WEBVTT 00:00:00.000 --> 00:00:02.220 align:middle line:90% 00:00:02.220 --> 00:00:05.580 align:middle line:84% One of the first things Thomas Mira Y Lopez said to me 00:00:05.580 --> 00:00:08.940 align:middle line:84% was, Oh, you're part of the dead dads club. 00:00:08.940 --> 00:00:11.970 align:middle line:84% He quickly continued, I didn't mean that to sound irreverent. 00:00:11.970 --> 00:00:14.190 align:middle line:90% And coming from him, it didn't. 00:00:14.190 --> 00:00:18.120 align:middle line:84% It sounded understanding empathetic, knowing. 00:00:18.120 --> 00:00:20.070 align:middle line:84% There's a quality about his language 00:00:20.070 --> 00:00:23.040 align:middle line:84% that's sincere and endearing, with an underpinning 00:00:23.040 --> 00:00:24.240 align:middle line:90% of dark humor. 00:00:24.240 --> 00:00:27.930 align:middle line:84% We hear this engaging voice throughout his latest work, 00:00:27.930 --> 00:00:30.000 align:middle line:90% The Book of Resting Places. 00:00:30.000 --> 00:00:32.970 align:middle line:84% In this book, his language invites us into his mind 00:00:32.970 --> 00:00:34.890 align:middle line:84% and into his obsession with death. 00:00:34.890 --> 00:00:38.070 align:middle line:84% We struggle with what remains mean to us. 00:00:38.070 --> 00:00:41.640 align:middle line:84% With what of us remains on Earth when we no longer do, 00:00:41.640 --> 00:00:44.490 align:middle line:84% and with what that means to those who love us. 00:00:44.490 --> 00:00:47.130 align:middle line:90% To those who still remain. 00:00:47.130 --> 00:00:51.270 align:middle line:84% Mira y Lopez's prose brings to mind mathematical remainders 00:00:51.270 --> 00:00:53.530 align:middle line:84% with what we do when something doesn't fit, 00:00:53.530 --> 00:00:55.660 align:middle line:90% when something is left over. 00:00:55.660 --> 00:00:57.930 align:middle line:84% What do we do with those remains. 00:00:57.930 --> 00:00:59.940 align:middle line:84% The Book of Resting Places asks us 00:00:59.940 --> 00:01:02.640 align:middle line:84% to tussle with the different ways we deal with the dead. 00:01:02.640 --> 00:01:05.129 align:middle line:84% Whether that means entertaining a mother's plea 00:01:05.129 --> 00:01:08.460 align:middle line:84% to stay in her apartment, Egyptian sarcophagus style, 00:01:08.460 --> 00:01:11.700 align:middle line:84% or touring a cryogenics lab to imagine what happens to those 00:01:11.700 --> 00:01:16.260 align:middle line:84% frozen in time, he approaches death in as many ways as he can 00:01:16.260 --> 00:01:19.080 align:middle line:84% through trees with falling limbs in Central Park 00:01:19.080 --> 00:01:21.743 align:middle line:90% and exhumed graves in Tucson. 00:01:21.743 --> 00:01:23.160 align:middle line:84% Through this collection of essays, 00:01:23.160 --> 00:01:25.290 align:middle line:84% we see a mind trying to wrap itself 00:01:25.290 --> 00:01:27.900 align:middle line:84% around the ultimate unknowable entity. 00:01:27.900 --> 00:01:29.730 align:middle line:90% Around death. 00:01:29.730 --> 00:01:33.240 align:middle line:84% In perhaps my favorite essay, "Parallax," Mira y Lopez 00:01:33.240 --> 00:01:35.970 align:middle line:84% uses the astronomical term to encompass both 00:01:35.970 --> 00:01:38.160 align:middle line:90% his approach and his process. 00:01:38.160 --> 00:01:41.730 align:middle line:84% He explains "Parallax" stating, simply put, 00:01:41.730 --> 00:01:45.180 align:middle line:84% we see things differently from different places. 00:01:45.180 --> 00:01:48.870 align:middle line:84% His book, of course, is the embodiment of this phenomenon. 00:01:48.870 --> 00:01:51.210 align:middle line:84% And the word, embodiment, feels right placed next 00:01:51.210 --> 00:01:52.440 align:middle line:90% to his assertion. 00:01:52.440 --> 00:01:54.540 align:middle line:84% When something becomes disembodied, 00:01:54.540 --> 00:01:57.330 align:middle line:84% we struggle to see it for what it really is. 00:01:57.330 --> 00:01:59.520 align:middle line:84% When someone becomes disembodied, 00:01:59.520 --> 00:02:04.230 align:middle line:84% we struggle to see him for what he once was. 00:02:04.230 --> 00:02:06.900 align:middle line:84% In looking for an answer, an equation 00:02:06.900 --> 00:02:08.940 align:middle line:84% to make sense of his father's death, 00:02:08.940 --> 00:02:11.250 align:middle line:84% Mira Y Lopez shows us that sometimes there 00:02:11.250 --> 00:02:14.790 align:middle line:84% are no answers, that sometimes the answer is in the looking 00:02:14.790 --> 00:02:16.270 align:middle line:90% itself. 00:02:16.270 --> 00:02:20.130 align:middle line:84% So thank you, Tommy, for sharing your words with us, for sharing 00:02:20.130 --> 00:02:21.600 align:middle line:90% your looking with us. 00:02:21.600 --> 00:02:25.130 align:middle line:84% For teaching us how to sit with remainders.