WEBVTT 00:00:00.000 --> 00:00:03.160 align:middle line:90% 00:00:03.160 --> 00:00:05.000 align:middle line:90% Two more. 00:00:05.000 --> 00:00:09.340 align:middle line:84% This one's called "Saturday and its Festooned Potential." 00:00:09.340 --> 00:00:11.200 align:middle line:90% Really like the title, you know. 00:00:11.200 --> 00:00:15.820 align:middle line:90% 00:00:15.820 --> 00:00:18.380 align:middle line:90% OK, I wrote this poem. 00:00:18.380 --> 00:00:21.517 align:middle line:84% And then, about two hours later, Hadley Guest 00:00:21.517 --> 00:00:23.350 align:middle line:84% called me to tell me that her mother Barbara 00:00:23.350 --> 00:00:25.330 align:middle line:90% Guest had passed away. 00:00:25.330 --> 00:00:27.160 align:middle line:90% It's like one of those things. 00:00:27.160 --> 00:00:29.410 align:middle line:84% Barbara Guest, does that ring any bells to anybody? 00:00:29.410 --> 00:00:32.530 align:middle line:84% Her new book of poems, collected poems just came out, 00:00:32.530 --> 00:00:35.740 align:middle line:84% and I just really invite you to find her work and to read it. 00:00:35.740 --> 00:00:39.730 align:middle line:84% It's absolutely glorious, and she's 00:00:39.730 --> 00:00:41.500 align:middle line:84% worthy of being compared to Stevens. 00:00:41.500 --> 00:00:43.810 align:middle line:90% She's a great poet. 00:00:43.810 --> 00:00:45.310 align:middle line:90% So I'll read this for her. 00:00:45.310 --> 00:00:48.520 align:middle line:90% 00:00:48.520 --> 00:00:51.310 align:middle line:84% "Saturday and its Festooned Potential." 00:00:51.310 --> 00:00:55.900 align:middle line:90% 00:00:55.900 --> 00:01:00.850 align:middle line:84% "Faces, unlike weather, never return, no matter 00:01:00.850 --> 00:01:03.730 align:middle line:90% how closely they resemble rain. 00:01:03.730 --> 00:01:08.350 align:middle line:84% In this theater, time isn't cruel, just different. 00:01:08.350 --> 00:01:10.060 align:middle line:90% Does that help? 00:01:10.060 --> 00:01:14.980 align:middle line:84% When the overgrown skyway becomes calm, humans get quiet. 00:01:14.980 --> 00:01:17.860 align:middle line:84% When the notion of myth or collective anything 00:01:17.860 --> 00:01:22.270 align:middle line:84% is undone by wind chimes by a gentle tink tink. 00:01:22.270 --> 00:01:26.410 align:middle line:84% When the mind is opened forth by a gentle tink tink, or light 00:01:26.410 --> 00:01:29.290 align:middle line:84% speckled and whooping in the periphery. 00:01:29.290 --> 00:01:31.660 align:middle line:84% When light whooping and speckled is most 00:01:31.660 --> 00:01:33.910 align:middle line:90% pleasing to a body at rest. 00:01:33.910 --> 00:01:36.790 align:middle line:84% When thought, open attaches itself 00:01:36.790 --> 00:01:39.640 align:middle line:90% to repose to the forehead. 00:01:39.640 --> 00:01:44.080 align:middle line:84% When twigs swaying just outside the library's large glass 00:01:44.080 --> 00:01:48.490 align:middle line:84% signal, scratch, and join to an idea of history. 00:01:48.490 --> 00:01:52.420 align:middle line:84% When twigs scratching, join to an idea of time, 00:01:52.420 --> 00:01:54.610 align:middle line:90% to a picture of being. 00:01:54.610 --> 00:01:59.740 align:middle line:84% Like to be beside and becoming, to be another and oneself. 00:01:59.740 --> 00:02:02.260 align:middle line:90% To be complete inside the poem. 00:02:02.260 --> 00:02:06.420 align:middle line:90% To be oneself becoming a poem." 00:02:06.420 --> 00:02:08.000 align:middle line:90%