WEBVTT 00:00:00.000 --> 00:00:01.400 align:middle line:90% 00:00:01.400 --> 00:00:03.750 align:middle line:90% This poem is called-- 00:00:03.750 --> 00:00:05.910 align:middle line:84% I don't say much between poems because I'm afraid. 00:00:05.910 --> 00:00:09.700 align:middle line:90% 00:00:09.700 --> 00:00:10.950 align:middle line:90% This poem is called "Wake Up." 00:00:10.950 --> 00:00:14.570 align:middle line:90% 00:00:14.570 --> 00:00:16.610 align:middle line:84% "The road down from everything even 00:00:16.610 --> 00:00:22.040 align:middle line:84% you had hardly dared to hope for has its lonely stretches, yes. 00:00:22.040 --> 00:00:25.230 align:middle line:84% But it's hard to feel alone entirely. 00:00:25.230 --> 00:00:28.670 align:middle line:84% There's a river that runs beside it the whole way down, 00:00:28.670 --> 00:00:32.360 align:middle line:84% and there's an over-song that keeps the river company. 00:00:32.360 --> 00:00:34.535 align:middle line:90% I'm leaves, you're the wind. 00:00:34.535 --> 00:00:37.080 align:middle line:90% 00:00:37.080 --> 00:00:40.530 align:middle line:84% I used to think the song had to do with the leaves' confusion. 00:00:40.530 --> 00:00:42.060 align:middle line:90% The wind letting up. 00:00:42.060 --> 00:00:44.010 align:middle line:84% They're mistaking this for something 00:00:44.010 --> 00:00:48.780 align:middle line:84% like courtesy on the wind's part, or even forgiveness. 00:00:48.780 --> 00:00:51.900 align:middle line:90% But leaves don't get confused. 00:00:51.900 --> 00:00:54.300 align:middle line:90% Silly to think it. 00:00:54.300 --> 00:00:57.480 align:middle line:84% And what can leaves know of courtesy, let alone 00:00:57.480 --> 00:00:59.850 align:middle line:90% forgiveness? 00:00:59.850 --> 00:01:00.990 align:middle line:90% What's forgiveness? 00:01:00.990 --> 00:01:03.510 align:middle line:90% 00:01:03.510 --> 00:01:07.770 align:middle line:84% Wake up, for the falconer has lost his falcon. 00:01:07.770 --> 00:01:12.120 align:middle line:84% He has heard that falcons are like memory, they come back. 00:01:12.120 --> 00:01:14.220 align:middle line:90% But not all memories do. 00:01:14.220 --> 00:01:16.680 align:middle line:90% Not all memories should. 00:01:16.680 --> 00:01:20.310 align:middle line:84% If anyone knows this, it's the falconer. 00:01:20.310 --> 00:01:22.800 align:middle line:90% How long ago that was. 00:01:22.800 --> 00:01:25.410 align:middle line:84% Yet, all the varieties of good fortune 00:01:25.410 --> 00:01:28.170 align:middle line:84% he's come upon, as a hand comes idly 00:01:28.170 --> 00:01:30.540 align:middle line:90% upon an orchard's windfalls. 00:01:30.540 --> 00:01:33.420 align:middle line:90% How different he's become since. 00:01:33.420 --> 00:01:37.230 align:middle line:84% None of it matters when the falconer steps back into memory 00:01:37.230 --> 00:01:43.410 align:middle line:84% as into a vast cathedral, which is to say, when he remembers. 00:01:43.410 --> 00:01:46.990 align:middle line:84% How cool it is inside the cathedral. 00:01:46.990 --> 00:01:49.780 align:middle line:90% And, at first, how dark. 00:01:49.780 --> 00:01:54.850 align:middle line:84% Soon though, he can see a chapel set aside for prayers 00:01:54.850 --> 00:01:57.850 align:middle line:84% specifically to the Virgin, whose story he's always 00:01:57.850 --> 00:01:59.320 align:middle line:90% resisted. 00:01:59.320 --> 00:02:03.010 align:middle line:84% He sees a corner where people have lit candles, sometimes 00:02:03.010 --> 00:02:07.030 align:middle line:84% for another's suffering, sometimes for their own. 00:02:07.030 --> 00:02:11.890 align:middle line:84% He sees the altar with the falcon sitting on top of it. 00:02:11.890 --> 00:02:14.590 align:middle line:84% The weight of grief over what's lost, 00:02:14.590 --> 00:02:16.990 align:middle line:84% versus the shadow of what's lost, 00:02:16.990 --> 00:02:20.710 align:middle line:84% forever struggling to return and failing. 00:02:20.710 --> 00:02:23.080 align:middle line:90% Who can say which is better? 00:02:23.080 --> 00:02:26.690 align:middle line:84% The falconer's eye meets the falcon's eye. 00:02:26.690 --> 00:02:29.950 align:middle line:84% 'I have a story,' the falcon says. 00:02:29.950 --> 00:02:31.240 align:middle line:90% Seems to. 00:02:31.240 --> 00:02:34.150 align:middle line:84% The wings lifting, the feathers rippling 00:02:34.150 --> 00:02:36.130 align:middle line:90% with the story's parts. 00:02:36.130 --> 00:02:38.350 align:middle line:90% 'I have a story. 00:02:38.350 --> 00:02:46.040 align:middle line:90% I can't wait to tell you.'" 00:02:46.040 --> 00:02:47.090 align:middle line:90% Falcons, cathedrals. 00:02:47.090 --> 00:02:50.600 align:middle line:84% It's what comes from living next door to a cathedral. 00:02:50.600 --> 00:02:53.060 align:middle line:84% And falcons landing in your yard. 00:02:53.060 --> 00:02:54.500 align:middle line:90% Often. 00:02:54.500 --> 00:02:55.000 align:middle line:90%