WEBVTT 00:00:00.000 --> 00:00:01.200 align:middle line:90% 00:00:01.200 --> 00:00:03.180 align:middle line:84% The character you're going to meet in this poem 00:00:03.180 --> 00:00:04.890 align:middle line:90% is my dog Ned. 00:00:04.890 --> 00:00:08.610 align:middle line:84% He's a golden retriever and a spectacular example 00:00:08.610 --> 00:00:11.340 align:middle line:90% of his kind. 00:00:11.340 --> 00:00:12.750 align:middle line:90% Deep Lane. 00:00:12.750 --> 00:00:16.230 align:middle line:84% June 23rd, evening of the first fireflies. 00:00:16.230 --> 00:00:18.480 align:middle line:84% We're walking in the cemetery down the road, 00:00:18.480 --> 00:00:21.540 align:middle line:84% and I look up from my distracted study of whatever, 00:00:21.540 --> 00:00:25.110 align:middle line:84% an unfocused gaze somewhere a few feet in front of my shoes, 00:00:25.110 --> 00:00:28.110 align:middle line:84% and see that Ned has run on ahead with the champagne 00:00:28.110 --> 00:00:30.630 align:middle line:84% plume of his tail held especially high, 00:00:30.630 --> 00:00:32.910 align:middle line:84% his head erect, which is often a sign 00:00:32.910 --> 00:00:34.440 align:middle line:84% that he has something he believes 00:00:34.440 --> 00:00:36.840 align:middle line:90% he is not allowed to have. 00:00:36.840 --> 00:00:40.830 align:middle line:84% And in the gathering twilight, what is it that is gathered? 00:00:40.830 --> 00:00:43.110 align:middle line:90% Who is doing the harvesting? 00:00:43.110 --> 00:00:45.330 align:middle line:84% I can make out that the long horizontal 00:00:45.330 --> 00:00:48.570 align:middle line:84% between his lovely jaws is one of the four stakes planted 00:00:48.570 --> 00:00:50.850 align:middle line:84% on the slope to indicate where the backhoe will 00:00:50.850 --> 00:00:53.010 align:middle line:90% dig a new grave. 00:00:53.010 --> 00:00:55.530 align:middle line:84% Of course, my impulse is to run after him, 00:00:55.530 --> 00:00:58.380 align:middle line:84% to replace the marker out of respect for the rule 00:00:58.380 --> 00:01:00.450 align:middle line:84% that we won't desecrate the tombs 00:01:00.450 --> 00:01:03.600 align:middle line:84% or at least for those who knew the woman whose name inks 00:01:03.600 --> 00:01:06.090 align:middle line:84% a placard in the rectangle claimed by the four 00:01:06.090 --> 00:01:09.330 align:middle line:84% poles of vanishing, three polls now, 00:01:09.330 --> 00:01:13.080 align:middle line:84% and how it's within their recollection, their gathering, 00:01:13.080 --> 00:01:15.060 align:middle line:90% she'll live. 00:01:15.060 --> 00:01:19.230 align:middle line:84% Evening of memory, spark lamps in the grass, 00:01:19.230 --> 00:01:22.920 align:middle line:84% I stand and watch him go in his wild figure eights. 00:01:22.920 --> 00:01:24.690 align:middle line:90% I say, you run, darling. 00:01:24.690 --> 00:01:27.441 align:middle line:90% You tear up that hill. 00:01:27.441 --> 00:01:31.340 align:middle line:90% [APPLAUSE] 00:01:31.340 --> 00:01:33.440 align:middle line:84% Well, I read that poem this spring 00:01:33.440 --> 00:01:35.210 align:middle line:90% in a very fancy circumstance. 00:01:35.210 --> 00:01:37.648 align:middle line:84% It was for the Royal Society of Literature in London, 00:01:37.648 --> 00:01:40.190 align:middle line:84% and there were a number of women who work in the office there 00:01:40.190 --> 00:01:42.403 align:middle line:84% who got really excited about that last line. 00:01:42.403 --> 00:01:44.570 align:middle line:84% And now whenever somebody has trouble in the office, 00:01:44.570 --> 00:01:45.890 align:middle line:90% they say you run, darling. 00:01:45.890 --> 00:01:47.750 align:middle line:90% You tear up that hill. 00:01:47.750 --> 00:01:50.050 align:middle line:90% I really-- I like that.