WEBVTT 00:00:00.000 --> 00:00:01.140 align:middle line:90% 00:00:01.140 --> 00:00:06.010 align:middle line:84% I wanted to ask you about the role of sincerity, 00:00:06.010 --> 00:00:11.740 align:middle line:84% that is the role of having your speaker 00:00:11.740 --> 00:00:18.280 align:middle line:84% or having the speaker say what you need as a poet 00:00:18.280 --> 00:00:21.400 align:middle line:84% or having your speaker say something 00:00:21.400 --> 00:00:27.250 align:middle line:84% that you're perhaps critical of, and the role like what you all 00:00:27.250 --> 00:00:30.415 align:middle line:84% see the role of sincerity in poetry being. 00:00:30.415 --> 00:00:34.150 align:middle line:90% 00:00:34.150 --> 00:00:36.910 align:middle line:84% Does the speaker necessarily have to agree with you? 00:00:36.910 --> 00:00:42.877 align:middle line:84% Or is it necessary to use a speaker to parody something? 00:00:42.877 --> 00:00:47.025 align:middle line:90% 00:00:47.025 --> 00:00:52.120 align:middle line:84% What's the necessity for that contemporary poetry? 00:00:52.120 --> 00:00:55.660 align:middle line:90% I guess it's probably-- 00:00:55.660 --> 00:00:59.590 align:middle line:84% Well, I think irony is also not new either. 00:00:59.590 --> 00:01:04.030 align:middle line:84% I mean it forms an integral part of Greek tragedy. 00:01:04.030 --> 00:01:07.450 align:middle line:84% There's no there's no Greek tragedy without irony. 00:01:07.450 --> 00:01:09.080 align:middle line:84% In terms of making it new, 00:01:09.080 --> 00:01:12.580 align:middle line:84% I think that's really important too because at all points 00:01:12.580 --> 00:01:16.000 align:middle line:84% every I in every poem is some sort of performance, 00:01:16.000 --> 00:01:18.910 align:middle line:84% and that's where that opposition breaks down as well. 00:01:18.910 --> 00:01:20.230 align:middle line:90% It's a made thing. 00:01:20.230 --> 00:01:21.020 align:middle line:90% It's artificial. 00:01:21.020 --> 00:01:22.780 align:middle line:90% It's not natural. 00:01:22.780 --> 00:01:24.280 align:middle line:84% At every moment you're foregrounding 00:01:24.280 --> 00:01:30.690 align:middle line:84% it's artificiality and it's madeness, and that in itself 00:01:30.690 --> 00:01:34.110 align:middle line:84% can be a form of sincerity as well because you're 00:01:34.110 --> 00:01:36.690 align:middle line:84% sort of emphasizing the powers of the imagination 00:01:36.690 --> 00:01:38.740 align:middle line:84% to make and make again and again, 00:01:38.740 --> 00:01:40.470 align:middle line:84% over and over in different perspectives 00:01:40.470 --> 00:01:43.230 align:middle line:90% and from different perspectives. 00:01:43.230 --> 00:01:46.620 align:middle line:84% I could see how sincerity all the time or irony 00:01:46.620 --> 00:01:48.510 align:middle line:84% all the time are the sort of extreme poles, 00:01:48.510 --> 00:01:53.760 align:middle line:84% and in that sense you have to play in between definitely 00:01:53.760 --> 00:01:56.780 align:middle line:84% for work to really be surprising.