WEBVTT 00:00:00.000 --> 00:00:01.920 align:middle line:90% [APPLAUSE] 00:00:01.920 --> 00:00:02.700 align:middle line:90% Hi. 00:00:02.700 --> 00:00:07.290 align:middle line:84% It's an honor to be introducing Daniel Borzutzky to you all. 00:00:07.290 --> 00:00:10.110 align:middle line:84% So Daniel Borzutzky's work is a writing 00:00:10.110 --> 00:00:12.690 align:middle line:90% of ghostliness and bodies. 00:00:12.690 --> 00:00:15.930 align:middle line:84% But does the ghost also have a body? 00:00:15.930 --> 00:00:19.410 align:middle line:84% These are a list of questions, comments, observations I have 00:00:19.410 --> 00:00:22.080 align:middle line:90% while reading Daniel Borzutzky. 00:00:22.080 --> 00:00:25.560 align:middle line:84% What is leaking out of us, the humans? 00:00:25.560 --> 00:00:30.210 align:middle line:84% Is this poem us responding to atrocity, to tragedy? 00:00:30.210 --> 00:00:34.410 align:middle line:84% Is this the performance of us responding to a cycle of news 00:00:34.410 --> 00:00:37.020 align:middle line:90% and our own imaginations? 00:00:37.020 --> 00:00:38.700 align:middle line:90% Daniel Borzutzky is worse-- 00:00:38.700 --> 00:00:42.750 align:middle line:84% Daniel Borzutzky's is a writing that 00:00:42.750 --> 00:00:46.020 align:middle line:84% makes a wonderful mess of its own writing. 00:00:46.020 --> 00:00:48.750 align:middle line:84% What's the rhetorical situation here? 00:00:48.750 --> 00:00:51.600 align:middle line:90% Why are there so many bodies? 00:00:51.600 --> 00:00:55.170 align:middle line:84% I believe it was the band Drowning Pool that once sang 00:00:55.170 --> 00:00:58.890 align:middle line:90% let the bodies hit the floor. 00:00:58.890 --> 00:01:02.040 align:middle line:84% These poems exist in a time where atrocities compete 00:01:02.040 --> 00:01:06.600 align:middle line:84% with our attention, and the news cycle cycles through our lives. 00:01:06.600 --> 00:01:09.150 align:middle line:84% He once said that he writes to make sense of the piling 00:01:09.150 --> 00:01:12.360 align:middle line:90% up, but the piling up of what? 00:01:12.360 --> 00:01:14.790 align:middle line:84% His poetry is filled with piles of things, 00:01:14.790 --> 00:01:19.500 align:middle line:84% both horrid and hilarious, poems populated by Speedy Gonzalez, 00:01:19.500 --> 00:01:24.150 align:middle line:84% border walls, Brooks Brothers, , Abu Ghraib, Raúl Zurita, 00:01:24.150 --> 00:01:28.410 align:middle line:84% Peruvians, Bank of America, Tumblr, Cubans, 00:01:28.410 --> 00:01:31.800 align:middle line:84% Target superstores, our own Maricopa County, 00:01:31.800 --> 00:01:36.510 align:middle line:84% Marguerite Duras, Whole Foods, the karate kids and Mr Miyagi, 00:01:36.510 --> 00:01:39.240 align:middle line:90% and Jiffy Lube. 00:01:39.240 --> 00:01:41.160 align:middle line:90% There is no border fence here. 00:01:41.160 --> 00:01:43.920 align:middle line:84% Everyone can fit through the mesh, everyone shares 00:01:43.920 --> 00:01:45.990 align:middle line:90% space in these poems. 00:01:45.990 --> 00:01:49.710 align:middle line:84% And then, I think while reading his poems, are we the prisoners 00:01:49.710 --> 00:01:52.060 align:middle line:84% or the jailers of our own language? 00:01:52.060 --> 00:01:53.790 align:middle line:90% I can't tell. 00:01:53.790 --> 00:01:55.560 align:middle line:84% For me, Daniel Borzutzky's work has 00:01:55.560 --> 00:01:59.700 align:middle line:84% parallels with the plastic arts in sculpture. 00:01:59.700 --> 00:02:01.710 align:middle line:84% His poems feel like a pile of language 00:02:01.710 --> 00:02:04.500 align:middle line:84% that is getting ever higher, and ever less stable, 00:02:04.500 --> 00:02:07.080 align:middle line:84% until a heap of language falls over itself 00:02:07.080 --> 00:02:08.850 align:middle line:90% and onto me, the reader. 00:02:08.850 --> 00:02:10.680 align:middle line:90% And it's glorious. 00:02:10.680 --> 00:02:13.080 align:middle line:84% These are sentences to help us assimilate 00:02:13.080 --> 00:02:16.470 align:middle line:90% into the next simulation. 00:02:16.470 --> 00:02:19.140 align:middle line:84% Daniel Borzutzky's books include In The Murmurs 00:02:19.140 --> 00:02:21.570 align:middle line:84% Of The Rotting Carcass Economy, Memories 00:02:21.570 --> 00:02:25.380 align:middle line:84% Of My Overdevelopment, and the Book Of Interfering Bodies. 00:02:25.380 --> 00:02:29.790 align:middle line:84% He has translated Raúl Zurita's The Country Of Planks and Songs 00:02:29.790 --> 00:02:34.110 align:middle line:84% For His Disappeared Love and Jaime Luis Huenún's Port Trakl. 00:02:34.110 --> 00:02:38.220 align:middle line:84% Winner of the 2016 National Book Award for his collection, 00:02:38.220 --> 00:02:39.930 align:middle line:84% The Performance Of Becoming Human. 00:02:39.930 --> 00:02:43.950 align:middle line:84% And from ALTA in 2017, he was a recipient 00:02:43.950 --> 00:02:46.530 align:middle line:84% of the National translation award for his translation 00:02:46.530 --> 00:02:49.770 align:middle line:90% of Gallo Ghigliotto's Valdivia. 00:02:49.770 --> 00:02:52.590 align:middle line:84% To deal with our culture's constant recycling of data, 00:02:52.590 --> 00:02:54.810 align:middle line:90% Daniel Borzutzky writes poems. 00:02:54.810 --> 00:02:57.630 align:middle line:84% And in order to help ourselves deal with the piling 00:02:57.630 --> 00:03:00.570 align:middle line:84% on of a 24-hour news cycle, where every day 00:03:00.570 --> 00:03:03.750 align:middle line:84% there is something more shocking, to make sense of this 00:03:03.750 --> 00:03:05.430 align:middle line:90% we read him. 00:03:05.430 --> 00:03:07.350 align:middle line:84% Please help me in welcoming Daniel Borzutzky. 00:03:07.350 --> 00:03:10.400 align:middle line:90% [MUSIC PLAYING] 00:03:10.400 --> 00:03:27.000 align:middle line:90%