WEBVTT 00:00:00.000 --> 00:00:04.170 align:middle line:84% So throughout a career spanning seven books of poetry to date, 00:00:04.170 --> 00:00:07.650 align:middle line:84% Eleanor Wilner makes a tacit argument for the necessary work 00:00:07.650 --> 00:00:10.500 align:middle line:84% poetry can do in our difficult world. 00:00:10.500 --> 00:00:12.810 align:middle line:84% She puts it this way in a poem titled, 00:00:12.810 --> 00:00:15.510 align:middle line:90% "Never Apologize for Poetry." 00:00:15.510 --> 00:00:18.600 align:middle line:84% "In this union with the word, the long reach 00:00:18.600 --> 00:00:21.960 align:middle line:84% of our little minds that compass galaxies and quail 00:00:21.960 --> 00:00:24.180 align:middle line:84% before the corners of a room at night 00:00:24.180 --> 00:00:30.690 align:middle line:84% can still ignite what otherwise might just go darkly on." 00:00:30.690 --> 00:00:33.570 align:middle line:84% Igniting is a key metaphor for understanding 00:00:33.570 --> 00:00:37.500 align:middle line:84% what Wilner does in her poems as she considers history, 00:00:37.500 --> 00:00:40.560 align:middle line:84% the natural world, mythology, scripture, 00:00:40.560 --> 00:00:43.930 align:middle line:84% visual art, and the effects of war and violence. 00:00:43.930 --> 00:00:47.310 align:middle line:84% Wilner constantly shifts the expected perspective, 00:00:47.310 --> 00:00:50.190 align:middle line:84% setting familiar scenes ablaze with light 00:00:50.190 --> 00:00:52.080 align:middle line:90% that reveals them anew. 00:00:52.080 --> 00:00:54.810 align:middle line:84% In her most recent book, Tourists in Hell, 00:00:54.810 --> 00:00:58.260 align:middle line:84% published in 2010, she engages most deeply 00:00:58.260 --> 00:01:01.590 align:middle line:84% with the ever present specter of war and violence. 00:01:01.590 --> 00:01:05.580 align:middle line:84% A topic to which she has born unwavering witness since Maya, 00:01:05.580 --> 00:01:09.750 align:middle line:84% her first collection of poetry published in 1979. 00:01:09.750 --> 00:01:12.930 align:middle line:84% In Wilner's poetry, we find our way to, quote, 00:01:12.930 --> 00:01:16.170 align:middle line:84% "mourners, weeping at the cemetery we have made 00:01:16.170 --> 00:01:18.390 align:middle line:90% of what was once their home." 00:01:18.390 --> 00:01:21.090 align:middle line:84% We find the work of poetry enacted by a girl 00:01:21.090 --> 00:01:24.600 align:middle line:84% in the rubble, quote, "who will never understand. 00:01:24.600 --> 00:01:28.800 align:middle line:84% Who, nevertheless, is picking up stone after stone, 00:01:28.800 --> 00:01:31.800 align:middle line:84% trying to piece it together again." 00:01:31.800 --> 00:01:34.380 align:middle line:84% Poetry, in the hands of Eleanor Wilner, 00:01:34.380 --> 00:01:37.290 align:middle line:84% not only confronts the violence that we perpetuate, 00:01:37.290 --> 00:01:39.750 align:middle line:90% but also transforms it. 00:01:39.750 --> 00:01:42.000 align:middle line:84% In the blaze of the poet's eye, pain 00:01:42.000 --> 00:01:44.460 align:middle line:84% can be transfigured into renewal. 00:01:44.460 --> 00:01:46.740 align:middle line:84% In "Up Against It," for instance, 00:01:46.740 --> 00:01:50.460 align:middle line:84% the crack of the bullets which ended the life of poet Federico 00:01:50.460 --> 00:01:53.310 align:middle line:84% GarcĂ­a Lorca during the Spanish Civil War, 00:01:53.310 --> 00:01:57.160 align:middle line:84% can be replaced with, quote, "the shift and seethe 00:01:57.160 --> 00:02:01.920 align:middle line:84% of the sap forcing its slow way toward the branching twigs. 00:02:01.920 --> 00:02:06.060 align:middle line:84% The ear splitting crack as the end is riven by budding. 00:02:06.060 --> 00:02:08.639 align:middle line:84% A salt breeze in the orchard, the small 00:02:08.639 --> 00:02:11.640 align:middle line:90% leaves trembling with light." 00:02:11.640 --> 00:02:14.700 align:middle line:84% Wilner trains her attention on heartbreaking moments. 00:02:14.700 --> 00:02:17.460 align:middle line:84% On narratives that feel inevitable. 00:02:17.460 --> 00:02:19.500 align:middle line:84% And she transforms them with a vision 00:02:19.500 --> 00:02:23.100 align:middle line:84% that dares to imagine something better. 00:02:23.100 --> 00:02:26.080 align:middle line:84% Eleanor Wilner is the author of seven books of poetry, 00:02:26.080 --> 00:02:29.700 align:middle line:84% including Reversing the Spell: New and Selected Poems. 00:02:29.700 --> 00:02:32.220 align:middle line:84% She is also the author of Gathering the Winds: 00:02:32.220 --> 00:02:35.280 align:middle line:84% Visionary Imagination and Radical Transformation 00:02:35.280 --> 00:02:36.930 align:middle line:90% of Self and Society. 00:02:36.930 --> 00:02:40.650 align:middle line:84% And co-editor of The Rag-Picker's Guide to Poetry. 00:02:40.650 --> 00:02:43.560 align:middle line:84% A faculty member of the MFA program at Warren Wilson 00:02:43.560 --> 00:02:47.640 align:middle line:84% College and former editor of the American Poetry Review, Wilner 00:02:47.640 --> 00:02:49.980 align:middle line:84% has been recognized with fellowships from the National 00:02:49.980 --> 00:02:52.890 align:middle line:84% Endowment for the Arts and the MacArthur Foundation. 00:02:52.890 --> 00:02:54.930 align:middle line:84% In her poetry we encounter the life 00:02:54.930 --> 00:02:58.860 align:middle line:84% of a rigorous, capacious, and fiercely imaginative mind. 00:02:58.860 --> 00:03:01.777 align:middle line:84% Please join me in welcoming Eleanor Wilner. 00:03:01.777 --> 00:03:02.277 align:middle line:90%