WEBVTT 00:00:00.000 --> 00:00:00.810 align:middle line:90% 00:00:00.810 --> 00:00:06.810 align:middle line:84% One of the principles that André Le Nôtre used in designing 00:00:06.810 --> 00:00:08.880 align:middle line:84% these gardens is one called animorphosis, 00:00:08.880 --> 00:00:13.110 align:middle line:84% which is a geometrical distortion principle that 00:00:13.110 --> 00:00:18.000 align:middle line:84% allows things to shift in scale and look from a certain 00:00:18.000 --> 00:00:21.540 align:middle line:84% perspective, extremely distorted and meaningful and then from 00:00:21.540 --> 00:00:24.390 align:middle line:84% a different perspective sort of snap into it. 00:00:24.390 --> 00:00:27.360 align:middle line:84% And the best example of this, for those of you know it, 00:00:27.360 --> 00:00:30.330 align:middle line:84% is Hans Holbein's painting of the ambassadors 00:00:30.330 --> 00:00:35.760 align:middle line:84% with that weird strange blob at the bottom, which if you stand 00:00:35.760 --> 00:00:37.950 align:middle line:84% against the wall and look at it like this 00:00:37.950 --> 00:00:40.620 align:middle line:90% snaps into being a skull. 00:00:40.620 --> 00:00:43.920 align:middle line:84% So animorphosis was used for centuries 00:00:43.920 --> 00:00:47.040 align:middle line:90% for hiding visual messages. 00:00:47.040 --> 00:00:50.970 align:middle line:84% Le Nôtre used it to create a situation where from a certain 00:00:50.970 --> 00:00:54.780 align:middle line:84% perspective, which was always stepping out the back door 00:00:54.780 --> 00:00:58.020 align:middle line:84% of the Great Hall, the garden would look perfectly 00:00:58.020 --> 00:01:00.040 align:middle line:90% proportioned as a painting. 00:01:00.040 --> 00:01:02.670 align:middle line:84% And so it was meant to actually have a two dimensional 00:01:02.670 --> 00:01:05.519 align:middle line:84% life at that perspective and because many of his guests 00:01:05.519 --> 00:01:06.870 align:middle line:90% never went into the garden. 00:01:06.870 --> 00:01:08.440 align:middle line:90% But then if you did. 00:01:08.440 --> 00:01:12.540 align:middle line:84% It became a completely different experience. 00:01:12.540 --> 00:01:14.670 align:middle line:84% It became huge compared to what you 00:01:14.670 --> 00:01:18.450 align:middle line:84% saw so you had the experience that going out 00:01:18.450 --> 00:01:21.400 align:middle line:90% into it paid off in some way. 00:01:21.400 --> 00:01:24.110 align:middle line:90% Animorphosys. 00:01:24.110 --> 00:01:28.010 align:middle line:84% According to angle and alignment, the garden owns it, 00:01:28.010 --> 00:01:32.030 align:middle line:84% and the eye gardens down the eye sliding. 00:01:32.030 --> 00:01:37.310 align:middle line:84% The observer is a precise spot that a human sometimes enters. 00:01:37.310 --> 00:01:41.150 align:middle line:84% A garden is always seen from an extreme angle. 00:01:41.150 --> 00:01:44.210 align:middle line:84% This is because we're not very tall compared 00:01:44.210 --> 00:01:48.440 align:middle line:84% to the world, which runs out in breadth way ahead 00:01:48.440 --> 00:01:49.550 align:middle line:90% of the vertiginous. 00:01:49.550 --> 00:01:54.920 align:middle line:84% Thousands will remain, and even neck to neck will this align. 00:01:54.920 --> 00:01:56.300 align:middle line:90% Stand here. 00:01:56.300 --> 00:01:58.220 align:middle line:90% See that distant distance? 00:01:58.220 --> 00:01:59.600 align:middle line:90% Stand there. 00:01:59.600 --> 00:02:02.600 align:middle line:84% There's a way to compute the angle of incidence, 00:02:02.600 --> 00:02:04.610 align:middle line:90% says Euclid's Eighth Theorem. 00:02:04.610 --> 00:02:09.289 align:middle line:84% To real in the world, we need a single viewer said the view. 00:02:09.289 --> 00:02:10.009 align:middle line:90% Who? 00:02:10.009 --> 00:02:13.190 align:middle line:84% Said the person who never left the back door, who 00:02:13.190 --> 00:02:16.700 align:middle line:84% is still standing there in the door frame. 00:02:16.700 --> 00:02:19.700 align:middle line:84% I see a world so precisely distorted 00:02:19.700 --> 00:02:22.670 align:middle line:84% that I sit on the terrace sipping champagne 00:02:22.670 --> 00:02:26.000 align:middle line:84% with a friend, and as the lights come on the painting 00:02:26.000 --> 00:02:29.670 align:middle line:84% grows within the trees and is the trees. 00:02:29.670 --> 00:02:32.990 align:middle line:90% And if all of this fits within. 00:02:32.990 --> 00:02:37.310 align:middle line:84% Le Nôtre used animorphosis to make the world come home. 00:02:37.310 --> 00:02:41.810 align:middle line:84% Sad, cataract, in a music box, there is no animal that cannot 00:02:41.810 --> 00:02:43.360 align:middle line:90% learn.