WEBVTT

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I am going to dedicate this
reading to a long-time friend

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of mine whom I just
heard finally passed away

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after many years of
suffering from cancer.

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Fay Chiang was an-- is--

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was a great poet.

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But she's also one
of those people

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that way back in the day, she
started the basement workshop

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in Chinatown in New York.

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And the basement
workshop was where

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all of Puerto Ricans
and African Americans

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and Chinese
Americans and anybody

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else who was sort of
Asian at that point--

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thought about it; maybe
I'm Asian, I don't know--

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[LAUGHTER]

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--they showed up.

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[LAUGH] That's where I met Jason
Wong, the wonderful composer

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and musician.

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That's where I saw Thulani
Davis do a performance piece.

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Fay also was a labor organizer.

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She worked with children,
young people with HIV.

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She will be missed greatly.

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She will be missed greatly.

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And I have to say this.

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I hate the word
intersectional a lot.

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[LAUGHTER]

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I actually-- I really do.

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But as-- I come from a
small town in Arkansas.

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And one of the things about
coming from a small town

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is that when you go to
the big city, whatever

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that big city is, you start
to find all of the people

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that you never could
find in your small town.

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And I'm grateful that I did.

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And I think a lot of
people who are here,

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probably, have had some version
of that life experience.

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It is great to be in a situation
where the central and core

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discourse is focused on
writers and artists of color.

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I've been to any
number of things

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where there's always, like--

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I mean, I can literally
tell you stories about--

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well, I will.

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One of my favorites
of a long time

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ago was Ron Welburn,
who is a good poet.

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He's a solid poet.

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And I used to work for
CCLM before it was CLMP.

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And he was telling me that he
sent a whole bunch of poems--

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I think it was either to the
Iowa Review or the Indiana,

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one of those.

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And they sent them
back to him and said,

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we've had our Negro issue.

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Things have changed.

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Thank God, the goddess--

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whomever you believe
in, things have changed.

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The question for all of us
is, how do we keep that going?

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So that would be
what I would say

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is the biggest question of all.

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And the only people
that can answer it

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are the people in this
room, and their colleagues,

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and the people who read
them or see their art

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or care about what they do.

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That's the deal.

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All right, poems.

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I did a-- for the
Center for Book Arts,

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I did a really funny poem
with Ada Limón, Miss Ada.

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So I gave her the first
line, and we went from there.

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This is called "Answer This."

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And it kind of is for everybody.

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"Oh, oracle, where
are the jewels?

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Thief!

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You drew the light
from sapphires

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and lifted the pearl's sheen.

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How can you
prophesize, how can you

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declaim, when we're
down in the day's dirt,

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licking our self-made
wounds to dust.

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Oh, oracle, we owe you nothing
but the question, always

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the question."

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