WEBVTT 00:00:00.000 --> 00:00:03.980 align:middle line:90% 00:00:03.980 --> 00:00:10.970 align:middle line:84% This is a poet who was appended to the geography 00:00:10.970 --> 00:00:14.420 align:middle line:84% of the near past collection, and I put him 00:00:14.420 --> 00:00:17.660 align:middle line:90% in a separate section. 00:00:17.660 --> 00:00:18.905 align:middle line:90% Equal but separate section. 00:00:18.905 --> 00:00:22.970 align:middle line:90% 00:00:22.970 --> 00:00:26.090 align:middle line:84% And he calls himself O. O. Gabugah. 00:00:26.090 --> 00:00:28.742 align:middle line:90% 00:00:28.742 --> 00:00:30.950 align:middle line:84% And I could tell lots of stories about O. O. Gabugah, 00:00:30.950 --> 00:00:32.390 align:middle line:84% but maybe the easiest thing to do 00:00:32.390 --> 00:00:38.340 align:middle line:84% is to read his biographical note. 00:00:38.340 --> 00:00:39.780 align:middle line:90% Ah, here's the water. 00:00:39.780 --> 00:00:40.350 align:middle line:90% Excuse me. 00:00:40.350 --> 00:00:44.130 align:middle line:90% 00:00:44.130 --> 00:00:47.490 align:middle line:84% I find that a poetry scene can get so dreary 00:00:47.490 --> 00:00:50.400 align:middle line:84% with self-righteousness and seriousness 00:00:50.400 --> 00:00:55.140 align:middle line:84% that sometimes it's fun to have fun. 00:00:55.140 --> 00:00:57.720 align:middle line:90% 00:00:57.720 --> 00:01:00.270 align:middle line:84% O. O. Gabugah writes that he was, quote, 00:01:00.270 --> 00:01:05.400 align:middle line:84% "Born in a taxicab right smack on 125th and Lennox 00:01:05.400 --> 00:01:11.730 align:middle line:84% in Harlem on Lincoln's birthday, 1945." 00:01:11.730 --> 00:01:13.680 align:middle line:84% Franklin Delano Watson was the name 00:01:13.680 --> 00:01:15.750 align:middle line:84% my poor brainwashed parents gave me, 00:01:15.750 --> 00:01:22.200 align:middle line:84% but I had that racist tag legally 00:01:22.200 --> 00:01:26.310 align:middle line:84% altered once I got old enough to see what was going down. 00:01:26.310 --> 00:01:29.310 align:middle line:84% The O. O., by the way, stands for "our own," i.e. 00:01:29.310 --> 00:01:31.140 align:middle line:90% we need to do our own thing. 00:01:31.140 --> 00:01:32.010 align:middle line:90% Can you dig it? 00:01:32.010 --> 00:01:35.430 align:middle line:90% 00:01:35.430 --> 00:01:37.710 align:middle line:84% In addition to being one of our strongest young Black 00:01:37.710 --> 00:01:39.510 align:middle line:84% revolutionary voices, Brother Gabugah 00:01:39.510 --> 00:01:42.750 align:middle line:84% is the author of half a dozen volumes, all of which 00:01:42.750 --> 00:01:45.073 align:middle line:90% have appeared since last year. 00:01:45.073 --> 00:01:46.925 align:middle line:90% [LAUGHTER] 00:01:46.925 --> 00:01:50.640 align:middle line:90% 00:01:50.640 --> 00:01:54.330 align:middle line:84% "Slaughter the Pig and Git Yo'self Some Chit'lins" is 00:01:54.330 --> 00:01:57.810 align:middle line:84% the title of his most popular work, 00:01:57.810 --> 00:02:01.500 align:middle line:84% which is presently in its sixth big printing. 00:02:01.500 --> 00:02:05.340 align:middle line:84% Other volumes include "Niggers With Knives," "Black on Back," 00:02:05.340 --> 00:02:13.950 align:middle line:84% "Love is a White Man's Snot Rag," and it goes on and on. 00:02:13.950 --> 00:02:15.720 align:middle line:84% The brother is presently the recipient 00:02:15.720 --> 00:02:18.450 align:middle line:84% of both a federal arts agency grant 00:02:18.450 --> 00:02:20.790 align:middle line:84% as well as a Vanderbilt fellowship 00:02:20.790 --> 00:02:24.060 align:middle line:84% to conduct research on Richard Wright. 00:02:24.060 --> 00:02:27.450 align:middle line:84% Currently vacationing in Australia, 00:02:27.450 --> 00:02:31.500 align:middle line:84% he is preparing a collection of critical essays tentatively 00:02:31.500 --> 00:02:33.480 align:middle line:90% titled "Woodpile Findings." 