WEBVTT 00:00:00.000 --> 00:00:00.990 align:middle line:90% 00:00:00.990 --> 00:00:02.370 align:middle line:84% Thank you, everybody, for coming, 00:00:02.370 --> 00:00:06.570 align:middle line:84% and thank you very much for your hospitality, Tyler, 00:00:06.570 --> 00:00:14.520 align:middle line:84% and I thank the Center for that hospitality as well. 00:00:14.520 --> 00:00:16.870 align:middle line:84% I usually don't know how to begin, 00:00:16.870 --> 00:00:19.755 align:middle line:84% so we'll have to go through this together. 00:00:19.755 --> 00:00:23.320 align:middle line:90% 00:00:23.320 --> 00:00:25.800 align:middle line:84% So I'll probably alternate between translations 00:00:25.800 --> 00:00:28.740 align:middle line:90% and poetry. 00:00:28.740 --> 00:00:33.400 align:middle line:84% There is-- in the book If I Were Another, which is not here, 00:00:33.400 --> 00:00:36.240 align:middle line:84% which is a translation of the long poems of Mahmoud Darwish-- 00:00:36.240 --> 00:00:40.980 align:middle line:84% there's a poem that-- a book long poem called Mural, 00:00:40.980 --> 00:00:45.420 align:middle line:84% that he wrote after surviving a near-death experience, 00:00:45.420 --> 00:00:48.900 align:middle line:90% before he eventually died. 00:00:48.900 --> 00:00:53.490 align:middle line:84% And I was talking to young poets-- 00:00:53.490 --> 00:00:55.530 align:middle line:90% and I'm not that old-- 00:00:55.530 --> 00:00:58.380 align:middle line:90% 00:00:58.380 --> 00:01:00.420 align:middle line:84% about the idea that the poem is not really-- 00:01:00.420 --> 00:01:02.628 align:middle line:84% so it's one of the most magnificent-- in my opinion-- 00:01:02.628 --> 00:01:06.540 align:middle line:90% magnificent poems of our time. 00:01:06.540 --> 00:01:08.310 align:middle line:90% But we're not really-- 00:01:08.310 --> 00:01:10.560 align:middle line:84% we don't have a predilection to talk 00:01:10.560 --> 00:01:15.540 align:middle line:84% about a poem, written by an Arab poet, that is actually 00:01:15.540 --> 00:01:18.030 align:middle line:90% a poem of praise. 00:01:18.030 --> 00:01:22.080 align:middle line:84% Which is to say, a poem that celebrates life. 00:01:22.080 --> 00:01:25.860 align:middle line:84% And I urge many of you to think that way 00:01:25.860 --> 00:01:28.470 align:middle line:84% when you think of the work of certain Arab poets, 00:01:28.470 --> 00:01:32.400 align:middle line:84% where you just begin to probe their work past this notion 00:01:32.400 --> 00:01:37.710 align:middle line:84% of looking for the wisdom of survival, tragedy, and war, 00:01:37.710 --> 00:01:40.980 align:middle line:90% and what have you. 00:01:40.980 --> 00:01:42.830 align:middle line:84% So in a sense, this poem was written 00:01:42.830 --> 00:01:47.090 align:middle line:90% about surviving an ICU stay. 00:01:47.090 --> 00:01:48.710 align:middle line:84% And so, in the middle of it, there's 00:01:48.710 --> 00:01:50.810 align:middle line:84% a long conversation with death, and I will 00:01:50.810 --> 00:01:52.760 align:middle line:90% read from that for starters. 00:01:52.760 --> 00:01:55.880 align:middle line:90% 00:01:55.880 --> 00:01:59.150 align:middle line:90% "Death, wait. 00:01:59.150 --> 00:02:03.350 align:middle line:84% Wait until I recover my mind's clarity in spring, 00:02:03.350 --> 00:02:08.240 align:middle line:84% and my health, so you'll be a noble hunter who doesn't hunt 00:02:08.240 --> 00:02:11.600 align:middle line:90% the doe near the water spring. 00:02:11.600 --> 00:02:16.250 align:middle line:84% Let the relation between us be friendly and open. 00:02:16.250 --> 00:02:20.330 align:middle line:84% You have of my life what's yours, when I fill it up, 00:02:20.330 --> 00:02:26.690 align:middle line:84% and of you, I have contemplating the stars and the planets. 