WEBVTT 00:00:00.000 --> 00:00:01.200 align:middle line:90% 00:00:01.200 --> 00:00:03.240 align:middle line:84% Dear Lxxxx, In a previous letter, 00:00:03.240 --> 00:00:07.440 align:middle line:84% you also ask how can short stories address serious issues 00:00:07.440 --> 00:00:10.020 align:middle line:90% without losing significance. 00:00:10.020 --> 00:00:14.340 align:middle line:84% One of the ways would be in the themes that convey choice 00:00:14.340 --> 00:00:14.910 align:middle line:90% and calling-- 00:00:14.910 --> 00:00:15.827 align:middle line:90% can we get some light? 00:00:15.827 --> 00:00:18.603 align:middle line:90% 00:00:18.603 --> 00:00:19.520 align:middle line:90% I can't hardly see it. 00:00:19.520 --> 00:00:22.080 align:middle line:90% 00:00:22.080 --> 00:00:23.820 align:middle line:90% Oh, there we go, all right-- 00:00:23.820 --> 00:00:25.620 align:middle line:84% choice and calling and suggested in one 00:00:25.620 --> 00:00:28.620 align:middle line:84% of your letters because of our society's fundamental belief 00:00:28.620 --> 00:00:30.100 align:middle line:90% in a free society. 00:00:30.100 --> 00:00:33.120 align:middle line:84% The reason I say this is because some people choices have 00:00:33.120 --> 00:00:35.040 align:middle line:84% been geared toward suppressing other people's 00:00:35.040 --> 00:00:36.330 align:middle line:90% choices and voices. 00:00:36.330 --> 00:00:37.590 align:middle line:90% Check Marxism. 00:00:37.590 --> 00:00:40.530 align:middle line:84% So to choose a unique path in life or literature 00:00:40.530 --> 00:00:43.560 align:middle line:84% is revolutionary in our mimetic society. 00:00:43.560 --> 00:00:48.450 align:middle line:84% Each person, including you or I, has to be his own protagonist 00:00:48.450 --> 00:00:52.770 align:middle line:84% and yes, I am echoing Ralph Ellison's Invisible Man. 00:00:52.770 --> 00:00:55.980 align:middle line:84% Remember how the protagonist moved to other people's choices 00:00:55.980 --> 00:00:57.810 align:middle line:90% before making his own. 00:00:57.810 --> 00:01:01.260 align:middle line:84% Failure doesn't mean we are not capable narrators 00:01:01.260 --> 00:01:02.490 align:middle line:90% of life's journey. 00:01:02.490 --> 00:01:06.660 align:middle line:84% And failure resides, future triumph, yours and mine, 00:01:06.660 --> 00:01:09.010 align:middle line:84% bottom line, we have been writing, 00:01:09.010 --> 00:01:11.010 align:middle line:84% acting our stories all our lives. 00:01:11.010 --> 00:01:13.570 align:middle line:84% And we conjure those stories through memory. 00:01:13.570 --> 00:01:16.290 align:middle line:84% However, that cannot be enough for the writer. 00:01:16.290 --> 00:01:20.100 align:middle line:84% Application develops imagination. 00:01:20.100 --> 00:01:24.000 align:middle line:84% Lxxxx, the best advice I ever received from another writer 00:01:24.000 --> 00:01:26.670 align:middle line:84% was fall in love with someone else's writing 00:01:26.670 --> 00:01:28.410 align:middle line:84% before you fall in love with your own. 00:01:28.410 --> 00:01:31.420 align:middle line:90% 00:01:31.420 --> 00:01:35.340 align:middle line:84% And since you mentioned Isabel Allende and her writing class, 00:01:35.340 --> 00:01:38.850 align:middle line:84% let us turn to Flagellants by Carlene Hatcher Polite 00:01:38.850 --> 00:01:41.310 align:middle line:84% to further explore this writing life. 00:01:41.310 --> 00:01:44.160 align:middle line:84% This book can be viewed as a microcosm of the Black Arts 00:01:44.160 --> 00:01:47.580 align:middle line:84% Movement in so much as Polite deconstructs male and female 00:01:47.580 --> 00:01:50.760 align:middle line:84% assumed roles according to the unofficial doctrine 00:01:50.760 --> 00:01:52.110 align:middle line:90% of the '60s. 00:01:52.110 --> 00:01:57.090 align:middle line:84% Jimson is a virile Black man, a poet and idealist but fallible, 00:01:57.090 --> 00:02:00.600 align:middle line:84% which comes out in his interactions with Ideal, 00:02:00.600 --> 00:02:03.180 align:middle line:84% a woman who refuses to subscribe to the tenets 00:02:03.180 --> 00:02:06.420 align:middle line:84% around the movement because she believes them to be oppressive. 00:02:06.420 --> 00:02:09.000 align:middle line:84% Jimson's flaws reside in his inability 00:02:09.000 --> 00:02:11.640 align:middle line:84% to see this woman's equal, oppressing her 00:02:11.640 --> 00:02:15.300 align:middle line:84% while he battles the oppressor through revolutionary rhetoric. 00:02:15.300 --> 00:02:18.300 align:middle line:84% Here I want to use the analogy of music for writing 00:02:18.300 --> 00:02:20.370 align:middle line:84% and the discipline needed for both. 00:02:20.370 --> 00:02:23.790 align:middle line:84% Ideal re-tells the story of Booker Shad, 00:02:23.790 --> 00:02:26.250 align:middle line:84% an aspirant musician who thought he 00:02:26.250 --> 00:02:29.100 align:middle line:84% was ready to play jazz until he sat in one night 00:02:29.100 --> 00:02:30.870 align:middle line:90% with Charlie Bird Parker. 