WEBVTT 00:00:00.000 --> 00:00:01.170 align:middle line:90% 00:00:01.170 --> 00:00:03.810 align:middle line:84% The next poem, the title comes from an essay 00:00:03.810 --> 00:00:07.410 align:middle line:84% by Martha Nussbaum on compassion and terror. 00:00:07.410 --> 00:00:11.670 align:middle line:84% And she's talking about this phenomenon or this idea 00:00:11.670 --> 00:00:14.910 align:middle line:90% that when one-- 00:00:14.910 --> 00:00:18.180 align:middle line:84% the idea of compassion and when one becomes concerned 00:00:18.180 --> 00:00:21.630 align:middle line:84% with something that's happening far from them, something that's 00:00:21.630 --> 00:00:23.490 align:middle line:84% not in their immediate circle, they 00:00:23.490 --> 00:00:25.830 align:middle line:84% lose sensation for things that are happening near them. 00:00:25.830 --> 00:00:28.230 align:middle line:84% It's as if it's an either/or proposition 00:00:28.230 --> 00:00:32.159 align:middle line:84% to become overly or at all concerned 00:00:32.159 --> 00:00:34.440 align:middle line:84% with the things that are happening far away from you. 00:00:34.440 --> 00:00:36.450 align:middle line:84% And to expand your compassion on that 00:00:36.450 --> 00:00:40.140 align:middle line:84% is to lose a connection to the things that are happening right 00:00:40.140 --> 00:00:41.413 align:middle line:90% in front of you. 00:00:41.413 --> 00:00:43.080 align:middle line:84% And she calls this "The Problem of Death 00:00:43.080 --> 00:00:48.330 align:middle line:84% Within Life," which is the title of the poem. 00:00:48.330 --> 00:00:52.530 align:middle line:84% Give and leave to speak, I shape my tongue into a shovel 00:00:52.530 --> 00:00:54.900 align:middle line:90% and ask for more. 00:00:54.900 --> 00:00:59.280 align:middle line:84% I should have told the truth, but the truth is incomplete. 00:00:59.280 --> 00:01:03.150 align:middle line:84% I seek the missing pieces and my eyes go lazy. 00:01:03.150 --> 00:01:07.140 align:middle line:84% It's a choice I make that ruins me. 00:01:07.140 --> 00:01:09.090 align:middle line:90% I get off easy. 00:01:09.090 --> 00:01:11.340 align:middle line:90% I let myself go. 00:01:11.340 --> 00:01:13.320 align:middle line:90% I hide the faces of the dying. 00:01:13.320 --> 00:01:18.660 align:middle line:84% Wrap what remains in lace and tuck it in the bottom drawer. 00:01:18.660 --> 00:01:22.200 align:middle line:84% I'm sure I've pitied you all wrong. 00:01:22.200 --> 00:01:24.540 align:middle line:90% I don't know how it's done. 00:01:24.540 --> 00:01:26.460 align:middle line:90% I never learned. 00:01:26.460 --> 00:01:28.950 align:middle line:84% I engulf with an affection for my chasm 00:01:28.950 --> 00:01:33.390 align:middle line:84% in my gut, a sweet trap door, a heart shaped 00:01:33.390 --> 00:01:38.640 align:middle line:84% hole, a pretty well that threatens to swallow me up. 00:01:38.640 --> 00:01:41.190 align:middle line:90% This is a brief malfunction. 00:01:41.190 --> 00:01:44.160 align:middle line:84% When you shift out of the frame, the feeling 00:01:44.160 --> 00:01:48.120 align:middle line:84% shorts and dissipates and sparks. 00:01:48.120 --> 00:01:52.110 align:middle line:84% What a mess I've made of this emotion. 00:01:52.110 --> 00:01:55.530 align:middle line:84% It's only endlessness I've wanted. 00:01:55.530 --> 00:01:59.400 align:middle line:90% I can't fill my bowl or yours. 00:01:59.400 --> 00:02:03.440 align:middle line:90% I can't keep my full mouth shut. 00:02:03.440 --> 00:02:05.000 align:middle line:90%