WEBVTT 00:00:00.000 --> 00:00:01.350 align:middle line:90% 00:00:01.350 --> 00:00:02.760 align:middle line:90% That's a sort of an old poem. 00:00:02.760 --> 00:00:05.430 align:middle line:84% And I'll read one more old poem that 00:00:05.430 --> 00:00:07.590 align:middle line:84% will be-- both of these will be in my first book. 00:00:07.590 --> 00:00:11.760 align:middle line:90% 00:00:11.760 --> 00:00:15.570 align:middle line:84% This is called Women With Children With Winter. 00:00:15.570 --> 00:00:21.913 align:middle line:84% And it's partly a memory of seeing children in snow suits 00:00:21.913 --> 00:00:23.080 align:middle line:90% when I lived in the country. 00:00:23.080 --> 00:00:25.620 align:middle line:84% In New England, going off on the school buses and playing, 00:00:25.620 --> 00:00:27.825 align:middle line:84% and on those saucer things, going down 00:00:27.825 --> 00:00:29.093 align:middle line:90% hillsides and everything. 00:00:29.093 --> 00:00:30.510 align:middle line:84% It isn't really about that, but it 00:00:30.510 --> 00:00:33.930 align:middle line:84% was that picture of all the different bright colors 00:00:33.930 --> 00:00:39.330 align:middle line:84% on a white surface that I guess started this poem. 00:00:39.330 --> 00:00:44.880 align:middle line:84% Women With Children With Winter, the individual flakes 00:00:44.880 --> 00:00:47.880 align:middle line:84% precise as windows into conscience 00:00:47.880 --> 00:00:51.930 align:middle line:84% are ignored for a total sense of softening. 00:00:51.930 --> 00:00:55.500 align:middle line:84% Our houses in the hills, with their stiff black trees, 00:00:55.500 --> 00:01:00.900 align:middle line:84% rising behind all the scattered colors of children in the snow. 00:01:00.900 --> 00:01:04.290 align:middle line:84% So we think of interiors as contour, 00:01:04.290 --> 00:01:07.320 align:middle line:84% as a lake that grows muscular and dark 00:01:07.320 --> 00:01:09.690 align:middle line:90% with bending in the night. 00:01:09.690 --> 00:01:12.630 align:middle line:84% This last expression of a day, says 00:01:12.630 --> 00:01:17.760 align:middle line:84% the incurable past was not cruel but an exciting in between. 00:01:17.760 --> 00:01:21.840 align:middle line:84% A scarlet weather, we muffle the exactness of the way 00:01:21.840 --> 00:01:27.000 align:middle line:84% we drag our children into heavy clothes for entering winter. 00:01:27.000 --> 00:01:30.300 align:middle line:84% We live with this hazy version of ourselves, 00:01:30.300 --> 00:01:33.330 align:middle line:84% as charming figures turning down the sheets, 00:01:33.330 --> 00:01:36.780 align:middle line:84% but wish we were perfectly beautiful as often 00:01:36.780 --> 00:01:39.300 align:middle line:90% the children are in sleep. 00:01:39.300 --> 00:01:42.930 align:middle line:84% Their startling scent is remote and sexual, 00:01:42.930 --> 00:01:47.580 align:middle line:84% like the golden breasts dreamed of by a man in his chair. 00:01:47.580 --> 00:01:52.080 align:middle line:84% The slow bodies pulling back and out of breath, 00:01:52.080 --> 00:01:53.880 align:middle line:90% escape the keeping of it. 00:01:53.880 --> 00:01:57.960 align:middle line:84% The lunar form of what we haven't learned, but thought we 00:01:57.960 --> 00:01:59.640 align:middle line:90% had in memory. 00:01:59.640 --> 00:02:04.260 align:middle line:84% When like now, last winter was filled with snow 00:02:04.260 --> 00:02:07.310 align:middle line:90% and revolving silhouettes. 00:02:07.310 --> 00:02:10.000 align:middle line:90%