WEBVTT 00:00:00.000 --> 00:00:02.390 align:middle line:90% 00:00:02.390 --> 00:00:04.610 align:middle line:84% It was very strange reading with Zaqtan 00:00:04.610 --> 00:00:07.580 align:middle line:84% because, you know, get tired of reading the poems again 00:00:07.580 --> 00:00:09.800 align:middle line:90% and come up with this-- 00:00:09.800 --> 00:00:12.470 align:middle line:90% 00:00:12.470 --> 00:00:16.190 align:middle line:84% so I'll read some few poems-- or new poems. 00:00:16.190 --> 00:00:17.810 align:middle line:84% I was talking to Tyler earlier today, 00:00:17.810 --> 00:00:23.120 align:middle line:84% and I'm trying to negotiate this idea of moving 00:00:23.120 --> 00:00:27.290 align:middle line:84% from the concept of the world body to the word body, 00:00:27.290 --> 00:00:33.740 align:middle line:84% being both a Palestinian and an Arab-American 00:00:33.740 --> 00:00:37.820 align:middle line:84% with the idea of sort of a Hegelian concept 00:00:37.820 --> 00:00:47.460 align:middle line:84% of the individual that defines our age in a sense, 00:00:47.460 --> 00:00:49.280 align:middle line:84% even if neglected, so is actually 00:00:49.280 --> 00:00:53.360 align:middle line:84% the stateless individual in an age of the nation state. 00:00:53.360 --> 00:00:55.370 align:middle line:84% And so it's interesting, and as a physician, 00:00:55.370 --> 00:00:57.050 align:middle line:84% it's also interesting to move across 00:00:57.050 --> 00:01:01.670 align:middle line:84% that spectrum from the world-- just focus on the word 00:01:01.670 --> 00:01:04.640 align:middle line:90% body moving from world to word. 00:01:04.640 --> 00:01:08.930 align:middle line:84% And so what happens when one discusses eros and sexuality 00:01:08.930 --> 00:01:12.560 align:middle line:84% as a discipline, almost as a science, as something 00:01:12.560 --> 00:01:17.390 align:middle line:84% subjugated to science and hormones and what have you. 00:01:17.390 --> 00:01:18.890 align:middle line:84% So I'm trying to write these things. 00:01:18.890 --> 00:01:21.380 align:middle line:84% I'm not sure that the poems that I'm going to read 00:01:21.380 --> 00:01:24.770 align:middle line:84% will allude to this as much, but we'll give it a try. 00:01:24.770 --> 00:01:26.870 align:middle line:84% And I do think, again, going back to-- 00:01:26.870 --> 00:01:29.660 align:middle line:84% I will say this openly because maybe it 00:01:29.660 --> 00:01:34.430 align:middle line:84% is time that things get spoken about in a more transparent 00:01:34.430 --> 00:01:40.220 align:middle line:84% way, besides this pretense that we live in a country that 00:01:40.220 --> 00:01:42.095 align:middle line:90% is not in perpetual war. 00:01:42.095 --> 00:01:45.470 align:middle line:90% 00:01:45.470 --> 00:01:49.160 align:middle line:84% I think that I found out that there is a particular reflex 00:01:49.160 --> 00:01:53.220 align:middle line:90% if we don't receive-- 00:01:53.220 --> 00:01:55.680 align:middle line:84% and I think obviously in our experience in America, 00:01:55.680 --> 00:02:02.480 align:middle line:84% we have the same problems with or against the Black body, 00:02:02.480 --> 00:02:03.020 align:middle line:90% for example. 00:02:03.020 --> 00:02:05.720 align:middle line:90% 00:02:05.720 --> 00:02:09.020 align:middle line:84% I think similarly that we have certain reflexes that we don't 00:02:09.020 --> 00:02:16.360 align:middle line:84% examine if an Arab is to speak of the body 00:02:16.360 --> 00:02:18.910 align:middle line:84% because we only know the Arab body as a dead one. 00:02:18.910 --> 00:02:21.790 align:middle line:90% 00:02:21.790 --> 00:02:26.050 align:middle line:84% And if the Arab man is to speak of a Western body-- which 00:02:26.050 --> 00:02:30.550 align:middle line:84% is also an interesting shift in the idea of if you use 00:02:30.550 --> 00:02:33.850 align:middle line:84% a classic concept of orientalism, of feminizing 00:02:33.850 --> 00:02:38.740 align:middle line:84% the vanquished or the dispossessed or the conquered. 00:02:38.740 --> 00:02:41.410 align:middle line:84% It's very interesting if the weaker party 00:02:41.410 --> 00:02:44.980 align:middle line:84% begins to talk of the body of the powerful as erotic. 00:02:44.980 --> 00:02:46.840 align:middle line:84% Then what happens to that language? 00:02:46.840 --> 00:02:48.460 align:middle line:84% I don't even think that actually we 00:02:48.460 --> 00:02:55.840 align:middle line:84% are quite ready to receive these things at a deeper level 00:02:55.840 --> 00:02:57.895 align:middle line:90% of textuality, so to speak. 00:02:57.895 --> 00:03:00.997 align:middle line:90% 00:03:00.997 --> 00:03:01.705 align:middle line:90% So I will begin-- 00:03:01.705 --> 00:03:04.900 align:middle line:90% 00:03:04.900 --> 00:03:07.870 align:middle line:84% and maybe I'll finish with these three poems 00:03:07.870 --> 00:03:10.990 align:middle line:84% unless you guys feel a terrible desire 00:03:10.990 --> 00:03:15.100 align:middle line:84% to continue to be hypnotized by my reading. 00:03:15.100 --> 00:03:17.500 align:middle line:90% You just wave. 00:03:17.500 --> 00:03:18.000 align:middle line:90%