WEBVTT 00:00:00.000 --> 00:00:01.110 align:middle line:90% 00:00:01.110 --> 00:00:03.180 align:middle line:84% On behalf of the Poetry Center, I'd 00:00:03.180 --> 00:00:05.940 align:middle line:84% like to welcome you to the continuation of our reading 00:00:05.940 --> 00:00:07.320 align:middle line:90% series. 00:00:07.320 --> 00:00:10.710 align:middle line:84% I have a few announcements to make 00:00:10.710 --> 00:00:13.470 align:middle line:84% of upcoming events in the community 00:00:13.470 --> 00:00:17.520 align:middle line:84% and in our series that may be of interest to you. 00:00:17.520 --> 00:00:20.610 align:middle line:84% Our next reading will be two weeks 00:00:20.610 --> 00:00:22.920 align:middle line:90% from tonight on October 17th. 00:00:22.920 --> 00:00:25.590 align:middle line:84% It's an invitational undergraduate reading, 00:00:25.590 --> 00:00:31.470 align:middle line:84% and it will feature readings by Sherwin Bitsui, Paul Tsu, 00:00:31.470 --> 00:00:34.950 align:middle line:84% Melinda Caroline, Eric Higgins, Jocelyn Goodman, 00:00:34.950 --> 00:00:36.840 align:middle line:90% and April Greengard. 00:00:36.840 --> 00:00:42.240 align:middle line:84% So that will be here, 8 o'clock, October 17. 00:00:42.240 --> 00:00:46.200 align:middle line:84% In two events in the community, one, 00:00:46.200 --> 00:00:50.520 align:middle line:84% for the benefit of the wonderful feminist press, Kore Press, 00:00:50.520 --> 00:00:56.940 align:middle line:84% in town, who, just incidentally, is issuing an audio CD 00:00:56.940 --> 00:01:00.420 align:middle line:90% of my poem, "The Monarchs." 00:01:00.420 --> 00:01:02.370 align:middle line:84% The poem sequence, is going to have a release 00:01:02.370 --> 00:01:06.480 align:middle line:84% party for that audio with a reading, cake, and champagne, 00:01:06.480 --> 00:01:09.660 align:middle line:84% this Saturday at 7:00 at the Hazmat 00:01:09.660 --> 00:01:14.220 align:middle line:84% MOCA Gallery, downtown on Toole Avenue. 00:01:14.220 --> 00:01:19.530 align:middle line:84% And the other event is the POG Series. 00:01:19.530 --> 00:01:22.530 align:middle line:84% The POG Poetry Collective will host a reading 00:01:22.530 --> 00:01:26.700 align:middle line:84% on Saturday, October 13, at 7 o'clock, 00:01:26.700 --> 00:01:31.230 align:middle line:84% in the Living Community Center, 330 East Seventh Street. 00:01:31.230 --> 00:01:37.590 align:middle line:84% This is a reading that will feature a dozen local writers 00:01:37.590 --> 00:01:42.720 align:middle line:84% of note, including our own esteemed and beloved Frances 00:01:42.720 --> 00:01:46.770 align:middle line:84% Sjoberg, others, Tim Peterson, Tenney Nathanson, Jonathan 00:01:46.770 --> 00:01:53.070 align:middle line:84% VanBallenberghe, Maggie Golston, Heather Nagami, Charles 00:01:53.070 --> 00:01:55.720 align:middle line:90% Alexander, and others. 00:01:55.720 --> 00:01:59.040 align:middle line:84% So those are other things that are happening in town. 00:01:59.040 --> 00:02:02.460 align:middle line:84% And, in conjunction with this event tonight, 00:02:02.460 --> 00:02:06.420 align:middle line:84% tomorrow morning at 10:30, Mary Leader 00:02:06.420 --> 00:02:08.970 align:middle line:90% will give a craft lecture. 00:02:08.970 --> 00:02:13.080 align:middle line:84% That's another opportunity to learn more about her work 00:02:13.080 --> 00:02:14.560 align:middle line:90% and her thinking about poetry. 00:02:14.560 --> 00:02:16.800 align:middle line:84% So I urge you to join us for that. 00:02:16.800 --> 00:02:21.360 align:middle line:84% That will be tomorrow morning at 10:30 in the Alumni Building 00:02:21.360 --> 00:02:23.790 align:middle line:84% at the corner of Cherry and Speedway. 00:02:23.790 --> 00:02:27.670 align:middle line:90% 00:02:27.670 --> 00:02:31.900 align:middle line:84% I'd like to thank those who've made this reading possible, 00:02:31.900 --> 00:02:33.190 align:middle line:90% our funding sources. 00:02:33.190 --> 00:02:35.060 align:middle line:84% We're always very grateful to them. 00:02:35.060 --> 00:02:37.060 align:middle line:84% And they include, for this series, 00:02:37.060 --> 00:02:39.310 align:middle line:84% the University of Arizona Foundation, 00:02:39.310 --> 00:02:41.470 align:middle line:84% the Arizona Commission on the Arts, 00:02:41.470 --> 00:02:43.335 align:middle line:84% and Friends of the Poetry Center. 00:02:43.335 --> 00:02:46.540 align:middle line:90% 00:02:46.540 --> 00:02:48.670 align:middle line:84% Mary Leader spent years practicing 00:02:48.670 --> 00:02:53.200 align:middle line:84% law, first as Assistant Attorney General of Oklahoma, 00:02:53.200 --> 00:02:56.980 align:middle line:84% and then as referee for the Oklahoma Supreme Court. 