WEBVTT 00:00:00.000 --> 00:00:03.030 align:middle line:90% 00:00:03.030 --> 00:00:04.920 align:middle line:84% The next poem is called the solace 00:00:04.920 --> 00:00:10.260 align:middle line:84% of poetry and part of it's the idea for the poem 00:00:10.260 --> 00:00:14.860 align:middle line:84% came from a concern that I've had for a long time. 00:00:14.860 --> 00:00:18.510 align:middle line:84% When I was a little kid, I figured if I was uncomfortable 00:00:18.510 --> 00:00:21.540 align:middle line:84% at all in life, if I watched people very closely 00:00:21.540 --> 00:00:24.030 align:middle line:90% I would figure out how to live. 00:00:24.030 --> 00:00:27.060 align:middle line:84% If by a certain kind of mimicry I 00:00:27.060 --> 00:00:29.640 align:middle line:84% could penetrate to the mysteries of life 00:00:29.640 --> 00:00:33.300 align:middle line:84% just by watching other people and trying to become them. 00:00:33.300 --> 00:00:36.810 align:middle line:84% And I remember there was a lovely poem 00:00:36.810 --> 00:00:41.790 align:middle line:84% by Robert Muzzy called a confession in which a voyeur is 00:00:41.790 --> 00:00:44.940 align:middle line:84% speaking, a peeping Tom is speaking 00:00:44.940 --> 00:00:50.070 align:middle line:84% and he says something like I only-- 00:00:50.070 --> 00:00:51.780 align:middle line:84% his reason for doing this, he says 00:00:51.780 --> 00:00:56.250 align:middle line:84% I only wanted to see how people live not knowing how. 00:00:56.250 --> 00:00:58.080 align:middle line:84% There's something of that in the poem. 00:00:58.080 --> 00:01:03.250 align:middle line:90% 00:01:03.250 --> 00:01:07.150 align:middle line:84% The solace of poetry is not the solace of gossip, 00:01:07.150 --> 00:01:10.940 align:middle line:84% although I can guess particulars of your life. 00:01:10.940 --> 00:01:14.650 align:middle line:84% Often from my window seat, I watch two neighbors 00:01:14.650 --> 00:01:19.510 align:middle line:84% breast, cheek and flank that wilderness and something 00:01:19.510 --> 00:01:23.440 align:middle line:84% glowing in the dark like a string of pearls from one mouth 00:01:23.440 --> 00:01:26.020 align:middle line:90% to the other. 00:01:26.020 --> 00:01:28.630 align:middle line:84% As a child, I wanted to be everyone. 00:01:28.630 --> 00:01:31.270 align:middle line:84% I spied on the man delivering milk 00:01:31.270 --> 00:01:34.780 align:middle line:84% and on his counterpart in striped pajamas at his kitchen 00:01:34.780 --> 00:01:40.210 align:middle line:84% table thinking himself alone while the world slept. 00:01:40.210 --> 00:01:42.250 align:middle line:90% Your palms say hello. 00:01:42.250 --> 00:01:43.630 align:middle line:90% It's private. 00:01:43.630 --> 00:01:46.120 align:middle line:84% The child's need to both keep and share 00:01:46.120 --> 00:01:49.720 align:middle line:90% a secret after the lamp is off. 00:01:49.720 --> 00:01:53.380 align:middle line:84% I lay your book aside to watch the old couple undressing 00:01:53.380 --> 00:01:55.060 align:middle line:90% before sleep. 00:01:55.060 --> 00:01:59.860 align:middle line:84% They examine each scar and mark in the body's history. 00:01:59.860 --> 00:02:04.600 align:middle line:84% Something enters their life like water enters a pond at night, 00:02:04.600 --> 00:02:09.160 align:middle line:84% lies in their bed, faceless as a dull beneath the quilt 00:02:09.160 --> 00:02:13.050 align:middle line:84% remembered weight and does not speak. 00:02:13.050 --> 00:02:14.000 align:middle line:90%