WEBVTT 00:00:00.000 --> 00:00:00.500 align:middle line:90% [APPLAUSE] 00:00:00.500 --> 00:00:04.800 align:middle line:84% I'm going to read one very short piece, and that'll be the end. 00:00:04.800 --> 00:00:06.929 align:middle line:84% And this is called "The Bullet-Stopper." 00:00:06.929 --> 00:00:13.160 align:middle line:90% 00:00:13.160 --> 00:00:15.380 align:middle line:84% "Most men have certain notions of femaleness 00:00:15.380 --> 00:00:17.840 align:middle line:84% derived from movies they saw in their youth. 00:00:17.840 --> 00:00:20.540 align:middle line:84% No matter how cockeyed some of these archetypes are, 00:00:20.540 --> 00:00:23.720 align:middle line:84% and no matter how manfully I struggle 00:00:23.720 --> 00:00:26.630 align:middle line:84% to assimilate the truth that women are as valuable, real, 00:00:26.630 --> 00:00:29.180 align:middle line:84% and complex as men are, a part of me 00:00:29.180 --> 00:00:32.030 align:middle line:84% continues to want to match up the actual women in my life 00:00:32.030 --> 00:00:36.700 align:middle line:84% with the celluloid temptresses and saints in my imagination. 00:00:36.700 --> 00:00:39.310 align:middle line:84% I grew up in the post-war era of dangerous brunettes 00:00:39.310 --> 00:00:43.480 align:middle line:84% and redheads like Rita Hayworth, Yvonne De Carlo, Jane Greer, 00:00:43.480 --> 00:00:46.900 align:middle line:84% and Jean Simmons, who would no sooner look at a Robert Mitchum 00:00:46.900 --> 00:00:49.990 align:middle line:84% or Glenn Ford than they would begin to seduce him and stab 00:00:49.990 --> 00:00:51.870 align:middle line:90% him in the back. 00:00:51.870 --> 00:00:54.340 align:middle line:84% Double-crossing came as easily to these femme fatales 00:00:54.340 --> 00:00:56.490 align:middle line:90% as smoking a cigarette. 00:00:56.490 --> 00:01:00.030 align:middle line:84% Yet you had to sympathize with the survival tactic of what we 00:01:00.030 --> 00:01:02.280 align:middle line:90% were told was the weaker sex. 00:01:02.280 --> 00:01:05.820 align:middle line:84% It was a mystery to me how this supposedly frailer sex could 00:01:05.820 --> 00:01:09.210 align:middle line:84% rise not only to a tortuously complicated duplicity 00:01:09.210 --> 00:01:11.670 align:middle line:84% but also to a level of selfless heroism 00:01:11.670 --> 00:01:14.190 align:middle line:84% that seemed outside the compass or capacity 00:01:14.190 --> 00:01:17.570 align:middle line:90% of masculine experience. 00:01:17.570 --> 00:01:20.360 align:middle line:84% I am particularly fascinated with one convention of older, 00:01:20.360 --> 00:01:24.230 align:middle line:84% melodramatic films that seems to have disappeared, the woman who 00:01:24.230 --> 00:01:27.300 align:middle line:90% stops a bullet for her man. 00:01:27.300 --> 00:01:29.760 align:middle line:84% She was usually, in classic triangle terms, 00:01:29.760 --> 00:01:33.060 align:middle line:84% the redundant woman, say, the native mistress 00:01:33.060 --> 00:01:34.980 align:middle line:84% of a man stationed in the Orient, 00:01:34.980 --> 00:01:37.230 align:middle line:84% a rival of the newly-met, supposedly more 00:01:37.230 --> 00:01:39.300 align:middle line:90% suitable white lady. 00:01:39.300 --> 00:01:43.433 align:middle line:84% The mistress is beautiful, she is faithful, she loves her man, 00:01:43.433 --> 00:01:44.850 align:middle line:84% and she has a deeper understanding 00:01:44.850 --> 00:01:46.950 align:middle line:90% of life than the white lady. 00:01:46.950 --> 00:01:49.140 align:middle line:84% So, the audience wonders restlessly, 00:01:49.140 --> 00:01:52.140 align:middle line:90% how can the hero reject her? 00:01:52.140 --> 00:01:54.450 align:middle line:84% But because her love for her man is so deep, 00:01:54.450 --> 00:01:58.050 align:middle line:84% it transcends self-preservation, as maternal love is often 00:01:58.050 --> 00:01:59.680 align:middle line:90% alleged to do. 00:01:59.680 --> 00:02:01.600 align:middle line:84% Maybe such passionate romantic devotion 00:02:01.600 --> 00:02:04.030 align:middle line:84% exists only in the backwaters of civilization 00:02:04.030 --> 00:02:05.980 align:middle line:84% among colonial or underworld women 00:02:05.980 --> 00:02:07.780 align:middle line:84% who have gone beyond the ladylike. 