04:49.080 --> 00:04:54.990 align:middle line:90% 00:04:54.990 --> 00:04:57.090 align:middle line:90% 1. 00:04:57.090 --> 00:05:00.480 align:middle line:84% The humanimal sky is copper like lids. 00:05:00.480 --> 00:05:04.470 align:middle line:84% Retrograde stars litter this intimate metallic curve 00:05:04.470 --> 00:05:05.760 align:middle line:90% above the jungle. 00:05:05.760 --> 00:05:07.590 align:middle line:90% Can you see it? 00:05:07.590 --> 00:05:11.940 align:middle line:84% A. All the branches stir in their silver. 00:05:11.940 --> 00:05:13.560 align:middle line:90% Like a liquid metal-- 00:05:13.560 --> 00:05:14.970 align:middle line:90% the jungle. 00:05:14.970 --> 00:05:17.670 align:middle line:90% For her, the girl-- tenticular. 00:05:17.670 --> 00:05:21.060 align:middle line:84% Does the skin crepe, where her fingers are too wet, 00:05:21.060 --> 00:05:23.220 align:middle line:90% trailing in the river? 00:05:23.220 --> 00:05:26.430 align:middle line:84% This is what a child does as in fairy tales. 00:05:26.430 --> 00:05:27.870 align:middle line:90% This is walking. 00:05:27.870 --> 00:05:29.340 align:middle line:90% I want to. 00:05:29.340 --> 00:05:31.560 align:middle line:90% All branches fear life. 00:05:31.560 --> 00:05:33.120 align:middle line:90% It pushes and pushes-- 00:05:33.120 --> 00:05:33.900 align:middle line:90% life. 00:05:33.900 --> 00:05:36.390 align:middle line:84% Out to the tips where the color is. 00:05:36.390 --> 00:05:39.150 align:middle line:84% Does this happen in Asian forests? 00:05:39.150 --> 00:05:42.810 align:middle line:84% Does this tree say yes, damaged by its yes, 00:05:42.810 --> 00:05:45.540 align:middle line:90% to phloem, the food to the lips? 00:05:45.540 --> 00:05:49.170 align:middle line:84% Of the branches where the leaves are and thus a leaf girl, 00:05:49.170 --> 00:05:52.320 align:middle line:84% leaping from branch to branch in her dream 00:05:52.320 --> 00:05:58.020 align:middle line:84% of being a girl and not this, this other disastrous thing. 00:05:58.020 --> 00:05:59.820 align:middle line:90% 2. 00:05:59.820 --> 00:06:04.380 align:middle line:84% Like automata, the trees rise up in rows mechanically. 00:06:04.380 --> 00:06:08.760 align:middle line:84% Because it's January we don't see scat or paw marks or tufts 00:06:08.760 --> 00:06:12.490 align:middle line:84% of blue hair caught in the low lying branches. 00:06:12.490 --> 00:06:15.090 align:middle line:84% This is tracking, but the wolves, 00:06:15.090 --> 00:06:20.490 align:middle line:84% wild black dogs with elongated torsos, are deeper in. 00:06:20.490 --> 00:06:23.400 align:middle line:84% The district forest officer lifts a luminous skin 00:06:23.400 --> 00:06:26.610 align:middle line:84% from a termite mound with the snout of his rifle 00:06:26.610 --> 00:06:28.710 align:middle line:90% and holds it up to show me. 00:06:28.710 --> 00:06:31.680 align:middle line:84% When I reach out to gather another section of the skin, 00:06:31.680 --> 00:06:33.900 align:middle line:90% he stops my hand with his. 00:06:33.900 --> 00:06:37.170 align:middle line:84% When I ask if snakes are active at this time of year, 00:06:37.170 --> 00:06:38.970 align:middle line:90% he says, Oh, no. 00:06:38.970 --> 00:06:40.225 align:middle line:90% No, Madam. 00:06:40.225 --> 00:06:43.970 align:middle line:84% The Indian Anaconda is not a problem at this time of year. 00:06:43.970 --> 00:06:45.090 align:middle line:90% Not at all. 00:06:45.090 --> 00:06:46.800 align:middle line:90% No problem. 