00:02:33.480 --> 00:02:36.690 align:middle line:90% 00:02:36.690 --> 00:02:39.270 align:middle line:84% A militant advocate of the oral tradition, 00:02:39.270 --> 00:02:42.840 align:middle line:84% he chooses to dictate his poems through me 00:02:42.840 --> 00:02:46.710 align:middle line:84% rather than write them down himself. 00:02:46.710 --> 00:02:50.730 align:middle line:84% So I will presume to speak like Brother Gabugah, 00:02:50.730 --> 00:02:55.110 align:middle line:84% and this is one of his biggies called "The Old O. O. Blues." 00:02:55.110 --> 00:03:02.460 align:middle line:90% 00:03:02.460 --> 00:03:04.620 align:middle line:84% Like, right now it's the summertime, 00:03:04.620 --> 00:03:06.360 align:middle line:90% and I'm so all alone. 00:03:06.360 --> 00:03:10.830 align:middle line:84% I gots to blow some funky rhyme on my mental saxophone. 00:03:10.830 --> 00:03:12.610 align:middle line:84% Brother Trane done did his thing, 00:03:12.610 --> 00:03:14.130 align:middle line:90% and so have Wes Montgomery. 00:03:14.130 --> 00:03:16.970 align:middle line:84% Both heavyweights in the music ring. 00:03:16.970 --> 00:03:19.410 align:middle line:90% Now, I'm gonna play my summary. 00:03:19.410 --> 00:03:21.750 align:middle line:84% It's lots of y'all that think y'all are white-- 00:03:21.750 --> 00:03:24.030 align:middle line:90% ought I say European-- 00:03:24.030 --> 00:03:26.640 align:middle line:84% who think Mozart and Bach's all right, 00:03:26.640 --> 00:03:29.100 align:middle line:90% denying your Black being. 00:03:29.100 --> 00:03:31.650 align:middle line:84% Well, honkyphiles, y'all's day done come. 00:03:31.650 --> 00:03:36.930 align:middle line:84% I mean, we gonna clean house and rid the Earth of Oreo scum that 00:03:36.930 --> 00:03:40.320 align:middle line:90% put down Fats for Foust. 00:03:40.320 --> 00:03:43.590 align:middle line:84% This here's one for-real revolution 00:03:43.590 --> 00:03:45.360 align:middle line:90% where ain't nobody playing. 00:03:45.360 --> 00:03:48.150 align:middle line:84% We intends to stop this cultural pollution. 00:03:48.150 --> 00:03:50.070 align:middle line:84% Can y'all get to what I'm saying? 00:03:50.070 --> 00:03:54.240 align:middle line:84% Sitting up there in your Dior gown and Pierre Cardin suit 00:03:54.240 --> 00:03:57.120 align:middle line:84% downtown where all them devil clowns hang out. 00:03:57.120 --> 00:03:58.470 align:middle line:90% And they ain't poot! 00:03:58.470 --> 00:04:02.370 align:middle line:84% We take the white man's bread and grants but do our own thing 00:04:02.370 --> 00:04:05.850 align:middle line:84% with it while y'all bees itching to get in they pants and taint 00:04:05.850 --> 00:04:07.950 align:middle line:90% the true Black spirit. 00:04:07.950 --> 00:04:10.920 align:middle line:84% I'm blowing for Bird and Dinah and Billie, 00:04:10.920 --> 00:04:15.150 align:middle line:84% for Satch, Sam Cooke, and Otis, for Clifford, Eric, and Trane 00:04:15.150 --> 00:04:18.420 align:middle line:84% out of Philly who split on a moment's notice. 00:04:18.420 --> 00:04:21.180 align:middle line:84% Chump, you ain't gonna never change. 00:04:21.180 --> 00:04:23.130 align:middle line:90% Your narrow ass is sinking. 00:04:23.130 --> 00:04:26.250 align:middle line:84% Like Watergate, your shit is strange. 00:04:26.250 --> 00:04:29.280 align:middle line:84% You're drowning while we sink thinking. 00:04:29.280 --> 00:04:31.680 align:middle line:84% My simple song might not have class, 00:04:31.680 --> 00:04:33.600 align:middle line:84% but you can't listen with impunity. 00:04:33.600 --> 00:04:36.240 align:middle line:84% We out to smash your bourgeois ass. 00:04:36.240 --> 00:04:39.690 align:middle line:84% And by "we," I mean The Community! 00:04:39.690 --> 00:04:42.570 align:middle line:90% 00:04:42.570 --> 00:04:44.490 align:middle line:90% [APPLAUSE] 00:04:44.490 --> 00:04:48.330 align:middle line:90% 00:04:48.330 --> 00:04:51.500 align:middle line:84% I'll pass the word on to Brother Gabugah about it. 00:04:51.500 --> 00:04:52.000 align:middle line:90%