00:02:07.780 --> 00:02:10.780 align:middle line:84% Did I mention that sometimes, vice takes the place of race? 00:02:10.780 --> 00:02:14.590 align:middle line:84% A gangster's moll or a bar girl with a tarnished past, 00:02:14.590 --> 00:02:16.600 align:middle line:84% an Ida Lupino, Gloria Grahame type, 00:02:16.600 --> 00:02:19.480 align:middle line:84% may also administer the reproachful lesson 00:02:19.480 --> 00:02:24.120 align:middle line:84% about how far a woman's love may go for her man. 00:02:24.120 --> 00:02:26.340 align:middle line:84% Now, just try to imagine a love so powerful 00:02:26.340 --> 00:02:28.260 align:middle line:84% that it would cause a woman to hurl herself 00:02:28.260 --> 00:02:32.280 align:middle line:84% in front of gunshots when most of us would hit the ground. 00:02:32.280 --> 00:02:34.320 align:middle line:84% Such love no longer exists, you say. 00:02:34.320 --> 00:02:37.140 align:middle line:84% We live in a more calculating age, or, to put the matter 00:02:37.140 --> 00:02:39.810 align:middle line:84% optimistically, a more progressive age in which women 00:02:39.810 --> 00:02:43.230 align:middle line:84% are less dependent on men, less masochistic. 00:02:43.230 --> 00:02:46.050 align:middle line:84% Am I sorry to see the convention disappear? 00:02:46.050 --> 00:02:48.690 align:middle line:84% To be frank, I don't know whether to pray for such a love 00:02:48.690 --> 00:02:51.780 align:middle line:90% or be terrified by it. 00:02:51.780 --> 00:02:54.810 align:middle line:84% I try to imagine a man pointing a gun at me. 00:02:54.810 --> 00:02:56.370 align:middle line:84% As he starts to pull the trigger, 00:02:56.370 --> 00:02:59.460 align:middle line:84% my Chinese girlfriend blankets me with her body. 00:02:59.460 --> 00:03:01.938 align:middle line:90% She takes the bullet. 00:03:01.938 --> 00:03:04.480 align:middle line:84% As grateful as I am, I cannot help feeling there is a certain 00:03:04.480 --> 00:03:08.050 align:middle line:84% presumptuousness in someone stealing the death that was 00:03:08.050 --> 00:03:08.800 align:middle line:90% meant for me. 00:03:08.800 --> 00:03:12.910 align:middle line:90% 00:03:12.910 --> 00:03:14.470 align:middle line:84% I am so stunned by her act that I 00:03:14.470 --> 00:03:18.620 align:middle line:84% forget to knock the gun from the killer's hand. 00:03:18.620 --> 00:03:22.220 align:middle line:84% Now, he's pointing it at me again. 00:03:22.220 --> 00:03:25.310 align:middle line:84% And she has already given her life for me. 00:03:25.310 --> 00:03:27.500 align:middle line:84% Would it be cowardly to prop her in front of me? 00:03:27.500 --> 00:03:30.470 align:middle line:90% [LAUGHTER] 00:03:30.470 --> 00:03:31.940 align:middle line:84% Or would that be a way of honoring 00:03:31.940 --> 00:03:32.898 align:middle line:90% her original intention? 00:03:32.898 --> 00:03:35.948 align:middle line:90% [LAUGHTER] 00:03:35.948 --> 00:03:37.360 align:middle line:90% 00:03:37.360 --> 00:03:40.360 align:middle line:84% In any case, how will I shove her limp body forward 00:03:40.360 --> 00:03:43.630 align:middle line:84% at the precise moment the gun is fired? 00:03:43.630 --> 00:03:45.258 align:middle line:84% My respect for this woman is growing, 00:03:45.258 --> 00:03:47.800 align:middle line:84% not only because stopping the bullet was a noble thing to do, 00:03:47.800 --> 00:03:52.000 align:middle line:84% but because it required incredible athletic timing, 00:03:52.000 --> 00:03:55.240 align:middle line:84% like a basketball player leaping to block a shot. 00:03:55.240 --> 00:03:57.520 align:middle line:90% My own reflexes are rustier. 