00:02:30.870 --> 00:02:34.830 align:middle line:84% Bird tells him you could develop into a real beautiful cat, 00:02:34.830 --> 00:02:38.190 align:middle line:84% but man, you got to study if you really want to play. 00:02:38.190 --> 00:02:42.150 align:middle line:84% To become a pro you will have to step on out, man, 00:02:42.150 --> 00:02:45.180 align:middle line:84% and take that step, which will not leave you hung up in a room 00:02:45.180 --> 00:02:47.940 align:middle line:84% somewhere listen to yourself blow. 00:02:47.940 --> 00:02:49.890 align:middle line:84% Now if I had to translate this in a way 00:02:49.890 --> 00:02:52.080 align:middle line:84% to correspond to the writing journey, 00:02:52.080 --> 00:02:56.760 align:middle line:84% it would begin with one can be a stunning writer 00:02:56.760 --> 00:02:58.900 align:middle line:84% but one must understand the lineage. 00:02:58.900 --> 00:03:02.640 align:middle line:84% Those who came before, know their work in your sleep, 00:03:02.640 --> 00:03:04.380 align:middle line:90% and write every day. 00:03:04.380 --> 00:03:06.960 align:middle line:84% Step past that which makes you comfortable. 00:03:06.960 --> 00:03:11.543 align:middle line:84% Don't fall in love with yourself reciting words into a mirror. 00:03:11.543 --> 00:03:12.960 align:middle line:84% See, there is really no difference 00:03:12.960 --> 00:03:14.520 align:middle line:90% between life and language. 00:03:14.520 --> 00:03:17.310 align:middle line:84% Miles and Coltrane knew how to intersect 00:03:17.310 --> 00:03:19.650 align:middle line:84% both into neoteric ways of looking in 00:03:19.650 --> 00:03:21.570 align:middle line:90% to get that feel hollowed out. 00:03:21.570 --> 00:03:24.300 align:middle line:84% Sometimes with china white and tap water, 00:03:24.300 --> 00:03:26.220 align:middle line:84% flame in the bottle top, and soaked up 00:03:26.220 --> 00:03:27.540 align:middle line:90% with a cigarette filter. 00:03:27.540 --> 00:03:30.270 align:middle line:84% Then a syringe, the solution redistributed 00:03:30.270 --> 00:03:32.430 align:middle line:84% into the bloodstream bringing you forward 00:03:32.430 --> 00:03:35.450 align:middle line:84% to the body, which is why Miles and Coltrane slow 00:03:35.450 --> 00:03:39.840 align:middle line:84% brown the melody saturated sound into a new kind of blue. 00:03:39.840 --> 00:03:44.160 align:middle line:84% Lxxxx, in order to begin, you have to reach an end point. 00:03:44.160 --> 00:03:47.040 align:middle line:84% It is not a matter of being smart enough, as you say. 00:03:47.040 --> 00:03:48.750 align:middle line:84% The bottom tip of the rope is where 00:03:48.750 --> 00:03:51.790 align:middle line:84% you have to dangle perhaps your last bit of hope. 00:03:51.790 --> 00:03:53.820 align:middle line:84% So you have no choice but to climb back 00:03:53.820 --> 00:03:55.740 align:middle line:84% through the hole in which you fallen. 00:03:55.740 --> 00:03:57.990 align:middle line:84% This is what I had to accomplish because I did not 00:03:57.990 --> 00:03:59.320 align:middle line:90% want to let go. 00:03:59.320 --> 00:04:02.310 align:middle line:84% I desire to live as I know you do. 00:04:02.310 --> 00:04:04.440 align:middle line:90% If nothing else, for your son. 00:04:04.440 --> 00:04:08.970 align:middle line:84% Solitary time would force you to know yourself, as I was forced. 00:04:08.970 --> 00:04:11.310 align:middle line:84% There are no easy answers or solutions 00:04:11.310 --> 00:04:14.400 align:middle line:84% to difficult problems, especially the ones 00:04:14.400 --> 00:04:17.028 align:middle line:90% you face with this court system. 00:04:17.028 --> 00:04:20.910 align:middle line:84% Lxxxx, today, the sun is echoing last summer's heat, presenting 00:04:20.910 --> 00:04:22.830 align:middle line:90% a future soon to come. 00:04:22.830 --> 00:04:27.060 align:middle line:84% A cluster of sparrows outside my window sill sing of spring. 00:04:27.060 --> 00:04:29.250 align:middle line:90% The trees are decorated green. 00:04:29.250 --> 00:04:33.060 align:middle line:84% Although the sky hints at blue, it is more gray, reminding us 00:04:33.060 --> 00:04:37.080 align:middle line:84% that this world is not a monotone drone. 00:04:37.080 --> 00:04:39.840 align:middle line:84% There has been a silence in your life, which is really 00:04:39.840 --> 00:04:42.450 align:middle line:84% the universe way of saying I am preparing you 00:04:42.450 --> 00:04:44.280 align:middle line:90% for the noise you will make. 00:04:44.280 --> 00:04:46.530 align:middle line:84% Linger in the silence and use that 00:04:46.530 --> 00:04:49.700 align:middle line:90% to be baptized into the living. 00:04:49.700 --> 00:04:53.000 align:middle line:90%