WEBVTT 00:00:00.000 --> 00:00:01.110 align:middle line:90% 00:00:01.110 --> 00:00:03.900 align:middle line:84% The rest of the poems I'm going to read 00:00:03.900 --> 00:00:10.020 align:middle line:84% are from the new poem section of the book which for some reason 00:00:10.020 --> 00:00:11.235 align:middle line:90% always comes first. 00:00:11.235 --> 00:00:13.860 align:middle line:90% 00:00:13.860 --> 00:00:17.820 align:middle line:84% I'll start with the title poem "PM AM," 00:00:17.820 --> 00:00:21.630 align:middle line:84% which is a pair of poems and very 00:00:21.630 --> 00:00:24.660 align:middle line:84% difficult to convince editors and typesetters 00:00:24.660 --> 00:00:26.910 align:middle line:90% that PM comes first. 00:00:26.910 --> 00:00:28.965 align:middle line:84% We had to redo that a couple of times. 00:00:28.965 --> 00:00:31.750 align:middle line:90% 00:00:31.750 --> 00:00:32.250 align:middle line:90% "PM." 00:00:32.250 --> 00:00:35.070 align:middle line:90% 00:00:35.070 --> 00:00:40.050 align:middle line:84% The child is unreconciled to the dark. 00:00:40.050 --> 00:00:42.870 align:middle line:84% Adrift on her small bed, she listens 00:00:42.870 --> 00:00:47.130 align:middle line:84% for voices down the hall as if they were familiar waves 00:00:47.130 --> 00:00:50.310 align:middle line:90% lapping at the unknown shore. 00:00:50.310 --> 00:00:53.190 align:middle line:90% But her mother is almost silent. 00:00:53.190 --> 00:00:55.560 align:middle line:84% The needle has dropped from her hand 00:00:55.560 --> 00:00:59.490 align:middle line:84% and the only embroidery left is the sky stretched 00:00:59.490 --> 00:01:02.310 align:middle line:90% between window frames. 00:01:02.310 --> 00:01:05.459 align:middle line:90% Her father loosens his tie. 00:01:05.459 --> 00:01:09.150 align:middle line:84% He has used up his small store of words 00:01:09.150 --> 00:01:13.530 align:middle line:84% and even his sleep will be burdened by the heavy breathing 00:01:13.530 --> 00:01:15.430 align:middle line:90% of others. 00:01:15.430 --> 00:01:17.460 align:middle line:90% This is how she remembers it. 00:01:17.460 --> 00:01:22.560 align:middle line:84% The house creaking as if it were loose on its moorings, 00:01:22.560 --> 00:01:24.285 align:middle line:90% the unnavigable dark. 00:01:24.285 --> 00:01:26.880 align:middle line:90% 00:01:26.880 --> 00:01:29.100 align:middle line:90% "AM." 00:01:29.100 --> 00:01:33.180 align:middle line:84% The child gets up on the wrong side of the bed. 00:01:33.180 --> 00:01:36.240 align:middle line:84% There are splinters of cold light on the floor 00:01:36.240 --> 00:01:40.110 align:middle line:84% and when she frowns, the frown freezes on her face 00:01:40.110 --> 00:01:43.710 align:middle line:84% as her mother has warned her it would. 00:01:43.710 --> 00:01:47.760 align:middle line:84% When she puts her elbows roughly on the table, her father says, 00:01:47.760 --> 00:01:50.640 align:middle line:84% "You got up on the wrong side of the bed." 00:01:50.640 --> 00:01:56.070 align:middle line:84% And there is suddenly a cold river of spilled milk. 00:01:56.070 --> 00:02:01.200 align:middle line:84% These gestures are merely formal, small stitches 00:02:01.200 --> 00:02:03.480 align:middle line:84% in the tapestry of a childhood she 00:02:03.480 --> 00:02:07.320 align:middle line:90% will remember as nearly happy. 00:02:07.320 --> 00:02:10.470 align:middle line:90% Outside the snow begins again. 00:02:10.470 --> 00:02:13.860 align:middle line:84% Ordinary weather blurring the landscape 00:02:13.860 --> 00:02:19.710 align:middle line:84% between that time and this as she swings her cold legs 00:02:19.710 --> 00:02:22.730 align:middle line:90% over the side of the bed. 00:02:22.730 --> 00:02:24.092 align:middle line:90%