WEBVTT 00:00:00.000 --> 00:00:01.590 align:middle line:90% 00:00:01.590 --> 00:00:12.980 align:middle line:84% And I'll finish with one poem, a poem called "Coming Back." 00:00:12.980 --> 00:00:19.660 align:middle line:84% It has a companion poem called "Relationship," 00:00:19.660 --> 00:00:23.920 align:middle line:84% which uses the term "guttural lyric," which I use, 00:00:23.920 --> 00:00:31.040 align:middle line:84% which actually is a section of this book 00:00:31.040 --> 00:00:32.090 align:middle line:90% and is used in this poem. 00:00:32.090 --> 00:00:35.210 align:middle line:90% 00:00:35.210 --> 00:00:42.260 align:middle line:84% "Coming Back"-- you try to dust off this ghostly complexion, 00:00:42.260 --> 00:00:46.550 align:middle line:84% as if erasing a blackboard upon which the word "forever" had 00:00:46.550 --> 00:00:48.290 align:middle line:90% been written. 00:00:48.290 --> 00:00:50.390 align:middle line:90% It's no use. 00:00:50.390 --> 00:00:53.030 align:middle line:84% I kept thinking the spotlight would cleanse me, 00:00:53.030 --> 00:00:55.640 align:middle line:90% like water from a cliff. 00:00:55.640 --> 00:00:57.320 align:middle line:84% I thought the hands I passed through 00:00:57.320 --> 00:01:02.840 align:middle line:84% would be seen soiled and waving far behind. 00:01:02.840 --> 00:01:07.160 align:middle line:84% It is difficult to find in the dingiest hallway 00:01:07.160 --> 00:01:12.830 align:middle line:84% the moment that echoes purely the architect's design. 00:01:12.830 --> 00:01:14.690 align:middle line:90% I knock on the door. 00:01:14.690 --> 00:01:17.330 align:middle line:84% And how many eyes wander from the page, 00:01:17.330 --> 00:01:20.780 align:middle line:84% as if in that faint unrecognizable sound, 00:01:20.780 --> 00:01:25.490 align:middle line:84% the unexpected still lingers, love or death or simply 00:01:25.490 --> 00:01:29.810 align:middle line:84% the apologetic stranger come to say goodbye? 00:01:29.810 --> 00:01:34.850 align:middle line:84% It's just me, surprised at the ease of confession, 00:01:34.850 --> 00:01:37.670 align:middle line:84% at its guttural lyric, at the faith 00:01:37.670 --> 00:01:40.010 align:middle line:84% of the shadow with which I touch hands 00:01:40.010 --> 00:01:43.400 align:middle line:90% in an exchange of dimensions. 00:01:43.400 --> 00:01:48.560 align:middle line:84% You try to dust off this ghostly complexion, but all that's left 00:01:48.560 --> 00:01:49.700 align:middle line:90% is the ghost. 00:01:49.700 --> 00:01:53.240 align:middle line:84% And neither of us can give it up. 00:01:53.240 --> 00:01:56.590 align:middle line:90% [APPLAUSE] 00:01:56.590 --> 00:02:05.000 align:middle line:90%