WEBVTT 00:00:00.000 --> 00:00:10.620 align:middle line:90% 00:00:10.620 --> 00:00:22.910 align:middle line:84% In that poem it speaks of the way that the steps live in me. 00:00:22.910 --> 00:00:35.600 align:middle line:84% And this poem written I suppose about a year later also 00:00:35.600 --> 00:00:43.280 align:middle line:84% speaks of a place in one's feeling life, 00:00:43.280 --> 00:00:46.320 align:middle line:90% in the life of the imagination. 00:00:46.320 --> 00:00:51.620 align:middle line:84% This poem is dedicated to two very dear friends of mine 00:00:51.620 --> 00:00:52.430 align:middle line:90% in London-- 00:00:52.430 --> 00:00:55.850 align:middle line:90% David Mitchell and David Hass. 00:00:55.850 --> 00:00:57.185 align:middle line:90% And it's called "Room." 00:00:57.185 --> 00:01:02.910 align:middle line:90% 00:01:02.910 --> 00:01:07.650 align:middle line:84% "Shelf of worn, chipped, exquisite China 00:01:07.650 --> 00:01:12.510 align:middle line:90% oddments for daily use. 00:01:12.510 --> 00:01:17.760 align:middle line:84% Baskets for fruit, potatoes, shopping; 00:01:17.760 --> 00:01:24.120 align:middle line:84% stove with grill where David makes such good brown toast. 00:01:24.120 --> 00:01:29.730 align:middle line:84% Left of the sink above the counter, Mary Wollstonecraft, 00:01:29.730 --> 00:01:35.160 align:middle line:90% fair face, dark shadows, energy. 00:01:35.160 --> 00:01:40.140 align:middle line:84% Slightly unsteady, the small table. 00:01:40.140 --> 00:01:41.760 align:middle line:90% Notes to each other. 00:01:41.760 --> 00:01:49.170 align:middle line:84% And soon when David and David come home, strong cups of tea. 00:01:49.170 --> 00:01:52.740 align:middle line:84% It's the kitchen, its window viewless 00:01:52.740 --> 00:01:56.160 align:middle line:84% and not the handsome calm of the living room 00:01:56.160 --> 00:02:00.870 align:middle line:84% I find myself in, at peace, though the presence 00:02:00.870 --> 00:02:05.790 align:middle line:84% across the whole of that room too is part of being here. 00:02:05.790 --> 00:02:10.380 align:middle line:84% The threadbare gracious carpet, surreal romances 00:02:10.380 --> 00:02:14.580 align:middle line:84% of the Victorian decoupage screen, poplars 00:02:14.580 --> 00:02:20.190 align:middle line:84% and oaks and sunsets the large windows look to. 00:02:20.190 --> 00:02:25.290 align:middle line:90% Afternoon, an ample easy quiet. 00:02:25.290 --> 00:02:29.250 align:middle line:84% But it breaks sharply, the Davids 00:02:29.250 --> 00:02:32.640 align:middle line:84% have moved, all the objects stand 00:02:32.640 --> 00:02:36.060 align:middle line:84% at new angles, a kitchen I've never seen, 00:02:36.060 --> 00:02:39.750 align:middle line:84% light from another compass point. 00:02:39.750 --> 00:02:46.890 align:middle line:84% This room my refuge is nowhere but in my mind, more blurred 00:02:46.890 --> 00:02:49.620 align:middle line:84% for them than for me, their memories too 00:02:49.620 --> 00:02:53.246 align:middle line:90% many to sift and focus. 00:02:53.246 --> 00:03:00.000 align:middle line:84% Peace of the invisible, take this nectar, transform it, 00:03:00.000 --> 00:03:02.650 align:middle line:90% internalize it. 00:03:02.650 --> 00:03:06.510 align:middle line:84% If I lose the knowledge of this place 00:03:06.510 --> 00:03:10.810 align:middle line:90% my soul shall be diminished. 00:03:10.810 --> 00:03:17.790 align:middle line:84% There is a song in all humankind that rooms, houses, parks, 00:03:17.790 --> 00:03:24.090 align:middle line:84% streets, fields, and particular corners of fields, rivers, 00:03:24.090 --> 00:03:27.930 align:middle line:84% and certain eye-span reaches of rivers 00:03:27.930 --> 00:03:32.820 align:middle line:90% are notes in, as people are. 00:03:32.820 --> 00:03:38.520 align:middle line:84% Give me the power to sound this note, that disappeared 00:03:38.520 --> 00:03:45.510 align:middle line:84% as if torn down but clear cool tranquil kitchen on Downside 00:03:45.510 --> 00:03:50.580 align:middle line:84% Crescent present in me, a place to be in. 00:03:50.580 --> 00:03:53.610 align:middle line:84% Not pretending-- no tears were shed in it, 00:03:53.610 --> 00:03:57.390 align:middle line:84% no hard words ever shouted, no gray mornings 00:03:57.390 --> 00:04:00.930 align:middle line:84% ever caught in the small mirror over the sink. 00:04:00.930 --> 00:04:04.980 align:middle line:84% But seeing despite that, precisely because of that, 00:04:04.980 --> 00:04:09.510 align:middle line:84% grief not being turned away a place made for grief 00:04:09.510 --> 00:04:18.089 align:middle line:84% to be, one could be there and breathe easy, uncrowded. 00:04:18.089 --> 00:04:24.060 align:middle line:84% A note or chord of notes sustained, 00:04:24.060 --> 00:04:29.700 align:middle line:84% hushing, recurrent in the stream of the song." 00:04:29.700 --> 00:04:32.700 align:middle line:90% 00:04:32.700 --> 00:04:35.750 align:middle line:90% [APPLAUSE] 00:04:35.750 --> 00:04:43.298 align:middle line:90%