00:03:57.520 --> 00:03:59.620 align:middle line:84% Even if I was quick enough to stop the next two 00:03:59.620 --> 00:04:02.170 align:middle line:84% bullets with her as a shield, the gunman, 00:04:02.170 --> 00:04:04.780 align:middle line:84% always assuming he had six bullets to begin with, 00:04:04.780 --> 00:04:08.050 align:middle line:84% might get angry at the waste of ammunition. 00:04:08.050 --> 00:04:10.600 align:middle line:84% He might change his tactics, rush behind me, 00:04:10.600 --> 00:04:12.990 align:middle line:90% and shoot me in the back. 00:04:12.990 --> 00:04:16.390 align:middle line:84% How awful to be shot in the back. 00:04:16.390 --> 00:04:18.370 align:middle line:84% Why doesn't my other girlfriend arrive? 00:04:18.370 --> 00:04:21.681 align:middle line:90% [LAUGHTER] 00:04:21.681 --> 00:04:22.218 align:middle line:90% 00:04:22.218 --> 00:04:24.760 align:middle line:84% Isn't she supposed to bring the policemen who will knock down 00:04:24.760 --> 00:04:27.490 align:middle line:90% the door and save me? 00:04:27.490 --> 00:04:29.950 align:middle line:84% All my life, I have trusted in the eternal feminine 00:04:29.950 --> 00:04:33.640 align:middle line:84% to save me from disaster, which does not keep me in the least 00:04:33.640 --> 00:04:37.000 align:middle line:84% from suspecting all women of being betrayers. 00:04:37.000 --> 00:04:38.770 align:middle line:84% So it is inevitable that I start to think 00:04:38.770 --> 00:04:40.720 align:middle line:84% that my fiancee, my other girlfriend, 00:04:40.720 --> 00:04:43.350 align:middle line:84% may be in league with the killer. 00:04:43.350 --> 00:04:45.450 align:middle line:90% But why does she want me dead? 00:04:45.450 --> 00:04:48.540 align:middle line:84% I would have bowed out if she had asked me to. 00:04:48.540 --> 00:04:50.820 align:middle line:84% It dawns on me that she is an avenger, 00:04:50.820 --> 00:04:53.220 align:middle line:84% and that I am about to be punished for my unfaithfulness 00:04:53.220 --> 00:04:58.210 align:middle line:84% to the good mistress, she who gave her life for me. 00:04:58.210 --> 00:05:01.540 align:middle line:84% Of course, it is idiotic to expect women to die for me. 00:05:01.540 --> 00:05:04.600 align:middle line:84% The very idea might be a ghost remnant of the child's wholly 00:05:04.600 --> 00:05:07.390 align:middle line:84% unrealistic expectation that his mother will love him 00:05:07.390 --> 00:05:09.850 align:middle line:84% unconditionally, no matter how meanly he tests her 00:05:09.850 --> 00:05:14.080 align:middle line:90% or how sadly he disappoints her. 00:05:14.080 --> 00:05:16.060 align:middle line:84% And yet, when I look over at my wife playing 00:05:16.060 --> 00:05:18.640 align:middle line:84% with our orange Abyssinian cat on the couch, 00:05:18.640 --> 00:05:20.890 align:middle line:84% I can't help wondering to what lengths she would go 00:05:20.890 --> 00:05:24.400 align:middle line:90% to protect me in a fusillade. 00:05:24.400 --> 00:05:27.340 align:middle line:84% I hope she would have the good sense to duck. 00:05:27.340 --> 00:05:29.140 align:middle line:90% I know she would. 00:05:29.140 --> 00:05:30.760 align:middle line:84% Nevertheless, these movie fantasies 00:05:30.760 --> 00:05:34.210 align:middle line:90% of Oriental mistresses die hard. 00:05:34.210 --> 00:05:36.160 align:middle line:84% I now begin to understand why I bought 00:05:36.160 --> 00:05:40.180 align:middle line:84% my wife, on a recent trip to China, a red silk brocade 00:05:40.180 --> 00:05:42.970 align:middle line:84% robe with dragon couchant and why I 00:05:42.970 --> 00:05:44.560 align:middle line:90% keep pestering her to wear it." 00:05:44.560 --> 00:05:46.410 align:middle line:90% [LAUGHTER]