WEBVTT 00:00:00.000 --> 00:00:01.020 align:middle line:90% 00:00:01.020 --> 00:00:05.700 align:middle line:84% "Elephants in the Fall" for Micah and Miles. 00:00:05.700 --> 00:00:10.950 align:middle line:90% "I. Micah Michael Zamir Betts. 00:00:10.950 --> 00:00:15.150 align:middle line:84% November's flame in that year of hard sunsets, of winter's 00:00:15.150 --> 00:00:20.520 align:middle line:84% plangency and days when my insomnia courted cognac. 00:00:20.520 --> 00:00:22.530 align:middle line:84% All our thoughts were beginnings, 00:00:22.530 --> 00:00:25.020 align:middle line:84% and you became the roundness that grew to a moon 00:00:25.020 --> 00:00:27.000 align:middle line:90% above your mother's hips. 00:00:27.000 --> 00:00:30.570 align:middle line:84% We waited without a name for your wonder and three days 00:00:30.570 --> 00:00:34.350 align:middle line:84% after your birth twice named you for the uncle you'll never 00:00:34.350 --> 00:00:35.460 align:middle line:90% meet. 00:00:35.460 --> 00:00:39.690 align:middle line:84% The names questions, Micah, who resembles God. 00:00:39.690 --> 00:00:43.830 align:middle line:84% Michael, who reminds us of who has gone too soon. 00:00:43.830 --> 00:00:46.710 align:middle line:84% And we pronounced Micah as we wanted-- 00:00:46.710 --> 00:00:49.830 align:middle line:84% Mekhi, because like the kid from Clockers , 00:00:49.830 --> 00:00:53.550 align:middle line:84% we scrape fists and cuffs for the dreams of you. 00:00:53.550 --> 00:00:58.530 align:middle line:84% And now, when on most days your body is all blur and bustle-- 00:00:58.530 --> 00:01:02.820 align:middle line:84% our song is how right we got it, when the light from that moon 00:01:02.820 --> 00:01:05.640 align:middle line:84% spilled out of your mother's belly, I tell you, 00:01:05.640 --> 00:01:09.510 align:middle line:84% you were smiling then, as if you knew 00:01:09.510 --> 00:01:13.440 align:middle line:84% you were the first song that found me worthy. 00:01:13.440 --> 00:01:14.330 align:middle line:90% II. 00:01:14.330 --> 00:01:16.800 align:middle line:90% Miles Thelonious Betts. 00:01:16.800 --> 00:01:20.580 align:middle line:84% Named after the trumpet, after the sound that 00:01:20.580 --> 00:01:24.000 align:middle line:84% comes from all the hurt and want that leads a man 00:01:24.000 --> 00:01:26.760 align:middle line:90% to turn his back to the world. 00:01:26.760 --> 00:01:30.840 align:middle line:84% We named you after Monk, too, because sometimes you 00:01:30.840 --> 00:01:34.170 align:middle line:84% have to stack legends in a single body already big, 00:01:34.170 --> 00:01:37.350 align:middle line:84% enough for the sound of them, and we imagined 00:01:37.350 --> 00:01:41.730 align:middle line:84% that you gave us a different tune, a way to bang keys 00:01:41.730 --> 00:01:46.530 align:middle line:84% into each other until our lives filled with unexpected music. 00:01:46.530 --> 00:01:49.590 align:middle line:84% I hear you call me daddy in this land 00:01:49.590 --> 00:01:51.390 align:middle line:84% where my father's name is sometimes 00:01:51.390 --> 00:01:55.500 align:middle line:84% another word for grave, and I almost pause. 00:01:55.500 --> 00:01:58.620 align:middle line:84% It's the song that wants to unravel me. 00:01:58.620 --> 00:02:04.140 align:middle line:84% More crow than swan, I've always been so much cage and caged in. 00:02:04.140 --> 00:02:06.030 align:middle line:84% And all that changes when we square 00:02:06.030 --> 00:02:09.840 align:middle line:84% the M. This old riff on a shotgun marriage 00:02:09.840 --> 00:02:13.950 align:middle line:84% calls as a back, your mother's hand in mine and the shotgun 00:02:13.950 --> 00:02:16.920 align:middle line:84% is what we aim at the world that threatens, 00:02:16.920 --> 00:02:21.570 align:middle line:84% and I scoop you in my arms, and you are calling us. 00:02:21.570 --> 00:02:22.675 align:middle line:90% Again." 00:02:22.675 --> 00:02:23.175 align:middle line:90%