WEBVTT 00:00:00.000 --> 00:00:00.720 align:middle line:90% 00:00:00.720 --> 00:00:04.000 align:middle line:84% A long time ago, I was commissioned, 00:00:04.000 --> 00:00:09.300 align:middle line:84% and I never quite understood why, to write about locksmiths. 00:00:09.300 --> 00:00:13.770 align:middle line:84% And so I dutifully went off and did research 00:00:13.770 --> 00:00:18.960 align:middle line:84% in the arcane world of locksmithery. 00:00:18.960 --> 00:00:24.045 align:middle line:84% And that held my attention for a very short time. 00:00:24.045 --> 00:00:26.820 align:middle line:90% [LAUGHTER] 00:00:26.820 --> 00:00:32.070 align:middle line:84% And I then moved on to thinking that, well, a lock and a key, 00:00:32.070 --> 00:00:35.580 align:middle line:84% there are similarities here with the hidden machinery 00:00:35.580 --> 00:00:41.490 align:middle line:84% of the poem that can be unlocked by a reader. 00:00:41.490 --> 00:00:44.730 align:middle line:84% And that was interesting for a couple of minutes. 00:00:44.730 --> 00:00:46.230 align:middle line:90% [LAUGHTER] 00:00:46.230 --> 00:00:49.680 align:middle line:84% And then I just went off and wrote a poem. 00:00:49.680 --> 00:00:53.010 align:middle line:84% But the poem that I did write, carries a little bit 00:00:53.010 --> 00:00:58.830 align:middle line:84% of those previous research endeavors. 00:00:58.830 --> 00:01:01.290 align:middle line:84% It's called "Wedding the Locksmiths Daughter". 00:01:01.290 --> 00:01:05.010 align:middle line:90% 00:01:05.010 --> 00:01:10.020 align:middle line:84% The slow, grained slide to embed the blade of the key 00:01:10.020 --> 00:01:11.940 align:middle line:90% as a sheathing. 00:01:11.940 --> 00:01:15.510 align:middle line:84% A gliding on graphite, pushing inside 00:01:15.510 --> 00:01:19.790 align:middle line:90% to find the ribs of the lock. 00:01:19.790 --> 00:01:25.760 align:middle line:84% Sunk home, the true key slots to its matrix, geared, 00:01:25.760 --> 00:01:30.800 align:middle line:84% tight-fitting, they turn together shooting the spring 00:01:30.800 --> 00:01:34.430 align:middle line:90% lock, throwing the boat. 00:01:34.430 --> 00:01:38.900 align:middle line:84% Dactyls, iambics, the clinch of words. 00:01:38.900 --> 00:01:42.920 align:middle line:84% The hidden couplings in the cased machine. 00:01:42.920 --> 00:01:45.830 align:middle line:90% A chime of sound on sound. 00:01:45.830 --> 00:01:52.310 align:middle line:84% The way the sung note snibs on meaning and holds. 00:01:52.310 --> 00:01:58.160 align:middle line:84% The lines engage and marry now, their bells are keeping time. 00:01:58.160 --> 00:02:03.730 align:middle line:84% The church doors close and open underground. 00:02:03.730 --> 00:02:04.374 align:middle line:90%