WEBVTT 00:00:00.000 --> 00:00:00.670 align:middle line:90% 00:00:00.670 --> 00:00:03.220 align:middle line:84% Lots of people to quickly introduce, so here goes. 00:00:03.220 --> 00:00:04.090 align:middle line:90% David Baker is here. 00:00:04.090 --> 00:00:05.715 align:middle line:84% We're really excited that David's here. 00:00:05.715 --> 00:00:08.920 align:middle line:84% He's the author of 11 books of poetry, most recently, 00:00:08.920 --> 00:00:10.760 align:middle line:84% the wonderful collection Scavenger Loop, 00:00:10.760 --> 00:00:13.180 align:middle line:84% which is for sale over here at the table on my right, 00:00:13.180 --> 00:00:15.730 align:middle line:84% as well as the collections Never-Ending Birds which 00:00:15.730 --> 00:00:19.390 align:middle line:84% won the Theater Rookie Memorial Prize for Poetry in 2011. 00:00:19.390 --> 00:00:22.780 align:middle line:84% Five books of prose include Show Me Your Environment: 00:00:22.780 --> 00:00:26.470 align:middle line:84% Essays on Poetry, Poets, and Poems, and with Ann Townsend, 00:00:26.470 --> 00:00:29.840 align:middle line:84% the collection Radiant Lyre: Essays on Lyric Poetry. 00:00:29.840 --> 00:00:32.140 align:middle line:84% It's a great title, Radiant Lyre. 00:00:32.140 --> 00:00:34.050 align:middle line:84% I think my wife has called me that. 00:00:34.050 --> 00:00:36.550 align:middle line:84% Among these awards are prizes and grants from the Guggenheim 00:00:36.550 --> 00:00:38.550 align:middle line:84% Foundation, the National Endowment for the Arts, 00:00:38.550 --> 00:00:41.230 align:middle line:84% the Mellon Foundation, and the Society of Midland Authors. 00:00:41.230 --> 00:00:43.510 align:middle line:84% He holds the Thomas B. Fordham Chair 00:00:43.510 --> 00:00:46.310 align:middle line:84% at Denison University in Granville, Ohio. 00:00:46.310 --> 00:00:48.610 align:middle line:84% And he's the poetry editor of the Kenyon Review 00:00:48.610 --> 00:00:51.310 align:middle line:84% where I first met David when I was working there prior 00:00:51.310 --> 00:00:54.340 align:middle line:84% to coming here to Tucson to the Poetry Center. 00:00:54.340 --> 00:00:56.620 align:middle line:84% Behind me are many amazing people 00:00:56.620 --> 00:00:58.330 align:middle line:90% with amazing instruments. 00:00:58.330 --> 00:01:00.220 align:middle line:90% This is the River Song Quintet. 00:01:00.220 --> 00:01:03.880 align:middle line:84% It's a chamber ensemble and a composer/performer collective 00:01:03.880 --> 00:01:07.300 align:middle line:84% whose music draws from the interest and influences 00:01:07.300 --> 00:01:09.280 align:middle line:84% of its members merging the worlds 00:01:09.280 --> 00:01:12.790 align:middle line:84% of western-classical chamber music, art song, jazz 00:01:12.790 --> 00:01:16.300 align:middle line:84% and improvisation, and the folk diaspora of music. 00:01:16.300 --> 00:01:18.318 align:middle line:84% River Song Quintet's members include-- 00:01:18.318 --> 00:01:19.360 align:middle line:90% I'm going to do my best-- 00:01:19.360 --> 00:01:23.590 align:middle line:84% Alina Roitstein on voice, Lauren Baba, violin and viola, 00:01:23.590 --> 00:01:27.790 align:middle line:84% Andrew Rowan on cornet, Harrison Kirk on trombone, 00:01:27.790 --> 00:01:29.740 align:middle line:90% Gregory Uhlmann on guitar. 00:01:29.740 --> 00:01:31.690 align:middle line:84% Their first full-length album Monarchs 00:01:31.690 --> 00:01:33.730 align:middle line:90% was released in August, 2014. 