WEBVTT 00:00:00.000 --> 00:00:00.510 align:middle line:90% 00:00:00.510 --> 00:00:03.330 align:middle line:90% I was asked to-- 00:00:03.330 --> 00:00:07.050 align:middle line:84% I was commissioned to write a poem unaccountably 00:00:07.050 --> 00:00:09.810 align:middle line:90% on a locksmith shop. 00:00:09.810 --> 00:00:12.372 align:middle line:90% 00:00:12.372 --> 00:00:13.830 align:middle line:84% So I thought about that for a while 00:00:13.830 --> 00:00:17.100 align:middle line:84% about the nature of locks and keys 00:00:17.100 --> 00:00:22.030 align:middle line:84% and there seemed to be a connection. 00:00:22.030 --> 00:00:24.170 align:middle line:90% This occult machinery. 00:00:24.170 --> 00:00:28.710 align:middle line:84% This hidden engine for opening doors. 00:00:28.710 --> 00:00:34.290 align:middle line:84% A connection to what one does when one tries to write poetry. 00:00:34.290 --> 00:00:38.550 align:middle line:84% The way-- there is that kind of meshing of gears. 00:00:38.550 --> 00:00:41.580 align:middle line:90% 00:00:41.580 --> 00:00:44.880 align:middle line:84% And then I began to think about other things far more carnal. 00:00:44.880 --> 00:00:46.950 align:middle line:84% So it's in fact, this is a poem about nothing 00:00:46.950 --> 00:00:49.211 align:middle line:90% to do with locks and keys. 00:00:49.211 --> 00:00:52.440 align:middle line:90% [LAUGHTER] 00:00:52.440 --> 00:00:55.260 align:middle line:84% But it retains a connection of the title, 00:00:55.260 --> 00:00:57.510 align:middle line:84% "Wedding The Locksmith's Daughter." 00:00:57.510 --> 00:01:01.350 align:middle line:90% [LAUGHTER] 00:01:01.350 --> 00:01:05.910 align:middle line:84% "The slow-grained slide to embed the blade of key 00:01:05.910 --> 00:01:10.500 align:middle line:84% is a sheathing, a gliding on graphite, 00:01:10.500 --> 00:01:15.680 align:middle line:84% pushing inside to find the ribs of the lock. 00:01:15.680 --> 00:01:21.000 align:middle line:84% Sunk home, the true key slots to its matrix. 00:01:21.000 --> 00:01:25.230 align:middle line:84% Geared, tight fitting, they turn together, 00:01:25.230 --> 00:01:31.440 align:middle line:84% shooting the spring lock, throwing the bolt. Dactyls, 00:01:31.440 --> 00:01:36.720 align:middle line:84% iambics, the clinch of words, the hidden couplings 00:01:36.720 --> 00:01:39.120 align:middle line:90% in the cased machine. 00:01:39.120 --> 00:01:41.970 align:middle line:90% A chime of sound on sound. 00:01:41.970 --> 00:01:48.600 align:middle line:84% The way the sung note snibs on meaning and holds. 00:01:48.600 --> 00:01:51.450 align:middle line:90% The lines engage and marry now. 00:01:51.450 --> 00:01:54.420 align:middle line:90% Their bells are keeping time. 00:01:54.420 --> 00:01:59.840 align:middle line:84% The church doors close and open underground." 00:01:59.840 --> 00:02:02.000 align:middle line:90%