WEBVTT 00:00:00.000 --> 00:00:00.990 align:middle line:90% 00:00:00.990 --> 00:00:03.510 align:middle line:84% Sheila E Murphy is the author of numerous collections 00:00:03.510 --> 00:00:06.960 align:middle line:84% of poems including Teth which was published by Chax 00:00:06.960 --> 00:00:08.580 align:middle line:90% Press, local press here. 00:00:08.580 --> 00:00:12.585 align:middle line:84% Tommy and Neil also by a local Tucson press, Sun/Gemini Press. 00:00:12.585 --> 00:00:17.280 align:middle line:84% And Falling in Love with You Syntax, Concentricity, Letters 00:00:17.280 --> 00:00:21.750 align:middle line:84% to Unfinished J. And imminently forthcoming 00:00:21.750 --> 00:00:25.020 align:middle line:84% is Green Tea with Ginger and Proof of Silhouettes. 00:00:25.020 --> 00:00:26.456 align:middle line:90% Is that out yet or is that-- 00:00:26.456 --> 00:00:26.956 align:middle line:90% Coming. 00:00:26.956 --> 00:00:29.240 align:middle line:90% Ok, coming. 00:00:29.240 --> 00:00:31.310 align:middle line:84% Murphy has received the Gertrude Stein 00:00:31.310 --> 00:00:33.170 align:middle line:90% award for innovative writing. 00:00:33.170 --> 00:00:36.170 align:middle line:84% And she lives in Phoenix where she and Beverly Carver 00:00:36.170 --> 00:00:38.360 align:middle line:84% co-founded and coordinated for 12 years 00:00:38.360 --> 00:00:41.810 align:middle line:84% the Scottsdale Center for the Arts Poetry Series, which 00:00:41.810 --> 00:00:45.570 align:middle line:84% brought a lot of Arizona poets into Scottsdale, reading 00:00:45.570 --> 00:00:47.907 align:middle line:84% for a really interesting and significant event there 00:00:47.907 --> 00:00:49.490 align:middle line:84% at the Scottsdale Center for the Arts. 00:00:49.490 --> 00:00:52.040 align:middle line:90% 00:00:52.040 --> 00:00:56.690 align:middle line:84% Her work in Acumen is said to be lyrical but elusive. 00:00:56.690 --> 00:01:00.363 align:middle line:84% The image is bright and clear with an intriguing musicality 00:01:00.363 --> 00:01:02.030 align:middle line:84% which is not surprising since she's been 00:01:02.030 --> 00:01:04.250 align:middle line:90% a flutist since the age of 10. 00:01:04.250 --> 00:01:06.680 align:middle line:84% And in Taproot, her work is said 00:01:06.680 --> 00:01:09.890 align:middle line:84% to balance a fine line between pure ineffable 00:01:09.890 --> 00:01:13.670 align:middle line:84% abstraction and an attention to the ordinary autobiographically 00:01:13.670 --> 00:01:15.380 align:middle line:90% oriented life. 00:01:15.380 --> 00:01:19.430 align:middle line:84% Acumen and taproot comprise the soul of Murphy's work. 00:01:19.430 --> 00:01:23.780 align:middle line:84% The allusive and the elusive, the composition both musical 00:01:23.780 --> 00:01:28.130 align:middle line:84% and material create a shelter of sorts in each poem. 00:01:28.130 --> 00:01:29.460 align:middle line:90% We're lucky to have her here. 00:01:29.460 --> 00:01:30.252 align:middle line:90% Thanks for coming. 00:01:30.252 --> 00:01:31.460 align:middle line:90% Please welcome Sheila Murphy. 00:01:31.460 --> 00:01:35.780 align:middle line:90% [APPLAUSE] 00:01:35.780 --> 00:01:38.453 align:middle line:84% Thank you, Frances for the lovely and generous 00:01:38.453 --> 00:01:38.995 align:middle line:90% introduction. 00:01:38.995 --> 00:01:43.090 align:middle line:84% And thank you Anne for having me here.