00:01:33.730 --> 00:01:35.890 align:middle line:84% It can be previewed online, and it will be 00:01:35.890 --> 00:01:37.570 align:middle line:90% for sale later-- is that right? 00:01:37.570 --> 00:01:40.270 align:middle line:84% For sale over here on the left, if you want to buy it. 00:01:40.270 --> 00:01:42.520 align:middle line:84% It's a fabulous album, so you can hear it online. 00:01:42.520 --> 00:01:44.030 align:middle line:90% I encourage you to purchase it. 00:01:44.030 --> 00:01:46.420 align:middle line:84% It features a gorgeous art song composition 00:01:46.420 --> 00:01:48.760 align:middle line:84% of monarchs landing and flying, a poem 00:01:48.760 --> 00:01:52.000 align:middle line:84% of David's, the lead poem in his collection Midwest Eclogue. 00:01:52.000 --> 00:01:53.290 align:middle line:90% It's a really beautiful piece. 00:01:53.290 --> 00:01:55.885 align:middle line:84% So I encourage you to enjoy tonight and then 00:01:55.885 --> 00:01:57.760 align:middle line:84% go over there and purchase some of the music. 00:01:57.760 --> 00:01:59.620 align:middle line:84% We all have cars with CD players. 00:01:59.620 --> 00:02:00.808 align:middle line:90% They need CDs. 00:02:00.808 --> 00:02:02.350 align:middle line:84% Together, they'll be performing again 00:02:02.350 --> 00:02:04.240 align:middle line:90% with David in multiple ways. 00:02:04.240 --> 00:02:06.700 align:middle line:84% They have-- this is not the first time this has happened. 00:02:06.700 --> 00:02:08.680 align:middle line:84% They've collaborated together in other places, 00:02:08.680 --> 00:02:11.078 align:middle line:84% but we're really excited to see this iteration. 00:02:11.078 --> 00:02:11.995 align:middle line:90% Each one is different. 00:02:11.995 --> 00:02:14.980 align:middle line:84% You can expect to hear some poetry only tonight, 00:02:14.980 --> 00:02:17.590 align:middle line:84% some poetry and guitar, some music only, 00:02:17.590 --> 00:02:19.870 align:middle line:84% and then some poetry with the full quintet. 00:02:19.870 --> 00:02:24.668 align:middle line:84% So it'll be a range-y mix moving across different formations. 00:02:24.668 --> 00:02:26.460 align:middle line:84% For last things, I just want to say quickly 00:02:26.460 --> 00:02:29.490 align:middle line:84% about David Baker that can't be captured in a bio. 00:02:29.490 --> 00:02:33.900 align:middle line:84% He's one of the most genuine and most generous readers of poetry 00:02:33.900 --> 00:02:34.740 align:middle line:90% that I know. 00:02:34.740 --> 00:02:37.890 align:middle line:84% And this informs his work at the Kenyon Review in ways that 00:02:37.890 --> 00:02:39.570 align:middle line:90% are compelling and magical. 00:02:39.570 --> 00:02:41.940 align:middle line:84% And I was lucky to see this firsthand. 00:02:41.940 --> 00:02:44.580 align:middle line:84% It informs his interest in mentorship with poets. 00:02:44.580 --> 00:02:46.470 align:middle line:84% His excitement when he finds a poet who's 00:02:46.470 --> 00:02:49.590 align:middle line:84% done something remarkable in a poem and his desire 00:02:49.590 --> 00:02:52.260 align:middle line:84% to champion that work or find ways to advocate for it, 00:02:52.260 --> 00:02:55.290 align:middle line:84% to write about it, to promote it, to publish it. 00:02:55.290 --> 00:02:58.140 align:middle line:84% So be excited that we're with someone tonight 00:02:58.140 --> 00:03:00.060 align:middle line:90% with that sort of sensibility. 00:03:00.060 --> 00:03:02.217 align:middle line:84% It's been amazing for me to work around 00:03:02.217 --> 00:03:03.300 align:middle line:90% that at the Kenyon Review. 