WEBVTT 00:00:00.000 --> 00:00:03.480 align:middle line:84% Our first reader is Cole Swensen. 00:00:03.480 --> 00:00:05.280 align:middle line:90% Cole Swensen. 00:00:05.280 --> 00:00:07.634 align:middle line:84% Books.google.com /bookscivildisob 00:00:07.634 --> 00:00:11.160 align:middle line:84% ediencespoeticsa ndpoliticsinaction. 00:00:11.160 --> 00:00:16.260 align:middle line:84% Identitytheory.c om/fiction/sewnson/poetry. 00:00:16.260 --> 00:00:20.790 align:middle line:84% Chicagopostmoder npoetry.com/caroldubois. 00:00:20.790 --> 00:00:23.700 align:middle line:90% 12or20questions.blogspot.com. 00:00:23.700 --> 00:00:26.130 align:middle line:90% Chicagopostmodern.com. 00:00:26.130 --> 00:00:28.060 align:middle line:90% C. Swenson. 00:00:28.060 --> 00:00:29.260 align:middle line:90% "One. 00:00:29.260 --> 00:00:32.140 align:middle line:84% Focus your life on the precise point at which perception 00:00:32.140 --> 00:00:33.820 align:middle line:90% turns to thought. 00:00:33.820 --> 00:00:34.960 align:middle line:90% Two. 00:00:34.960 --> 00:00:37.600 align:middle line:84% The base structure of both the city and the poem 00:00:37.600 --> 00:00:38.920 align:middle line:90% is the labyrinth. 00:00:38.920 --> 00:00:42.400 align:middle line:84% As in any maze, you can only see to the next corner, 00:00:42.400 --> 00:00:44.650 align:middle line:90% never around it. 00:00:44.650 --> 00:00:46.138 align:middle line:90% Three. 00:00:46.138 --> 00:00:47.680 align:middle line:84% Of the things that I'd like to manage 00:00:47.680 --> 00:00:50.350 align:middle line:84% to do when I write is to have the text generate 00:00:50.350 --> 00:00:52.570 align:middle line:84% a sort of phenomenon of persistence, 00:00:52.570 --> 00:00:54.400 align:middle line:84% like certain short pieces of music 00:00:54.400 --> 00:00:58.420 align:middle line:84% seem to continue to be heard after silence has returned. 00:00:58.420 --> 00:00:59.710 align:middle line:90% Four. 00:00:59.710 --> 00:01:01.960 align:middle line:84% Unification is another misleading term. 00:01:01.960 --> 00:01:05.360 align:middle line:84% It's a euphemism for conformity, even among ourselves. 00:01:05.360 --> 00:01:08.770 align:middle line:84% We must continue to differ, even to disagree. 00:01:08.770 --> 00:01:09.910 align:middle line:90% Five. 00:01:09.910 --> 00:01:12.220 align:middle line:84% The poem becomes a search for the new structures 00:01:12.220 --> 00:01:16.250 align:middle line:84% that time makes when memory becomes the living present. 00:01:16.250 --> 00:01:17.480 align:middle line:90% Six. 00:01:17.480 --> 00:01:20.810 align:middle line:84% I'm always a little puzzled by the fetish for originality, 00:01:20.810 --> 00:01:22.862 align:middle line:90% yet participate in it fully. 00:01:22.862 --> 00:01:23.786 align:middle line:90% [LAUGHTER] 00:01:23.786 --> 00:01:25.640 align:middle line:90% Seven. 00:01:25.640 --> 00:01:27.443 align:middle line:90% Never paint a moving part." 00:01:27.443 --> 00:01:28.610 align:middle line:90% Please welcome Cole Swensen. 00:01:28.610 --> 00:01:31.360 align:middle line:90% [APPLAUSE] 00:01:31.360 --> 00:01:34.000 align:middle line:90%