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Now, I'd like to write little
poems that I read wrote for.

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I wrote for Bill Williams,
William Carlos Williams

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and that I wrote
for my master Ezra.

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This is the one for Williams
you'll see where it takes off,

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it takes off from that marvelous
little objectivist poem where

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he's looking out the
window and it's raining

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and he sees the White--
the red wheelbarrow

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and a bunch of chickens.

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It's a great little poem.

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There's more in it
than people think.

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So much depends
Bill on the way you

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saw, the way your heart
saw, what your eyes saw.

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Not just the way you saw
a wheelbarrow or the falls

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or the blossoms
of the shade tree,

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or floss in a rose
and 100 other flowers.

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Your patients, and the babies,
and the measure of your lines

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in bridles painting
of that dance.

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So many things the
rest of us would never

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have seen, except for you.

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