00:03:03.300 --> 00:03:05.770 align:middle line:84% And I'm so thrilled that he's here in Tucson. 00:03:05.770 --> 00:03:08.610 align:middle line:84% He has one of the most gorgeous work ethics 00:03:08.610 --> 00:03:10.740 align:middle line:90% that I've ever seen in a poet. 00:03:10.740 --> 00:03:12.300 align:middle line:84% And what I love about this particular 00:03:12.300 --> 00:03:14.280 align:middle line:84% is that his poems are like stamps that 00:03:14.280 --> 00:03:16.560 align:middle line:90% show the work that's made them. 00:03:16.560 --> 00:03:18.960 align:middle line:84% I appreciate this in his work, the way 00:03:18.960 --> 00:03:21.210 align:middle line:84% that they reveal themselves, and the way 00:03:21.210 --> 00:03:25.920 align:middle line:84% that this ethic of fidelity to the word or to language 00:03:25.920 --> 00:03:28.133 align:middle line:84% to reworking poems and reworking poems. 00:03:28.133 --> 00:03:30.300 align:middle line:84% This is something that I've loved about David's work 00:03:30.300 --> 00:03:32.430 align:middle line:90% for a long, long time. 00:03:32.430 --> 00:03:34.860 align:middle line:84% If you like another baseball team besides the Arizona 00:03:34.860 --> 00:03:36.728 align:middle line:90% Cardinals, don't mess with him. 00:03:36.728 --> 00:03:38.020 align:middle line:90% I'm sorry, St. Louis Cardinals. 00:03:38.020 --> 00:03:40.590 align:middle line:84% Arizona Cardinals are a different sport. 00:03:40.590 --> 00:03:43.230 align:middle line:90% [LAUGHS] Whoo! 00:03:43.230 --> 00:03:44.100 align:middle line:90% St. Louis Cardinals. 00:03:44.100 --> 00:03:46.590 align:middle line:84% You can say whatever you want about the Arizona Cardinals, 00:03:46.590 --> 00:03:48.382 align:middle line:84% but he and his father will outroot you 00:03:48.382 --> 00:03:49.590 align:middle line:90% whatever baseball team it is. 00:03:49.590 --> 00:03:51.240 align:middle line:84% So don't mess with them about this. 00:03:51.240 --> 00:03:53.077 align:middle line:90% It's almost baseball season. 00:03:53.077 --> 00:03:54.660 align:middle line:84% And the last thing I just want to say, 00:03:54.660 --> 00:03:57.840 align:middle line:84% there's a quality of attention paid in David's poems 00:03:57.840 --> 00:04:00.240 align:middle line:84% that I think is very rare and special 00:04:00.240 --> 00:04:01.657 align:middle line:84% and that I care about enormously. 00:04:01.657 --> 00:04:03.990 align:middle line:84% It's something that I've thought about in his poems when 00:04:03.990 --> 00:04:04.650 align:middle line:90% I've read them. 00:04:04.650 --> 00:04:06.480 align:middle line:84% I've come back to for the pleasure 00:04:06.480 --> 00:04:08.610 align:middle line:84% of seeing David read, many times, never 00:04:08.610 --> 00:04:10.710 align:middle line:84% with a wonderful backing quintet. 00:04:10.710 --> 00:04:15.718 align:middle line:84% That quality of attention paid is so rare and so special, 00:04:15.718 --> 00:04:17.760 align:middle line:84% and it's just-- it's important and exciting to me 00:04:17.760 --> 00:04:18.750 align:middle line:90% to acknowledge this. 00:04:18.750 --> 00:04:21.060 align:middle line:84% I'm grateful to welcome my friend, David Baker, 00:04:21.060 --> 00:04:23.410 align:middle line:84% coming from Ohio to join us this evening. 00:04:23.410 --> 00:04:24.390 align:middle line:90% Thank you, David. 00:04:24.390 --> 00:04:26.840 align:middle line:90% [APPLAUSE]