00:06:46.800 --> 00:06:49.620 align:middle line:84% Nevertheless we return in short order 00:06:49.620 --> 00:06:54.390 align:middle line:84% to the Jeep with footage only of a rudimentary perimeter 00:06:54.390 --> 00:06:56.790 align:middle line:84% in which giant insects have constructed 00:06:56.790 --> 00:07:01.800 align:middle line:84% conical temples in the moist ochre earth beneath the trees. 00:07:01.800 --> 00:07:04.740 align:middle line:84% I want to stay, but the filmmakers are stubbing out 00:07:04.740 --> 00:07:06.990 align:middle line:90% their cigarettes in the dirt. 00:07:06.990 --> 00:07:10.404 align:middle line:84% I didn't know the jungle would be red. 00:07:10.404 --> 00:07:15.270 align:middle line:84% B. I want to stand up, but I can't do that here. 00:07:15.270 --> 00:07:18.300 align:middle line:84% They would know I am a wolf by my sore hips, 00:07:18.300 --> 00:07:20.460 align:middle line:90% the look in my eyes. 00:07:20.460 --> 00:07:23.910 align:middle line:84% At the edge of the garden was a line of blue chalk. 00:07:23.910 --> 00:07:27.330 align:middle line:84% My mother was waiting there, waiting for me 00:07:27.330 --> 00:07:28.860 align:middle line:90% in her dark coat. 00:07:28.860 --> 00:07:32.760 align:middle line:84% In the dream I walk towards her, and she stands up. 00:07:32.760 --> 00:07:36.060 align:middle line:84% She opens up her coat like two wings, 00:07:36.060 --> 00:07:41.910 align:middle line:84% and I step into her cloth heart, her cleft of matted fur. 00:07:41.910 --> 00:07:43.800 align:middle line:90% 3. 00:07:43.800 --> 00:07:45.060 align:middle line:90% The girl. 00:07:45.060 --> 00:07:50.130 align:middle line:84% I cannot retrieve even one foot from her small leg, a tendon, 00:07:50.130 --> 00:07:52.730 align:middle line:90% a nail, one eye. 00:07:52.730 --> 00:07:56.430 align:middle line:84% I saw her grave in the city where the edge had been. 00:07:56.430 --> 00:08:00.450 align:middle line:84% In your city or where you grew up, was there an overgrown 00:08:00.450 --> 00:08:01.560 align:middle line:90% scrubland? 00:08:01.560 --> 00:08:03.540 align:middle line:90% Was there a tree? 00:08:03.540 --> 00:08:08.370 align:middle line:84% Imagine a dark tree like a lemon tree, its fruit still green 00:08:08.370 --> 00:08:10.770 align:middle line:90% and studded with green parrots. 00:08:10.770 --> 00:08:12.420 align:middle line:90% The edge of sal. 00:08:12.420 --> 00:08:15.390 align:middle line:84% Lemon and banana plantings intermixed 00:08:15.390 --> 00:08:17.310 align:middle line:90% with the regular blue. 00:08:17.310 --> 00:08:20.340 align:middle line:84% It is blue leaves at night and brown yellow, 00:08:20.340 --> 00:08:22.560 align:middle line:90% or doubly green by day. 00:08:22.560 --> 00:08:25.620 align:middle line:90% But it was day, but blue. 00:08:25.620 --> 00:08:28.800 align:middle line:84% I put my hand on her grave and waited 00:08:28.800 --> 00:08:32.820 align:middle line:84% until I could feel the rhythm faintly of breathing, 00:08:32.820 --> 00:08:36.210 align:middle line:90% of a cardiac output. 00:08:36.210 --> 00:08:40.380 align:middle line:90% C. Mist rose in cubes. 00:08:40.380 --> 00:08:44.350 align:middle line:84% With hard fingers they tore strips from my spine. 00:08:44.350 --> 00:08:44.850 align:middle line:90% All. 00:08:44.850 --> 00:08:49.860 align:middle line:84% Blond black fur All hair from a previous life. 00:08:49.860 --> 00:08:51.750 align:middle line:90% 4. 00:08:51.750 --> 00:08:55.950 align:middle line:84% Feral children are fatty, complex, and rigid. 00:08:55.950 --> 00:08:58.290 align:middle line:84% When you captured the two children, 00:08:58.290 --> 00:09:01.260 align:middle line:84% you had to brush the knots out of their hair, 00:09:01.260 --> 00:09:04.650 align:middle line:84% then scrape the comb free of hard butter. 