WEBVTT 00:00:00.000 --> 00:00:01.210 align:middle line:90% [APPLAUSE] 00:00:01.210 --> 00:00:03.460 align:middle line:84% I don't know if this becomes a spectacle conversation. 00:00:03.460 --> 00:00:04.960 align:middle line:84% But what I would say is I don't even 00:00:04.960 --> 00:00:07.560 align:middle line:90% think I could write that poem. 00:00:07.560 --> 00:00:11.550 align:middle line:84% You know, now, but I wrote it then. 00:00:11.550 --> 00:00:13.950 align:middle line:84% So I'm just going to do one from each book, I think. 00:00:13.950 --> 00:00:15.760 align:middle line:90% So there's "Hip Logic." 00:00:15.760 --> 00:00:18.130 align:middle line:84% And there were other poems to choose in it, 00:00:18.130 --> 00:00:20.730 align:middle line:84% but what I thought, especially after that one, is like, oh, 00:00:20.730 --> 00:00:22.380 align:middle line:90% I could do slapstick. 00:00:22.380 --> 00:00:28.770 align:middle line:84% So inside the book are these small 11-line poems, 00:00:28.770 --> 00:00:30.930 align:middle line:90% and the anagram poems. 00:00:30.930 --> 00:00:34.080 align:middle line:84% I do like forms and making them up sometimes. 00:00:34.080 --> 00:00:35.700 align:middle line:90% So this one is called "Bowling." 00:00:35.700 --> 00:00:37.590 align:middle line:84% And so, without going through the context 00:00:37.590 --> 00:00:42.100 align:middle line:84% for this particular form, the basic rule 00:00:42.100 --> 00:00:43.770 align:middle line:84% was like whatever word I got, I got them 00:00:43.770 --> 00:00:45.030 align:middle line:90% randomly out of the newspaper. 00:00:45.030 --> 00:00:46.350 align:middle line:84% Whatever the word it was, that was going 00:00:46.350 --> 00:00:47.920 align:middle line:90% to be the subject of the poem. 00:00:47.920 --> 00:00:49.312 align:middle line:90% So I have one like "Segregate." 00:00:49.312 --> 00:00:51.270 align:middle line:84% That's easy, you can imagine what that's about. 00:00:51.270 --> 00:00:56.190 align:middle line:84% Or "Careless," or "Corporal," so when I got bowling, 00:00:56.190 --> 00:00:58.710 align:middle line:90% I was like, bowling? 00:00:58.710 --> 00:01:00.810 align:middle line:84% And then, the other rule is that you have to use-- 00:01:00.810 --> 00:01:03.550 align:middle line:90% I like Scrabble quite a bit. 00:01:03.550 --> 00:01:06.600 align:middle line:84% They call me The Scrabbler, so anyway. 00:01:06.600 --> 00:01:08.310 align:middle line:90% So this is connected to it. 00:01:08.310 --> 00:01:10.860 align:middle line:84% So inside of the poem is like, blow is in bowling. 00:01:10.860 --> 00:01:12.840 align:middle line:84% You can hear that if you shuffle around boil. 00:01:12.840 --> 00:01:14.940 align:middle line:84% So the words have to have bowling, 00:01:14.940 --> 00:01:17.220 align:middle line:84% have to be made at the end of the line out of bowling. 00:01:17.220 --> 00:01:19.770 align:middle line:84% Anyway, but here's violence, again, 00:01:19.770 --> 00:01:21.840 align:middle line:90% slightly different angle on it. 00:01:21.840 --> 00:01:24.120 align:middle line:90% "Bowling." 00:01:24.120 --> 00:01:25.943 align:middle line:90% He got home late. 00:01:25.943 --> 00:01:27.360 align:middle line:84% It's in the voice of a woman, it's 00:01:27.360 --> 00:01:28.902 align:middle line:84% what I should say, like, a housewife. 00:01:28.902 --> 00:01:30.690 align:middle line:90% And her husband's like a bowler. 00:01:30.690 --> 00:01:31.770 align:middle line:90% OK. 00:01:31.770 --> 00:01:35.230 align:middle line:84% He got home late and lingered in the kitchen. 00:01:35.230 --> 00:01:38.280 align:middle line:84% And when I heard his wingtips shuffling down the hall, 00:01:38.280 --> 00:01:41.910 align:middle line:84% I imagined a lion entering the bedroom. 00:01:41.910 --> 00:01:45.940 align:middle line:84% I lit a candle and began to glow. 00:01:45.940 --> 00:01:49.230 align:middle line:84% I was in the same fire pink gown I wore on our wedding 00:01:49.230 --> 00:01:53.460 align:middle line:84% night, the one I won playing bingo. 00:01:53.460 --> 00:01:56.400 align:middle line:84% I said, "Let's not talk about those glib pins 00:01:56.400 --> 00:02:00.240 align:middle line:84% at the edge of a lane," and stretched as his long fold 00:02:00.240 --> 00:02:02.430 align:middle line:90% out fingers approached. 00:02:02.430 --> 00:02:06.180 align:middle line:84% But when he asked me to blow on his chicken noodle soup 00:02:06.180 --> 00:02:09.720 align:middle line:84% to cool it down, my sweat began to boil. 00:02:09.720 --> 00:02:12.930 align:middle line:84% Yes, I threw the soup on him your honor. 00:02:12.930 --> 00:02:14.620 align:middle line:90% Then, I threw the bowl. 00:02:14.620 --> 00:02:17.560 align:middle line:90% [LAUGHTER] 00:02:17.560 --> 00:02:19.740 align:middle line:90% All right. 