WEBVTT 00:00:00.000 --> 00:00:01.500 align:middle line:90% 00:00:01.500 --> 00:00:04.890 align:middle line:84% There is in my new and selected a conversation 00:00:04.890 --> 00:00:08.100 align:middle line:84% with Kes Woodward, who is the preeminent painter in Alaska 00:00:08.100 --> 00:00:08.970 align:middle line:90% right now. 00:00:08.970 --> 00:00:11.610 align:middle line:84% And we had an artistic conversation 00:00:11.610 --> 00:00:13.050 align:middle line:90% that lasted a year. 00:00:13.050 --> 00:00:15.660 align:middle line:84% It started when I wrote a poem and sent it to Kes, 00:00:15.660 --> 00:00:17.910 align:middle line:90% and he painted in response. 00:00:17.910 --> 00:00:20.070 align:middle line:84% And then I wrote, and then he painted. 00:00:20.070 --> 00:00:21.330 align:middle line:90% And I wrote, and he painted. 00:00:21.330 --> 00:00:22.800 align:middle line:84% We did this for a year, and then we 00:00:22.800 --> 00:00:25.590 align:middle line:84% had an exhibit at the Alaska Humanities Forum. 00:00:25.590 --> 00:00:27.630 align:middle line:84% And then later it went into a magazine, 00:00:27.630 --> 00:00:29.610 align:middle line:84% and later it became part of this book. 00:00:29.610 --> 00:00:32.759 align:middle line:84% And so if you get an opportunity to work 00:00:32.759 --> 00:00:39.180 align:middle line:84% with a painter or a dancer or anyone working in any other art 00:00:39.180 --> 00:00:40.890 align:middle line:84% form, I recommend that you do it, 00:00:40.890 --> 00:00:42.730 align:middle line:84% because it becomes a third thing. 00:00:42.730 --> 00:00:43.920 align:middle line:90% It wasn't just poetry. 00:00:43.920 --> 00:00:45.300 align:middle line:90% It wasn't just painting. 00:00:45.300 --> 00:00:50.610 align:middle line:84% It was just a great, tremendous synergy that 00:00:50.610 --> 00:00:52.380 align:middle line:90% happened between the two of us. 00:00:52.380 --> 00:00:54.630 align:middle line:84% So here are a couple of the poems that came from that. 00:00:54.630 --> 00:00:58.380 align:middle line:90% 00:00:58.380 --> 00:01:01.410 align:middle line:84% Listening among birches-- by the way, 00:01:01.410 --> 00:01:04.260 align:middle line:84% he's most famous for his portraits of birch trees. 00:01:04.260 --> 00:01:05.340 align:middle line:90% He thinks he's done. 00:01:05.340 --> 00:01:08.160 align:middle line:84% And I teased him a lot, because we did a book together, 00:01:08.160 --> 00:01:11.160 align:middle line:84% and a lot of his paintings too have names 00:01:11.160 --> 00:01:13.410 align:middle line:90% like birch portrait number 34. 00:01:13.410 --> 00:01:17.015 align:middle line:84% Well, when you get like in the 60s with them, 00:01:17.015 --> 00:01:18.640 align:middle line:84% then you have to start describing them. 00:01:18.640 --> 00:01:19.680 align:middle line:90% It's not too practical. 00:01:19.680 --> 00:01:23.280 align:middle line:90% 00:01:23.280 --> 00:01:28.180 align:middle line:84% "Listening among birches, those of us 00:01:28.180 --> 00:01:31.630 align:middle line:84% still rooted to this Earth lie back 00:01:31.630 --> 00:01:35.590 align:middle line:84% on the sponge of other lives, look up 00:01:35.590 --> 00:01:37.825 align:middle line:90% through 13 layers of breath. 00:01:37.825 --> 00:01:40.480 align:middle line:90% 00:01:40.480 --> 00:01:46.480 align:middle line:84% Below roots echo branching canopies, deepen and widen 00:01:46.480 --> 00:01:50.650 align:middle line:90% toward moisture not light. 00:01:50.650 --> 00:01:54.460 align:middle line:90% Under us, nine worlds at least. 00:01:54.460 --> 00:01:57.010 align:middle line:90% 00:01:57.010 --> 00:02:02.170 align:middle line:84% Those who've gone before travel along trees, all trees, 00:02:02.170 --> 00:02:05.920 align:middle line:84% not just the giant the Mayans imagined, 00:02:05.920 --> 00:02:12.910 align:middle line:84% not just the ancient redwood or kauri or oak. 00:02:12.910 --> 00:02:18.310 align:middle line:84% These birches hold the laughter we can't quite call back, 00:02:18.310 --> 00:02:24.820 align:middle line:84% the glance that touched us more intimately than skin. 00:02:24.820 --> 00:02:32.170 align:middle line:84% Inside us conversations continue, layer upon layer, 00:02:32.170 --> 00:02:36.520 align:middle line:84% off kilter but not really one sided, 00:02:36.520 --> 00:02:42.230 align:middle line:90% absent love so fully present. 00:02:42.230 --> 00:02:49.430 align:middle line:84% So much left unsaid, undone, each weight specific. 00:02:49.430 --> 00:02:51.950 align:middle line:90% 00:02:51.950 --> 00:03:00.125 align:middle line:84% One love, particular, listening, alive, beyond mere death." 00:03:00.125 --> 00:03:10.030 align:middle line:90% 00:03:10.030 --> 00:03:11.950 align:middle line:84% I also want to thank Ander Monson. 00:03:11.950 --> 00:03:14.590 align:middle line:84% Thank you for making those broadsides. 00:03:14.590 --> 00:03:18.220 align:middle line:84% That's above and beyond, and we appreciate it.