WEBVTT 00:00:00.000 --> 00:00:04.590 align:middle line:90% 00:00:04.590 --> 00:00:07.560 align:middle line:84% This is a poem that has a much longer line. 00:00:07.560 --> 00:00:09.610 align:middle line:84% And it also has a very long title. 00:00:09.610 --> 00:00:11.760 align:middle line:84% I think it's the longest title I've ever written. 00:00:11.760 --> 00:00:13.140 align:middle line:90% It used to be the first line. 00:00:13.140 --> 00:00:16.560 align:middle line:84% And then it seemed to have necessary information. 00:00:16.560 --> 00:00:19.740 align:middle line:84% But I didn't like the leap that I had to make from that line 00:00:19.740 --> 00:00:20.740 align:middle line:90% into the second line. 00:00:20.740 --> 00:00:24.420 align:middle line:84% So I borrowed a page from Tom Lux 00:00:24.420 --> 00:00:26.760 align:middle line:84% and just made it the title of the poem. 00:00:26.760 --> 00:00:30.450 align:middle line:84% And the title is "High Winds Flare Up and the Old House 00:00:30.450 --> 00:00:31.980 align:middle line:90% Shudders." 00:00:31.980 --> 00:00:33.570 align:middle line:90% So that's the title. 00:00:33.570 --> 00:00:37.890 align:middle line:84% "High Winds Flare Up and the Old House Shudders." 00:00:37.890 --> 00:00:40.680 align:middle line:90% "The dead should just shut up. 00:00:40.680 --> 00:00:43.980 align:middle line:84% Already, they've ruined the new-plowed field. 00:00:43.980 --> 00:00:46.020 align:middle line:90% It looks like a grave. 00:00:46.020 --> 00:00:49.710 align:middle line:84% Adjacent pine woods, another set of walls. 00:00:49.710 --> 00:00:53.580 align:middle line:84% In that dark room, a birch, too young to have a waist, 00:00:53.580 --> 00:00:57.150 align:middle line:84% practices sway and bend, to slope and give. 00:00:57.150 --> 00:01:00.810 align:middle line:84% And the bee at vertical rest on the outside pane, belly 00:01:00.810 --> 00:01:05.290 align:middle line:84% facing in, one jointed limb crooked to its mouth. 00:01:05.290 --> 00:01:06.990 align:middle line:90% The mouth at work-- 00:01:06.990 --> 00:01:11.520 align:middle line:84% my lost friend, of course, who lifelong chewed his cuticles 00:01:11.520 --> 00:01:13.020 align:middle line:90% to the quick. 00:01:13.020 --> 00:01:18.210 align:middle line:84% Likewise, Jane, who calls from her closet of walnut and silk 00:01:18.210 --> 00:01:20.550 align:middle line:84% for her widower to stroke her breasts, 00:01:20.550 --> 00:01:25.020 align:middle line:84% her feet, although she has no breasts, she has no feet. 00:01:25.020 --> 00:01:27.960 align:middle line:84% Exacting pity in their big white bed. 00:01:27.960 --> 00:01:30.690 align:middle line:84% The dead themselves are pitiless. 00:01:30.690 --> 00:01:35.130 align:middle line:84% They keen and thrash, or they lodge in your throat like 00:01:35.130 --> 00:01:40.350 align:middle line:84% a stone, or they descend as spring snow, as late light, 00:01:40.350 --> 00:01:44.310 align:middle line:84% as light-struck dust rises and descends-- 00:01:44.310 --> 00:01:47.970 align:middle line:84% frantic for more, more of this earth, more of its flesh, 00:01:47.970 --> 00:01:49.080 align:middle line:90% more death. 00:01:49.080 --> 00:01:50.070 align:middle line:90% Oh, yes. 00:01:50.070 --> 00:01:56.070 align:middle line:84% And a few more thousand last vast blue cloud-blemished 00:01:56.070 --> 00:01:57.620 align:middle line:90% skies. 00:01:57.620 --> 00:01:59.000 align:middle line:90%