00:02:19.740 --> 00:02:22.290 align:middle line:90% I don't have to explain that. 00:02:22.290 --> 00:02:23.730 align:middle line:90% OK. 00:02:23.730 --> 00:02:27.493 align:middle line:84% "Wind in the Box," so in "Wind in the Box," 00:02:27.493 --> 00:02:29.160 align:middle line:84% there are several poems with that title. 00:02:29.160 --> 00:02:30.930 align:middle line:90% There are six of them. 00:02:30.930 --> 00:02:33.060 align:middle line:84% So people will say to me, this is a suicide note. 00:02:33.060 --> 00:02:36.070 align:middle line:84% This is not about spectacle, or maybe it is. 00:02:36.070 --> 00:02:37.527 align:middle line:90% Why "Wind in the box"? 00:02:37.527 --> 00:02:38.610 align:middle line:90% Why do you have six poems? 00:02:38.610 --> 00:02:40.027 align:middle line:84% And I'm like, because it's a cube. 00:02:40.027 --> 00:02:42.300 align:middle line:84% A box actually has six sides to it. 00:02:42.300 --> 00:02:44.470 align:middle line:90% But it's an old book now. 00:02:44.470 --> 00:02:47.710 align:middle line:84% No one's still figured it out, but that's what's going on. 00:02:47.710 --> 00:02:49.020 align:middle line:90% So here's one of those poems. 00:02:49.020 --> 00:02:50.730 align:middle line:84% And again, I guess, I'll say this. 00:02:50.730 --> 00:02:56.220 align:middle line:84% So spectacle, as it relates to a kind of personal sense, 00:02:56.220 --> 00:02:59.340 align:middle line:84% maybe that's the first poem, spectacle 00:02:59.340 --> 00:03:01.950 align:middle line:84% in terms of a kind of imaginative sense, I think, 00:03:01.950 --> 00:03:03.900 align:middle line:90% is maybe the last poem. 00:03:03.900 --> 00:03:06.330 align:middle line:84% And then here, in the next book, it 00:03:06.330 --> 00:03:10.710 align:middle line:84% has something to do with a sort of the political notion 00:03:10.710 --> 00:03:14.730 align:middle line:84% of the spectacle of violence as Americans, watching that how 00:03:14.730 --> 00:03:19.350 align:middle line:84% we relate to the things that America does bearing witness 00:03:19.350 --> 00:03:22.660 align:middle line:84% to it while also being a member of it. 00:03:22.660 --> 00:03:26.250 align:middle line:84% So this one is called "Wind in the box." 00:03:26.250 --> 00:03:29.580 align:middle line:90% Even the dirt dreams of it now. 00:03:29.580 --> 00:03:32.760 align:middle line:84% It is two roads along two rivers. 00:03:32.760 --> 00:03:36.660 align:middle line:84% The sky, above a mother's face, the day her husband 00:03:36.660 --> 00:03:38.730 align:middle line:90% leaves for war. 00:03:38.730 --> 00:03:43.140 align:middle line:84% No blood and stars, but the blood and stars. 00:03:43.140 --> 00:03:46.410 align:middle line:84% Let's find it and break its fucking neck. 00:03:46.410 --> 00:03:48.600 align:middle line:90% Let's break its fucking jaw. 00:03:48.600 --> 00:03:51.880 align:middle line:84% Let's break its fucking ganged-in vessels. 00:03:51.880 --> 00:03:56.400 align:middle line:84% And if it pushes back, and a tiny blue rises on its cheek, 00:03:56.400 --> 00:03:59.010 align:middle line:84% let's break that, too, until stars 00:03:59.010 --> 00:04:02.850 align:middle line:84% dance in the corners of its eyes like white seeds. 00:04:02.850 --> 00:04:06.300 align:middle line:84% And let's break those, too, until all the words we know 00:04:06.300 --> 00:04:07.920 align:middle line:90% are split into. 00:04:07.920 --> 00:04:13.470 align:middle line:84% No power but the power of need, let's get up ready to feel. 00:04:13.470 --> 00:04:16.290 align:middle line:90% God bless the rage in us. 00:04:16.290 --> 00:04:18.220 align:middle line:90% It's how we know each other. 00:04:18.220 --> 00:04:22.079 align:middle line:84% We who keep vigil by the windows, we who pour ashes 00:04:22.079 --> 00:04:26.760 align:middle line:84% from the windows into the wind, skin passing over skin, let's 00:04:26.760 --> 00:04:31.290 align:middle line:84% walk up the hill and along the rows that do not ask questions. 00:04:31.290 --> 00:04:33.510 align:middle line:84% Near the white and yellow flowers, 00:04:33.510 --> 00:04:36.390 align:middle line:90% strangers are moored in size. 00:04:36.390 --> 00:04:40.530 align:middle line:84% Soon, it will rise without kissing anyone goodbye. 00:04:40.530 --> 00:04:43.410 align:middle line:90% It says we will not be renewed. 00:04:43.410 --> 00:04:46.260 align:middle line:84% We will not be filled like the birdhouse. 00:04:46.260 --> 00:04:49.860 align:middle line:84% It says, we will arrive unwashed. 00:04:49.860 --> 00:04:51.270 align:middle line:90% Aren't you tired? 00:04:51.270 --> 00:04:52.590 align:middle line:90% Let's lie down. 00:04:52.590 --> 00:04:55.770 align:middle line:90% Let's cry out and rest. 00:04:55.770 --> 00:04:57.360 align:middle line:90% What is it? 00:04:57.360 --> 00:04:59.450 align:middle line:90% Don't ask me. 00:04:59.450 --> 00:05:00.026 align:middle line:90%