00:02:56.980 --> 00:03:01.180 align:middle line:84% Her first book, Red Signature, won the National Poetry Series. 00:03:01.180 --> 00:03:03.790 align:middle line:84% Her second, The Penultimate Suitor, 00:03:03.790 --> 00:03:06.670 align:middle line:90% won the Iowa Poetry Prize. 00:03:06.670 --> 00:03:10.360 align:middle line:84% She holds a PhD in literature from Brandeis University, 00:03:10.360 --> 00:03:13.120 align:middle line:84% an MFA from Warren Wilson College, 00:03:13.120 --> 00:03:16.150 align:middle line:84% and a JD from the University of Oklahoma. 00:03:16.150 --> 00:03:20.020 align:middle line:84% She's currently teaching at the University of Memphis. 00:03:20.020 --> 00:03:24.160 align:middle line:84% We were talking at dinner about how strange 00:03:24.160 --> 00:03:28.150 align:middle line:84% it seems to most of us to meet somebody 00:03:28.150 --> 00:03:33.550 align:middle line:84% who has the capacity of mind both to practice law 00:03:33.550 --> 00:03:35.020 align:middle line:90% and to be a poet. 00:03:35.020 --> 00:03:39.400 align:middle line:84% And I floated a hypothesis, which, I am grateful to say, 00:03:39.400 --> 00:03:41.530 align:middle line:84% the poet didn't think was too far-fetched, 00:03:41.530 --> 00:03:44.890 align:middle line:84% that I'll share with you, which is that, we think 00:03:44.890 --> 00:03:51.100 align:middle line:84% of law as an extremely linear and bounded pursuit with rules 00:03:51.100 --> 00:03:52.660 align:middle line:90% that are quite fixed. 00:03:52.660 --> 00:03:56.440 align:middle line:84% And one of the very interesting things about Leader's poetry, 00:03:56.440 --> 00:04:00.940 align:middle line:84% for me, is how each poem declares very clear 00:04:00.940 --> 00:04:03.130 align:middle line:90% and strict rules and boundaries. 00:04:03.130 --> 00:04:06.430 align:middle line:84% Every poem declares new rules and boundaries, 00:04:06.430 --> 00:04:09.220 align:middle line:90% but each one has a kind of code. 00:04:09.220 --> 00:04:12.670 align:middle line:84% And, for me, I see both that linear mind 00:04:12.670 --> 00:04:19.360 align:middle line:84% and that wild exploratory mind working in tandem in her work. 00:04:19.360 --> 00:04:22.240 align:middle line:84% Leader is a poet of formal exuberance. 00:04:22.240 --> 00:04:26.050 align:middle line:84% By this, I do not mean that she writes cheerful sonnets. 00:04:26.050 --> 00:04:29.350 align:middle line:84% But that, for her, the impulse to explore 00:04:29.350 --> 00:04:33.070 align:middle line:84% the possibilities of form is free-ranging 00:04:33.070 --> 00:04:35.920 align:middle line:90% and wildly energetic. 00:04:35.920 --> 00:04:39.910 align:middle line:84% Whether she is scoring, in the musical sense of the word, 00:04:39.910 --> 00:04:43.240 align:middle line:84% a poem across the white space of the page 00:04:43.240 --> 00:04:46.930 align:middle line:84% or creating a fairy tale, a letter, a litany, 00:04:46.930 --> 00:04:50.470 align:middle line:84% a table of contents-- she has several poems that are tables 00:04:50.470 --> 00:04:55.510 align:middle line:84% of contents-- a grid of goofy iconographic symbols, a collage 00:04:55.510 --> 00:04:58.930 align:middle line:84% made of found memorabilia of a life gone by, 00:04:58.930 --> 00:05:03.100 align:middle line:84% or a transcription of the inner dialogue induced 00:05:03.100 --> 00:05:09.710 align:middle line:84% by erotic desire, she makes the music of the language sing. 00:05:09.710 --> 00:05:14.020 align:middle line:84% She is a polyvocal and polyformal poet, 00:05:14.020 --> 00:05:18.550 align:middle line:84% and while one feels her delight in words and invention, 00:05:18.550 --> 00:05:23.140 align:middle line:84% there is a tough-minded honesty that keeps her playfulness 00:05:23.140 --> 00:05:25.930 align:middle line:90% from being trivial. 00:05:25.930 --> 00:05:30.880 align:middle line:84% Poet Frank Bidart writes of her, "The poems are like looking"-- 00:05:30.880 --> 00:05:32.950 align:middle line:84% and he was talking about Red Signature. 00:05:32.950 --> 00:05:38.680 align:middle line:84% "The poems are like looking at a great John Ford film, something 00:05:38.680 --> 00:05:43.330 align:middle line:84% elemental within American experience, something born 00:05:43.330 --> 00:05:47.830 align:middle line:84% of deprivation but capable of possessing grandeur, 00:05:47.830 --> 00:05:50.960 align:middle line:90% has found classic expression." 00:05:50.960 --> 00:05:53.050 align:middle line:90% Please welcome Mary Leader. 00:05:53.050 --> 00:05:56.400 align:middle line:90% [APPLAUSE] 00:05:56.400 --> 00:06:02.000 align:middle line:90%