WEBVTT 00:00:00.000 --> 00:00:02.190 align:middle line:90% 00:00:02.190 --> 00:00:06.420 align:middle line:84% This text constitutes something of a manifesto. 00:00:06.420 --> 00:00:11.040 align:middle line:84% It's entitled "Virtually Nontoxic." 00:00:11.040 --> 00:00:16.620 align:middle line:84% It's pretentious enough to have an epigraph by the poet 00:00:16.620 --> 00:00:19.200 align:middle line:90% Christopher Dewdney. 00:00:19.200 --> 00:00:22.155 align:middle line:84% "'Vinyl is as natural as lichen.' 00:00:22.155 --> 00:00:29.780 align:middle line:90% 00:00:29.780 --> 00:00:34.130 align:middle line:84% Plastic is the Silly Putty with which we simulate, 00:00:34.130 --> 00:00:37.580 align:middle line:84% then supplant, every facet of reality, 00:00:37.580 --> 00:00:40.730 align:middle line:84% converting all the varied elements of the planet 00:00:40.730 --> 00:00:44.780 align:middle line:90% into one common emulsion. 00:00:44.780 --> 00:00:49.370 align:middle line:84% While we sleep, our automatons toiled throughout the night, 00:00:49.370 --> 00:00:53.510 align:middle line:84% transmuting everything into a petroleum byproduct that 00:00:53.510 --> 00:00:57.110 align:middle line:90% resists bacterial predation. 00:00:57.110 --> 00:01:00.980 align:middle line:84% Our species might openly mourn this phase of our demise, 00:01:00.980 --> 00:01:05.330 align:middle line:84% but in secret, we really exalt the power of its genius, 00:01:05.330 --> 00:01:10.130 align:middle line:84% marveling to think that in some landfill of the future, long 00:01:10.130 --> 00:01:15.140 align:middle line:84% after our own extinction, a single crash helmet might still 00:01:15.140 --> 00:01:20.496 align:middle line:84% endure, sloughed off like the carapace of some alien crab. 00:01:20.496 --> 00:01:23.270 align:middle line:90% 00:01:23.270 --> 00:01:26.810 align:middle line:84% Our gewgaws some epoxy resin and nylon fiber 00:01:26.810 --> 00:01:31.970 align:middle line:84% do not attest, however, to any advance in our rational prowess 00:01:31.970 --> 00:01:34.760 align:middle line:84% so much as they allude to the breadth 00:01:34.760 --> 00:01:37.610 align:middle line:90% of our cultural tyranny. 00:01:37.610 --> 00:01:40.220 align:middle line:84% The invention of plastic has given birth 00:01:40.220 --> 00:01:44.630 align:middle line:84% to a celluloid spectacle whose reveries displace 00:01:44.630 --> 00:01:48.470 align:middle line:84% the esemplastic imagination of the romantics, 00:01:48.470 --> 00:01:53.810 align:middle line:84% filling our hollow skulls with an injection-molded mentality 00:01:53.810 --> 00:02:01.520 align:middle line:84% as pliable and as durable as any blob of polypropylene. 00:02:01.520 --> 00:02:05.750 align:middle line:84% Has the language itself begun to absorb the synthetic qualities 00:02:05.750 --> 00:02:08.300 align:middle line:84% of such a modern milieu, becoming 00:02:08.300 --> 00:02:13.100 align:middle line:84% a fabricated but disposable convenience no less pollutant 00:02:13.100 --> 00:02:15.800 align:middle line:90% than a Styrofoam container? 00:02:15.800 --> 00:02:18.620 align:middle line:84% Has not the act of writing simply become 00:02:18.620 --> 00:02:21.320 align:middle line:84% another chemically engineered experience 00:02:21.320 --> 00:02:25.370 align:middle line:84% in which we manufacture a complex polymer 00:02:25.370 --> 00:02:30.260 align:middle line:84% by stringing together syllables instead of molecules? 00:02:30.260 --> 00:02:34.430 align:middle line:84% The words of our lexicon have become so standardized 00:02:34.430 --> 00:02:38.660 align:middle line:84% that they now resemble a limited array of connectable parts, 00:02:38.660 --> 00:02:42.410 align:middle line:84% and the rules of our grammar have become so rationalized 00:02:42.410 --> 00:02:48.230 align:middle line:84% that they now resemble a bounded range of recombinant modes. 00:02:48.230 --> 00:02:50.840 align:middle line:84% The protean quality of our discourse 00:02:50.840 --> 00:02:54.680 align:middle line:84% finds itself vulcanized in our playthings. 00:02:54.680 --> 00:02:59.930 align:middle line:84% We see language marketed as an infantile commodity, a toy 00:02:59.930 --> 00:03:04.460 align:middle line:84% suitable for kids of all ages, because its plastic coating 00:03:04.460 --> 00:03:08.570 align:middle line:84% makes it safe to own and easy to use. 00:03:08.570 --> 00:03:12.500 align:middle line:84% Nevertheless, we must imagine a more corrosive poetics, 00:03:12.500 --> 00:03:16.460 align:middle line:84% something vitriolic enough to dissolve such an acrylic 00:03:16.460 --> 00:03:21.110 align:middle line:84% veneer, and if we cannot distill this kind of acid, 00:03:21.110 --> 00:03:25.130 align:middle line:84% then let us concoct a more explosive poetics, 00:03:25.130 --> 00:03:29.690 align:middle line:84% something catalytic enough to detonate such an acetate 00:03:29.690 --> 00:03:31.610 align:middle line:90% finish. 00:03:31.610 --> 00:03:36.890 align:middle line:84% We need a lingual variety of gelignite or plastique, 00:03:36.890 --> 00:03:40.280 align:middle line:84% the kind of incendiary literature written only 00:03:40.280 --> 00:03:45.410 align:middle line:84% by misfits who have grown up still dizzy from the fumes 00:03:45.410 --> 00:03:53.790 align:middle line:84% after having melted a platoon of plastic army men with a match." 00:03:53.790 --> 00:03:57.140 align:middle line:90% [APPLAUSE] 00:03:57.140 --> 00:03:59.000 align:middle line:90%