WEBVTT 00:00:00.000 --> 00:00:01.360 align:middle line:90% 00:00:01.360 --> 00:00:05.340 align:middle line:84% Yeah, and if we have a little time left, 00:00:05.340 --> 00:00:11.340 align:middle line:84% I will do a shortened version, which 00:00:11.340 --> 00:00:16.620 align:middle line:84% I have to do, live voice, because it doesn't much 00:00:16.620 --> 00:00:17.880 align:middle line:90% turn up elsewhere. 00:00:17.880 --> 00:00:23.020 align:middle line:90% 00:00:23.020 --> 00:00:29.940 align:middle line:84% And because we're in Arizona, one of the 17 Horse 00:00:29.940 --> 00:00:35.850 align:middle line:84% Songs of Frank Mitchell, that I translated now many years ago, 00:00:35.850 --> 00:00:39.120 align:middle line:84% with the help of great American ethnomusicologist David 00:00:39.120 --> 00:00:45.730 align:middle line:84% McAllester, and I'll do another version of it 00:00:45.730 --> 00:00:48.380 align:middle line:90% for ALTA on Friday. 00:00:48.380 --> 00:00:52.690 align:middle line:84% But this is the one I usually perform, 00:00:52.690 --> 00:00:57.580 align:middle line:84% "The 13th Horse Song of Frank Mitchell," from Chinle. 00:00:57.580 --> 00:01:06.380 align:middle line:84% And the myth behind it, the story behind it, 00:01:06.380 --> 00:01:09.370 align:middle line:84% that the hero god, Enemy Slayer, is sent by his mother, 00:01:09.370 --> 00:01:11.770 align:middle line:84% Changing Woman, the Earth goddess, 00:01:11.770 --> 00:01:14.830 align:middle line:84% to the house of his father the sun god. 00:01:14.830 --> 00:01:21.010 align:middle line:84% And in the 13th horse song he imagines how beautiful 00:01:21.010 --> 00:01:26.620 align:middle line:84% the horses will be when, in historical time, 00:01:26.620 --> 00:01:32.590 align:middle line:84% they change into real horses, otherwise the spirit horses, 00:01:32.590 --> 00:01:36.500 align:middle line:90% the seeds or germs of horses. 00:01:36.500 --> 00:01:42.690 align:middle line:84% So this is a short version, "The 13th Horse 00:01:42.690 --> 00:01:43.990 align:middle line:90% Song of Frank Mitchell." 00:01:43.990 --> 00:01:48.910 align:middle line:90% nnnn N N gahn. 00:01:48.910 --> 00:02:04.510 align:middle line:90% Some're lovely N nawu nnnn but some're & at my hawuz nawu wnn N wnn baheegwing. Some're lovely N hawu nnnn but some're re 00:02:04.510 --> 00:02:27.510 align:middle line:90% & are at my howinow N wnn baheegwing. Some're lovely N nawu nnnn but some're & are at my howzes nawu nahht bahyeenwing but bahyeesum nahtgwing 00:02:27.510 --> 00:02:35.510 align:middle line:90% NNNOOOOW because I was (N gahn) I was the boy ingside the dawn but some're at my house now wnn N wnn baheegwing 00:02:35.510 --> 00:02:44.510 align:middle line:90% & by going from the house the wideshell howanome but some're at my howinow N wnn baheegwing 00:02:44.510 --> 00:02:52.510 align:middle line:90% & by going from the swollen hoganouse my breath has blown but some're at my house N wnn baheegwing 00:02:52.510 --> 00:03:05.510 align:middle line:90% & from the plays of jewels we walk (naht gahn) (p)pon but some're at my howinow N wnn baheegwing. With my spirit horses that are 00:03:05.510 --> 00:03:15.510 align:middle line:90% white (nuhgohn) but some're at my house N wnn baheegwing with those spirit horses that are whiteshell nawuNgannnn but 00:03:15.510 --> 00:03:24.510 align:middle line:90% some're at my house N wnn baheegwing. With those howanorses that are whiteshell nawu but some're at my howinouse 00:03:24.510 --> 00:03:39.510 align:middle line:90% wnnn beheegwingnng. Wiiiiiigth jewels of every kind d(go)nN draw them on nahtnnn but some're at my howinow N wnn baheegwing. 00:03:39.510 --> 00:03:51.510 align:middle line:90% With horses of evree(ee) (ee) kind d(go)nN draw them on nahtnn but some're at my howinow N wnn baheegwing. With men of every kind 00:03:51.510 --> 00:04:01.510 align:middle line:90% d(go)nN draw them on nahtnn but some're at my howinow N wnn baheegwing. In this house of precious jewels we walk (p)pon 00:04:01.510 --> 00:04:11.510 align:middle line:90% (N gahn) where nnnn but some're at my house N wnn baheegwing. In this house of precious jewels we walk (p)pon (N gahn) 00:04:11.510 --> 00:04:22.510 align:middle line:90% where nnnn but some're at my house N wnn baheegwing. & everything that's more () won't be (be!) be poor but some're at my house 00:04:22.510 --> 00:04:31.510 align:middle line:90% N wnn baheegwing. & everything that's now & living to be old & blesst nhawu but some're at my howinow N wnn baheegwing 00:04:31.510 --> 00:04:47.510 align:middle line:90% because I am the boy who blesses/blisses to be old but some're at my house N wnn baheegwing. Zzmmmmm're lovely N nawu nnnn but some're 00:04:47.510 --> 00:05:06.510 align:middle line:90% & at my howinouse N wnn baheegwing. Zzmmmmm're lovely nawu N nnnn but some're & are at my house N wnn baheegwing. Zzmmmmm're lovely N nawu 00:05:06.510 --> 00:05:23.910 align:middle line:90% nnnn but some are & are at my howzes nahht bahyeenahtnwing but nawu nohwun baheegwing