WEBVTT 00:00:00.000 --> 00:00:01.580 align:middle line:90% 00:00:01.580 --> 00:00:03.015 align:middle line:84% Time I think for three more poems. 00:00:03.015 --> 00:00:06.960 align:middle line:90% 00:00:06.960 --> 00:00:11.470 align:middle line:84% This is also an effort at making a poem of sort 00:00:11.470 --> 00:00:14.670 align:middle line:90% of social survey. 00:00:14.670 --> 00:00:17.130 align:middle line:84% And what it's about is it's about what 00:00:17.130 --> 00:00:22.800 align:middle line:84% some of the other poems have had in them that it's ironic 00:00:22.800 --> 00:00:25.110 align:middle line:90% the way we're in the-- 00:00:25.110 --> 00:00:27.840 align:middle line:84% we're in the richest nation and superpower 00:00:27.840 --> 00:00:32.170 align:middle line:84% in the world, surrounded by more material wealth 00:00:32.170 --> 00:00:35.220 align:middle line:84% than any country has probably ever possessed, 00:00:35.220 --> 00:00:39.660 align:middle line:84% with a bottomless amount of data available to us 00:00:39.660 --> 00:00:42.690 align:middle line:84% constantly and a huge river of merchandise 00:00:42.690 --> 00:00:44.280 align:middle line:90% pouring over us all the time. 00:00:44.280 --> 00:00:47.430 align:middle line:84% And yet somehow we feel we're suffering or at least I do. 00:00:47.430 --> 00:00:50.240 align:middle line:90% 00:00:50.240 --> 00:00:52.520 align:middle line:84% But, it's the suffering that really in a way 00:00:52.520 --> 00:00:55.040 align:middle line:84% would be obscene to complain about. 00:00:55.040 --> 00:00:58.670 align:middle line:84% And yet you feel you're suffering somehow. 00:00:58.670 --> 00:01:02.330 align:middle line:90% So what suffering is that? 00:01:02.330 --> 00:01:07.370 align:middle line:84% And I sort of believe in dialectical poems, 00:01:07.370 --> 00:01:10.490 align:middle line:84% poems that talk back and forth from the different sides 00:01:10.490 --> 00:01:11.810 align:middle line:90% of an argument. 00:01:11.810 --> 00:01:15.020 align:middle line:84% And in this poem, I made a student of mine 00:01:15.020 --> 00:01:19.410 align:middle line:84% represent that rather ridiculous point of view 00:01:19.410 --> 00:01:23.270 align:middle line:84% so that I could then make fun of the student. 00:01:23.270 --> 00:01:25.930 align:middle line:84% This is exactly what Socrates does in his dialogues too. 00:01:25.930 --> 00:01:29.630 align:middle line:90% 00:01:29.630 --> 00:01:33.337 align:middle line:84% So and the poem is called "America". 00:01:33.337 --> 00:01:36.610 align:middle line:90% 00:01:36.610 --> 00:01:43.870 align:middle line:84% "Then one of the students with blue hair and a tongue stud 00:01:43.870 --> 00:01:48.610 align:middle line:84% says that America is for him a maximum security 00:01:48.610 --> 00:01:55.090 align:middle line:84% prison whose walls are made of Radio Shacks and Burger Kings 00:01:55.090 --> 00:01:58.360 align:middle line:84% and MTV episodes where you can't tell 00:01:58.360 --> 00:02:01.840 align:middle line:90% the show from the commercial. 00:02:01.840 --> 00:02:04.840 align:middle line:84% And as I contemplate how to express how full of shit 00:02:04.840 --> 00:02:08.470 align:middle line:84% I think he is, he says that even when 00:02:08.470 --> 00:02:12.760 align:middle line:84% he's driving to the mall in his Isuzu Trooper 00:02:12.760 --> 00:02:17.170 align:middle line:84% with a gang of his friends letting rap music pour over 00:02:17.170 --> 00:02:22.480 align:middle line:84% them like a boiling jacuzzi full of ballpeen hammers, 00:02:22.480 --> 00:02:26.890 align:middle line:84% even then, he feels buried alive, 00:02:26.890 --> 00:02:31.660 align:middle line:84% captured and suffocated in the folds of the thick satin 00:02:31.660 --> 00:02:34.600 align:middle line:90% quilt of America. 00:02:34.600 --> 00:02:39.190 align:middle line:84% And I wonder if this is a legitimate category of pain 00:02:39.190 --> 00:02:43.550 align:middle line:84% or whether he's just spin doctoring a better grave. 00:02:43.550 --> 00:02:47.650 align:middle line:84% And then I remember when I stabbed my father in the dream 00:02:47.650 --> 00:02:55.570 align:middle line:84% last night, it was not blood but money that gushed out of him, 00:02:55.570 --> 00:03:01.480 align:middle line:84% bright green $100 bills spilling from his wounds. 00:03:01.480 --> 00:03:08.350 align:middle line:84% And this is the funny part, he gasped, "Thank God. 00:03:08.350 --> 00:03:11.830 align:middle line:84% Those Ben Franklins were clogging up my heart. 00:03:11.830 --> 00:03:14.410 align:middle line:90% 00:03:14.410 --> 00:03:19.090 align:middle line:84% And so I perished happily freed from that 00:03:19.090 --> 00:03:23.140 align:middle line:84% which kept me from my liberty", which 00:03:23.140 --> 00:03:27.340 align:middle line:84% is when I knew it was a dream since my dad would never 00:03:27.340 --> 00:03:28.735 align:middle line:90% speak in rhymed couplets. 00:03:28.735 --> 00:03:34.380 align:middle line:90% 00:03:34.380 --> 00:03:37.500 align:middle line:84% And I look at the student with his acne 00:03:37.500 --> 00:03:43.770 align:middle line:84% and his cell phone and his phony ghetto clothes and I think, 00:03:43.770 --> 00:03:46.380 align:middle line:90% I am asleep in America too. 00:03:46.380 --> 00:03:49.950 align:middle line:84% And I don't know how to wake myself either. 00:03:49.950 --> 00:03:54.510 align:middle line:84% And I remember what Marx said near the end of his life. 00:03:54.510 --> 00:03:56.945 align:middle line:84% "I was listening to the cries of the past 00:03:56.945 --> 00:03:58.320 align:middle line:84% when I should have been listening 00:03:58.320 --> 00:04:01.680 align:middle line:90% to the cries of the future." 00:04:01.680 --> 00:04:08.010 align:middle line:84% But how could he have imagined 100 channels of 24-hour cable 00:04:08.010 --> 00:04:12.720 align:middle line:84% or what kind of nightmare it might be when each day 00:04:12.720 --> 00:04:17.640 align:middle line:84% you watch rivers of bright merchandise run past you 00:04:17.640 --> 00:04:21.990 align:middle line:84% and you are floating in your pleasure boat upon that river. 00:04:21.990 --> 00:04:26.370 align:middle line:84% Even while others are drowning underneath you and you see 00:04:26.370 --> 00:04:30.210 align:middle line:84% their faces twisting in the surface of the waters, 00:04:30.210 --> 00:04:32.730 align:middle line:84% and yet it seems to be your own hand which 00:04:32.730 --> 00:04:35.240 align:middle line:90% turns the volume higher." 00:04:35.240 --> 00:04:37.000 align:middle line:90%