00:09:04.650 --> 00:09:06.720 align:middle line:90% Descent and serration. 00:09:06.720 --> 00:09:07.590 align:middle line:90% No. 00:09:07.590 --> 00:09:11.520 align:middle line:84% I don't want to ask primal questions. 00:09:11.520 --> 00:09:13.290 align:middle line:90% 5. 00:09:13.290 --> 00:09:16.830 align:middle line:84% Kamala slips over the garden wall with her sister 00:09:16.830 --> 00:09:20.850 align:middle line:84% and runs on all fours towards the complex horizon 00:09:20.850 --> 00:09:25.200 align:middle line:84% between Midnapore and its surrounding belt of sal. 00:09:25.200 --> 00:09:29.220 align:middle line:84% The humanimal mode is one of pure anxiety attached 00:09:29.220 --> 00:09:31.230 align:middle line:90% to the presence of the body. 00:09:31.230 --> 00:09:35.550 align:middle line:84% Two panicked children strain against the gelatin envelope 00:09:35.550 --> 00:09:37.890 align:middle line:84% of the township, producing through 00:09:37.890 --> 00:09:40.620 align:middle line:90% distention a frightening shape. 00:09:40.620 --> 00:09:43.860 align:middle line:84% The animals see an opaque, milky membrane 00:09:43.860 --> 00:09:47.280 align:middle line:84% bulging with life and retreat, as you would, 00:09:47.280 --> 00:09:49.020 align:middle line:90% to the inner world. 00:09:49.020 --> 00:09:51.570 align:middle line:84% I am speakiong to you in January. 00:09:51.570 --> 00:09:53.370 align:middle line:90% It is raining. 00:09:53.370 --> 00:09:56.660 align:middle line:84% Amniotic, compelled to emerge, the girls 00:09:56.660 --> 00:09:59.150 align:middle line:90% are nevertheless reabsorbed. 00:09:59.150 --> 00:10:01.460 align:middle line:84% I imagine them back in their cots 00:10:01.460 --> 00:10:04.460 align:middle line:84% illuminated by kerosene lanterns. 00:10:04.460 --> 00:10:08.750 align:middle line:84% I illuminate them in the colony, the cluster of residences 00:10:08.750 --> 00:10:12.170 align:middle line:84% including the home around St John's. 00:10:12.170 --> 00:10:13.130 align:middle line:90% No. 00:10:13.130 --> 00:10:15.830 align:middle line:84% Though I've been there, it's impossible for me 00:10:15.830 --> 00:10:17.990 align:middle line:90% to visualize retrieval. 00:10:17.990 --> 00:10:23.630 align:middle line:84% Chronologies only record the bad days, the attempted escapes. 00:10:23.630 --> 00:10:27.080 align:middle line:90% D. I was almost to the gate. 00:10:27.080 --> 00:10:30.890 align:middle line:84% I was almost to the gate when a hand reached out and pulled me 00:10:30.890 --> 00:10:36.050 align:middle line:84% backwards by my hair, opening my mouth to an O. The next day 00:10:36.050 --> 00:10:38.300 align:middle line:90% I woke up with a raw throat. 00:10:38.300 --> 00:10:41.240 align:middle line:84% The cook gave me salt in warm water. 00:10:41.240 --> 00:10:44.630 align:middle line:84% I waited until she was gone, and then I bit it. 00:10:44.630 --> 00:10:47.450 align:middle line:90% I bit my own arm, and I ate it. 00:10:47.450 --> 00:10:50.130 align:middle line:84% Here is my belly frosted with meat 00:10:50.130 --> 00:10:53.750 align:middle line:84% Here are my eyes, bobbling in a tin. 00:10:53.750 --> 00:10:55.640 align:middle line:90% 6. 00:10:55.640 --> 00:10:59.570 align:middle line:84% It's Palm Sunday, and Kamala, with the other orphans 00:10:59.570 --> 00:11:04.340 align:middle line:84% in a dark, glittery crocodile, walks from home to church. 00:11:04.340 --> 00:11:07.670 align:middle line:84% Her two arms extend stiffly from her body 00:11:07.670 --> 00:11:10.400 align:middle line:90% to train them to extend. 