00:02:26.690 --> 00:02:29.900 align:middle line:90% No one's ever completely died. 00:02:29.900 --> 00:02:34.190 align:middle line:84% Those are souls that change their residence and form. 00:02:34.190 --> 00:02:39.200 align:middle line:84% Death, my shadow that leads me the third of two, 00:02:39.200 --> 00:02:44.720 align:middle line:84% the color of hesitation in emerald and chrysolite peacock 00:02:44.720 --> 00:02:51.620 align:middle line:84% blood, sniper of the wolf's heart, imagination's illness. 00:02:51.620 --> 00:02:56.750 align:middle line:84% Have a seat on the chair and set your hunting tools aside 00:02:56.750 --> 00:02:58.220 align:middle line:90% under my window. 00:02:58.220 --> 00:03:01.400 align:middle line:84% Hang your heavy keys on the house door, 00:03:01.400 --> 00:03:07.630 align:middle line:84% and don't stare at my arteries to detect the final weakness. 00:03:07.630 --> 00:03:10.960 align:middle line:84% You are stronger than the medical establishment, 00:03:10.960 --> 00:03:15.010 align:middle line:84% stronger than the respiratory system and powerful honey, 00:03:15.010 --> 00:03:18.850 align:middle line:84% and you don't need my disease to kill me. 00:03:18.850 --> 00:03:21.310 align:middle line:90% Rise above insects. 00:03:21.310 --> 00:03:26.080 align:middle line:84% Be yourself-- transparent, a clear mail to the unknown. 00:03:26.080 --> 00:03:31.420 align:middle line:84% Be like love, a storm on trees, and don't 00:03:31.420 --> 00:03:36.730 align:middle line:84% sit on doorsteps like a beggar or a tax collector. 00:03:36.730 --> 00:03:39.190 align:middle line:84% Don't be a traffic policeman in the streets. 00:03:39.190 --> 00:03:46.000 align:middle line:84% Be strong with radiant steel and take off your fox's mask. 00:03:46.000 --> 00:03:51.220 align:middle line:84% Be nightly beautiful with thorough blows, 00:03:51.220 --> 00:03:53.620 align:middle line:90% and say what you want. 00:03:53.620 --> 00:03:58.570 align:middle line:84% Say, from meaning to meaning I come. 00:03:58.570 --> 00:04:03.400 align:middle line:84% Life is a flow I intensify and define 00:04:03.400 --> 00:04:07.660 align:middle line:90% with my sultanate and scale. 00:04:07.660 --> 00:04:12.100 align:middle line:90% Death, wait, have a seat. 00:04:12.100 --> 00:04:16.360 align:middle line:84% Have a glass of wine, and don't negotiate with me. 00:04:16.360 --> 00:04:19.480 align:middle line:84% The likes of you don't negotiate with anyone, 00:04:19.480 --> 00:04:24.100 align:middle line:84% and the likes of me don't object to the servant of the unknown. 00:04:24.100 --> 00:04:25.480 align:middle line:90% Take a rest. 00:04:25.480 --> 00:04:29.950 align:middle line:84% Perhaps the star wars have tired you today. 00:04:29.950 --> 00:04:31.480 align:middle line:90% Who am I? 00:04:31.480 --> 00:04:36.910 align:middle line:84% Who am I in their midst that you visit me. 00:04:36.910 --> 00:04:40.480 align:middle line:84% Do you have time to test my poem? 00:04:40.480 --> 00:04:43.810 align:middle line:90% No, this is not your concern. 00:04:43.810 --> 00:04:46.750 align:middle line:84% You are responsible for the clay in the human, 00:04:46.750 --> 00:04:49.390 align:middle line:90% not for what he says or does. 00:04:49.390 --> 00:04:54.490 align:middle line:84% Death, all the arts have defeated you, all of them. 00:04:54.490 --> 00:04:58.060 align:middle line:84% All the songs in Mesopotamia have defeated you. 00:04:58.060 --> 00:05:02.410 align:middle line:84% The Egyptians' obelisk, the pharaohs' tombs, the carvings 00:05:02.410 --> 00:05:05.740 align:middle line:84% on Temple Rock, all have defeated you 00:05:05.740 --> 00:05:09.490 align:middle line:84% and immortality has escaped your traps. 00:05:09.490 --> 00:05:14.340 align:middle line:84% So do with us and with yourself what you will." 00:05:14.340 --> 00:05:15.000 align:middle line:90%