00:11:10.400 --> 00:11:14.390 align:middle line:84% Unbound, her elbows and wrists would flex, then supinate, 00:11:14.390 --> 00:11:17.060 align:middle line:90% like two peeled claws. 00:11:17.060 --> 00:11:21.740 align:middle line:84% Wrapped, she is a swerve, a crooked yet regulated mark. 00:11:21.740 --> 00:11:23.960 align:middle line:90% This is corrective therapy. 00:11:23.960 --> 00:11:26.840 align:middle line:84% The fascia hardening over a lifetime 00:11:26.840 --> 00:11:32.900 align:middle line:84% then split in order to reset it, educate the nerves. 00:11:32.900 --> 00:11:37.520 align:middle line:84% E. The cook fed us meat of many kinds. 00:11:37.520 --> 00:11:41.120 align:middle line:84% I joined my belly to the belly of the next girl. 00:11:41.120 --> 00:11:44.720 align:middle line:84% It was pink, and we opened our beaks for meat. 00:11:44.720 --> 00:11:47.600 align:middle line:84% It was wet, and we licked the dictionary 00:11:47.600 --> 00:11:49.310 align:middle line:90% off each other's faces. 00:11:49.310 --> 00:11:50.510 align:middle line:90% 7. 00:11:50.510 --> 00:11:52.730 align:middle line:90% Is this the humanimal question? 00:11:52.730 --> 00:11:53.300 align:middle line:90% No. 00:11:53.300 --> 00:11:56.330 align:middle line:84% It's a disc transferring light from corner 00:11:56.330 --> 00:11:58.550 align:middle line:90% to corner of the girl's eye. 00:11:58.550 --> 00:12:01.340 align:middle line:84% Like an animal tapetum, the way at night 00:12:01.340 --> 00:12:06.230 align:middle line:84% an animal, animal eyes glinting in the room where he kept her, 00:12:06.230 --> 00:12:09.590 align:middle line:90% his girl, deep in the home. 00:12:09.590 --> 00:12:10.820 align:middle line:90% 8. 00:12:10.820 --> 00:12:13.610 align:middle line:90% Where is the future child? 00:12:13.610 --> 00:12:17.630 align:middle line:84% Curled up with wolves, sub red, the wolf girl's eyes 00:12:17.630 --> 00:12:19.190 align:middle line:90% reflected light. 00:12:19.190 --> 00:12:23.570 align:middle line:84% She was seven when her father found her coiled in a den. 00:12:23.570 --> 00:12:28.460 align:middle line:84% A tall extremely handsome father sidetracked from his mission, 00:12:28.460 --> 00:12:32.540 align:middle line:84% dressed in black despite the heat, caught her in a bed sheet 00:12:32.540 --> 00:12:37.940 align:middle line:84% and wrote, I cut a hole and removed her from the cave. 00:12:37.940 --> 00:12:39.740 align:middle line:90% 8. 00:12:39.740 --> 00:12:43.160 align:middle line:84% Your scars lit up, then liquefied. 00:12:43.160 --> 00:12:47.630 align:middle line:84% Lucidity, holographically, your heart pulsed in the air next 00:12:47.630 --> 00:12:48.620 align:middle line:90% to your body. 00:12:48.620 --> 00:12:52.220 align:middle line:84% Then my eyes clicked the photo into place. 00:12:52.220 --> 00:12:55.850 align:middle line:84% Future child, in the time you lived, in your arms 00:12:55.850 --> 00:12:57.770 align:middle line:90% always itched and flaked. 00:12:57.770 --> 00:13:00.740 align:middle line:84% To write this, the memoir of your body, 00:13:00.740 --> 00:13:04.370 align:middle line:84% I slipp my arms into the sleeves of your shirt. 00:13:04.370 --> 00:13:10.330 align:middle line:84% I slipp my arms into yours to become four limbed. 00:13:10.330 --> 00:13:12.920 align:middle line:90% And I should pause there. 00:13:12.920 --> 00:13:13.520 align:middle line:90% Thank you. 00:13:13.520 --> 00:13:17.770 align:middle line:90% [APPLAUSE] 00:13:17.770 --> 00:13:25.000 align:middle line:90%